Recent Entries
Jan 25, 2012 Prestige, Riverside
Been away from eBay for a few days. Here’s some of the jazz vinyl we missed:
Hmm, this one doesn’t normally get the Jazz Collector prices, particularly the stereo version: Jimmy Heath, The Thumper, Riverside 1160. This was the original black label stereo version. The record was in M- condition and the cover was probably VG++. It sold for $163.50 but there were only two bidders, which raises a bit of an alert with me. This one was from the same seller: Cannonball Adderley Quintet at the Lighthouse, Riverside 344. This was an original deep groove mono pressing. The record and cover were in M- condition and, again, there were two bidders. The top bid was $88.
There were still a few more we were watching from the jazz5060/Music Matters auction, including a few that went for quite high prices, compared to what they normally fetch. For example:
Read More..
Jan 21, 2012 Blue Note, Prestige
Up here in The Berkshires, where it’s snowing and quite lovely. Anyway . . . The folks at jazz5060/Music Matters have been posting quite the jazz vinyl collection on eBay in recent weeks. They have a bunch of nice items up there now, and a bunch more that already sold for very nice prices this week, including: Lou Donaldson, Lou Takes Off, Blue Note 1591. This was an original pressing in M- condition for the record and the cover. This one sold for $909.99. I finally, finally, got an original copy of this record for my own collection in that collection I purchased from Canada a few weeks ago. These guys at jazz5060/Music Matters seem to be doing quite well with their prices. Perhaps I need to charge them more (charge them something, actually) for the ad that keeps running here on Jazz Collector.
Sometimes you see these Prestiges go for top dollar, sometimes they go relatively cheaply. This one was top dollar: Gene Ammons All Stars, Prestige 7060. This one was in M- condition for the record and cover and sold for $707.
Jan 19, 2012 $1000 Records, Blue Note
Let’s up date some of the Jazz Vinyl we’ve been watching on eBay this week, starting with: Kenny Burrell, Blue Note 1543. This was an original Lexington Avenue pressing — the last of the Lexingtons — and it has the Andy Warhol cover. Quite a find. The record was listed in M- condition and the cover, the original framed cover, was also in M- condition. It sold for $2,025 and I’m sure will be a welcome addition to the buyer’s collection.
One of our regular readers pointed this one out to me, thinking the price was inordinately highly, but I’m not sure I agree. For original Blue Notes in M- condition, there seems to be no limit these days: Horace Parlan, Up and Down, Blue Note 4082. This one sold for $665.55.
This one was still sealed, but was it the original seal? If so, how would you be able to tell?
Read More..
Jan 17, 2012 $1000 Records, Blue Note, Norgran
There were a bunch of interesting jazz vinyl auctions that closed last night, to wit: Red Rodney, Signal S 1206. This looked like an original pressing in perhaps VG++ condition for the record and VG+ for the cover? The seller uses a wide variety of grades that don’t necessarily correspond to the grading language we typically use, so it’s up for interpretation. Hopefully the buyer will be pleased. This one sold for a whopping $1,825.55.
Her’s one for the $2,000 bin: Lee Morgan, Candy, Blue Note 1590. This was an original pressing that looked to be in M- or VG++ condition for the record and VG+ for the cover. It sold for $2,111. There was another copy of this record that we mentioned the other day, Blue Note 1590, that was in just VG- condition for the record and cover. We wondered about the eventual price for a record that may not be all that playable. The price was $237.65
How the market has changed through the years: Johnny Hodges, Castle Rock, Norgran 1048. This was an original yellow label pressing. It was in VG+ condition for both the record and the vinyl. It sold for $66. When I started collecting jazz, there seemed to be much more interest from collectors in the original Norgrans. A different era, I guess — but also an opportunity to pick up some of these very nice records at reasonable prices.
Jan 16, 2012 Blue Note
Let’s catch up on some interesting jazz vinyl auctions we’ve been watching on eBay.
For as long as I’ve been collecting, it’s nice to know that there’s always something new to learn. Here’s a record I’ve like for a long time: John Lewis and Sacha Distel, Afternoon in Paris. I’ve only owned this as an Atlantic recording, black label, of course, and I frankly had no idea that it was originally issued in France under the Versailles label, Versailles, MDX 12 005. I just checked out the liner notes on my Atlantic pressing and it makes no mention of Versailles. It does mention that Barney Wilen was only 19 years old at the time of the recording, which is pretty incredible considering how well he plays on this record and how mature he sounds. Anyway, this copy was in VG++ condition for the record and M- for the cover, which was the soft cover that seemed to be typical of the European pressings in those days. This copy sold for $630. The highest price we’ve recorded for the Atlantic pressing in the Jazz Collector Price Guide has been $121.
Read More..
Jan 16, 2012 Blue Note
Lot of interesting jazz vinyl we’re watching now on eBay, so let’s get right into it. This one is closing fairly soon: Lee Morgan, Candy, Blue Note 1590. What’s the market for a rare record like this in not very good condition, actually in VG minus condition? So far the bidding on this one has topped $125. I’d love to have this record back in my collection — yes, I sold a pristine copy 20 years ago — but not in this condition. If I can’t listen to the record, I don’t necessarily need to own it just to fill a space in the collection.
This one is in better condition, but hard to actually give it a grade based on seller’s description. My guess from the description and pictures that it’s what I would grade a VG+ for the record and the cover: Johnny Griffin, A Blowing Session, Blue Note 1559. This one has already topped $800. As I mentioned recently, I am now the proud owner of an original pressing of this record, after all of these years of collection. Amazing how rare these things are, when you think about it. I could have paid top dollar over the years, I guess, to acquire a copy of this record, but in the normal course of things — going to record stores, record shows, garage sales flea markets, looking for records in most cities across the U.S. — in more than 40 years I had never come across an original copy of this record, and many others, for what I considered to be a reasonable price at the time.
Read More..
Jan 15, 2012 News
Have you seen the latest controversy? Musician Nicholas Payton is leading a movement to get rid of the word “jazz.” His argument is that the term “jazz” is racist and that deeply embedded societal oppression of black Americans necessitates a reclassification of the music. Check out this article: A Controversial Proposal Would Redefine Jazz. At one point in his blog or in a tweet Payton states: “The j-word is dead. It died in 1959. Those who celebrate it are worshipping a zombie.” Not exactly sure why Payton chose 1959. That was the year of Kind of Blue. Coltrane hadn’t even recorded any of his masterpieces on Impulse. Think of all the Blue Note records we all love and enjoy post-1959. Anyway. Payton advocates that the music we know of as “jazz” be reclassified as Black American Music. He uses the acronym BAM. Does this mean I have to change my site to BAM Collector? And sell my Bill Evans, Stan Getz, Zoot Sims and Tal Farlow records? Something about that doesn’t seem quite right. I’m sure this audience will have some opinions on the topic, no?
Jan 13, 2012 Blue Note, Jazz Memoirs
I wasn’t actually planning to write anything about my recent jazz vinyl acquisitions but, of course, my excitement and enthusiasm took over and I couldn’t resist. I have this idea of writing a Jazz Collector book – I’ve already begun – and the story of some of these record scores is going to be a central theme so I’m trying to save them. However, I mentioned it so now I have to embellish a little bit so I don’t leave you all tantalized. It started with a simple inquiry from a guy in Canada who was asking for advice about selling some records he had inherited. It almost always starts that way. I get inquiries like these three or four times a week. He said he had looked on Jazz Collector and it seemed that some of the records he owned were quite valuable – Blue Notes, he said, and they seemed original. I told him his best bet was to get Fred Cohen’s book, try to gauge the value of the records, and sell them himself on eBay. He said that’s what he was going to do and thanked me. I thought that was the end of it. But it wasn’t.
Read More..
Jan 12, 2012 Jazz Vinyl, Jazz Vinyl on eBay, Prestige, The Great Jazz Vinyl Countdown
I just logged onto eBay and as I was signing in this record was closing: Meet Oliver Nelson, New Jazz 8224. It was an original pressing with the purple label and deep grooves, featuring Kenny Dorham on trumpet. It looked to be in M- condition for the record and probably VG++ for the cover. The price was $157.50. I have an interest in this record because I was just looking at a copy in my apartment, where it is among a batch of original records I have just scored. There was a time, many of you will remember, when I was talking of scaling back my collecting and doing a Great Jazz Vinyl Countdown, but I still can’t seem to give up the habit — addiction? — of buying more records. This batch in front of me is quite cool. On the top is an original pressing of Cool Struttin’ by Sonny Clark and just below that is an original pressing of Soundin’ Off by Dizzy Reece. Someday soon I will share the story of this particular score but, in the meantime, I have some records to clean, including Meet Oliver Nelson on New Jazz, worth as much as $157.50.
Jan 10, 2012 Blue Note, Prestige
Here’s some of the rare jazz vinyl we’re watching now on eBay:
Miles Davis with Sonny Rollins, Dig, Prestige 7012. This looks to be an original New York pressing with the gray cover as opposed to the blue cover. I would also assume that this is the “frame” cover, otherwise known as kakubushi. I always preferred the gray cover, of course, since it is the original, and I wonder why Prestige chose to change the color on the subsequent release. Perhaps someone out there knows — Rudolf? This one was in VG+ condition for both the record and the cover and is currently in the $150 price range with more than a day to go.
I am no longer in the market for this record, having just acquired an original pressing. Yay! Johnny Griffin, A Blowing Session, Blue Note 1559. This appears to be an original pressing and the condition seems to be somewhere between VG+ and M-. The start price is around $750 and, so far, there are no takers. The second copy, viewed here, looks to be in slightly worse condition, rated as “excellent” by the seller, although he describes light scuffs and the picture shows a back that has some dirt and wear. If I were wagering, I’d say this record and cover are VG+, the way I grade things. This one already has two bids and is at $404 with six days to go.
Jan 9, 2012 $1000 Records, Blue Note, Riverside
Here’s a recap of some of the jazz vinyl auctions we’ve been watching on eBay:
Hank Mobley, Blue Note 1568. This was the one that was in M- condition for the record and VG++ or M- for the cover. It sold for quite a hefty price, $4,600, but not a record high. This guy was bid all the way up to $2,720 and STILL didn’t meet the seller’s reserve price. Wow: Jackie McLean, The New Tradition, Ad Lib 6601. The record was described as being in M- condition and the cover was VG++ or M-.
This one, believe it or not, entered the $2,000 bin: Bill Evans, Waltz for Debby, Riverside 399. The seller didn’t actually apply a grade for either the cover or record, but noted that the vinyl was in “great shape” other than for a paper scratch or two. Somewhat reassuring, but not enough for me to wager $2,075, which is what the winning bidder put up. It was a white label promo copy, but still.
Here are a couple more for the $1,000 bin:
Read More..
Jan 5, 2012 Blue Note, Jazz Vinyl, Jazz Vinyl on eBay
Like many of you I’m greatly intrigued by the discussion on Why We Collect but, alas, I cannot shirk my normal obsession and obligation to keep an eye on collectible jazz vinyl on eBay. Here are some of the items I’m watching:
Lou Donaldson, Lou Takes Off, Blue Note 1591. Hard to believe, but I never had an original pressing of this record — until now. I have made a little bit of a purchase, including a bunch of Blue Notes. I will give you more details once the full purchase is complete, probably sometime next week. In the meantime, I’m watching this to see if I overpaid. This one is listed in VG++ condition for both the record and the cover. It is currently at about $215 with another day to go. I expect this to go for quite a bit more, with the added benefit of Sonny Clark on piano.
This one could set a new record, perhaps: Hank Mobley, Blue Note 1568. This is an original pressing listed in near mint for the record and what looks to be at least VG++ for the cover. The seller is reputable and has been posting some very nice items the past few weeks. This one is already more than $3,100, yet it hasn’t met the seller’s reserve. In the Jazz Collector Price Guide we’ve recorded this as selling for $5,600 in the past, the highest price we’ve ever seen for a single jazz record.
Read More..
Jan 3, 2012 Features
Why do we collect? I’ve been giving that a lot of thought lately, trying to figure out what to do with all of my stuff and trying to determine what is worth keeping – and why – and what isn’t. So along comes this interesting article from The New York Times on the very topic. The author, Philipp Blom, is a cultural historian, writer and journalist who lives in Vienna. Here’s the article below. Here’s a link as well, so you can see all of the comments on The New York Times site: Objects of Desire and Dreams
Why do we amass stuff we don’t need? Not all collecting is art collecting and no real collector would acquire things just as a status enhancement or investment. Real collectors are after something else. The objects in their collection are taken out of use, removed from circulation. The real value of a piece lies not in its auction price, but in the importance it has in the collection.
No true devotee would buy a T-shirt worn by Mick Jagger during a concert, chuck it in the washing machine and wear it. A Mick Jagger T-shirt is no longer a T-shirt, it’s a
Read More..
Jan 1, 2012 $1000 Records, Blue Note, Prestige, Price Guide
Happy New Year to everyone. Here are a few more items going into the Jazz Collector Price Guide. No links on these.
Jimmy Raney Quartet, New Jazz 1101. I like this one because of the maroon and white label, which you rarely see. There were just a few 10-inch New Jazz LPs, so they are pretty cool, and pretty rare. This one was probably in VG or VG+ condition for the record and the vinyl. It sold for $157.50.
Now a bunch of Blue Notes:
Lee Morgan, Lee-Way, Blue Note 4034. This was in M- condition for both the record and the cover. It sold for $600.
Lou Donaldson, Wailing With Lou, Blue Note 1545. This was an original West 63rd pressing in M- condition for the record and VG+ for the cover. It sold for $688.
Lee Morgan, Candy, Blue Note 1590. Also an original pressing, of course, this one in VG+ condition for the record and the cover. It sold for $1,343.
Dexter Gordon, One Flight Up, Blue Note 4176. This one was in M- condition for the record and VG for the cover. It sold for $200.
Hank Mobley, Soul Station, Blue Note 4031. Record was M- and cover was M-. Price was $1,465.
Read More..
Dec 30, 2011 $1000 Records, Blue Note
I’ve been spending the entire morning catching up on the Jazz Collector Price Guide and, if time allows, this weekend I will make a lot of additions and finally take the database to more than 5,000 records. Quite impressive, if you ask me, since I’ve logged every one of those by myself, by hand, typing in each entry one by one. Here are some of the recent items that will be added and I hope to do another post before the end of the year with some of the older items I may have missed during the past few months.
Brew Moore in Europe, Debut 127. This is the original Danish pressing, quite hard to find. The record was in VG++ condition and the cover was M-. The price was $373.
Here Comes Louis Smith, Blue Note 1584. This is one of those where you had to look carefully at the listing. The record is listed in Ex+/N- condition and the cover as Ex. The picture shows that the cover has tape all around it, so if I were grading the best I’d give it is a VG-. It would also make me wary about the condition of the vinyl, if the seller considers this cover as excellent. Potential buyers had some of the same concerns, it seems. The record sold for $495.
Read More..
Dec 29, 2011 $1000 Records, Blue Note, Prestige, Price Guide, Riverside
Here’s some interesting jazz vinyl auctions that closed this week.
We need a new explanation for this one: Horace Silver, Song For My Father, Blue Note 4185. Admittedly this is a great, classic record and this was an original mono pressing in near mint condition for both the record and the cover. Why is there a new explanation needed? Conventional wisdom has said that because of the initial popularity of this record, there has always been a relatively abundant supply of original pressings in decent condition. Conventional wisdom may be changing. This particular copy sold for $405. Our previous high for this in the Jazz Collector Price Guide was $334 and, at the time, we considered that to be an aberration. What’s this?
And this? Gene Ammons, Blue Gene, Prestige 7146. This was from the same seller and it was also in near mint condition for the record and the cover. You’d normally expect this in the $40-$50 range, maybe a drop higher because of the condition. This copy sold for $164.50.
This next one got quite a high price, but not a surprising one:
Read More..
Dec 29, 2011 News
Now that Sonny Rollins has been honored by the Kennedy Center as one of the leading performing artists of our time, who would be the next jazz musician in line for the honor? One of the obvious ones, not based on his music as much as his contribution to reviving jazz commercially, would be Wynton Marsalis. He’ll get his eventually, but he’s a relatively young guy and should have to wait. Among musicians here are a few names to ponder: Horace Silver, Ornette Coleman, Wayne Shorter. To me, those are the most viable candidates. I would imagine Herbie Hancock and Chick Corea would also get consideration. None of them, in my eyes, is in the same category as Sonny Rollins but, to be fair, a few years ago the honor went to Benny Carter and I didn’t think he was worthy either. What do you think?
Dec 28, 2011 News
Did you watch the Kennedy Center Honors last night? It was great to see Sonny Rollins being recognized on national television and in front of the President and the world’s artistic community as one of the most important and influential artists of the past half -century. It was certainly moving and well deserved and, knowing how humble Sonny is, it must have been a tribute that he felt deeply. As I fan, I know I did. I had goose bumps just seeing Sonny up there.
Having said that, I found both the biographical tribute and the musical tribute to be really uninspired and disappointing. This was the one opportunity to explain to the country why, among all of the thousands of jazz musicians in the world, it was Sonny Rollins who was being honored on that stage. Even in just a couple of minutes with the opportunity Bill Cosby had in his introduction and in the video tribute, there was so much that could have been said that wasn’t. Here are some of the things I would have said:
Read More..
Dec 27, 2011 $1000 Records, Blue Note
Let’s catch up on some of the interesting rare jazz vinyl we’ve been watching at Jazz Collector. Big Bear apparently put a magnifying glass to this record and found that it was not necessarily an original pressing: Sonny Clark, Cool Struttin’, Blue Note 1588. In addition to the question about the “original-ness” of the record there was also some concern expressed here about the lack of information about the listing. The record wound up selling for $1,913.88 in M- condition, which is probably significantly less than it would have received if it had been offered by a reputable seller with a strong reputation, such as Jazz Record Center or Euclid. Nonetheless, it is still quite a hefty price, particularly if it is not a first pressing. This one came from the same seller and failed to sell: Paul Chambers, Bass on Top, Blue Note 1569. I tried the magnifying glass trick myself but to no avail: Either my magnifier was faulty or my eyes were faulty or, more likely, a combination of the two. I couldn’t figure out if this was original or not. Perhaps other potential bidders had the same problem. Nobody was willing to hit the start price of $500.
Read More..
Dec 26, 2011 $1000 Records, 10-Inch LPs, Blue Note, Prestige, Price Guide
It may be the holiday season around much of the world, but eBay never takes a vacation. Neither, apparently, does Jazz Collector. Here is some interesting jazz vinyl we’ve been watching on eBay. We’ll start with the $1,000 been. This one is still for sale: Hank Mobley, Hank, Blue Note 1560. This is an original pressing that’s listed in near mint condition for both the record and the cover. The price is already more than $1,100 and there are still two days to go. This is also a regular to the $1,000 bin: Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing, deep grooves, purple label, and it was listed in VG++ condition for both the record and the cover. It sold for $1,415. Merry Christmas for someone. John Jenkins with Kenny Burrell, Blue Note 1573. This was an original pressing that was either M- or very close to M-, based on the seller’s description. It sold for $1,156.99.
Here are a few interesting items closing in the next day or so:
Read More..
Dec 22, 2011 News
One more reminder for our readers in the U.S.: The Kennedy Center Honors featuring the tribute to Sonny Rollins will be broadcast on Tuesday, Dec. 27, at 9 p.m. I’ll probably do one more reminder on the day of the broadcast. At one of the events, Sonny was toasted by Bill Clinton. I always figured that Sonny would have been honored while Clinton was President since he was a sax player would and have obviously known about Sonny’s importance in the history of jazz. But I don’t think the President actually has that much influence in who gets selected. In any case, Clinton clearly does know the music, as can been seen in the toast below:
Read More..
Dec 21, 2011 Blue Note, Jazz Vinyl Fraud
Are there any gamblers out there? Here are some interesting items from a seller in Italy, including : Art Taylor, AT’s Delight, Blue Note 4047. The seller describes this record, as well as a bunch of other jazz collectibles, as being from his grandfather’s collection. There is no mention on any of these listings about some of the characteristics you’d want to see on a Blue Note to determine it’s provenance. No mention of deep grooves, addresses on the label, RVGs, ears, etc. Yet . . . if you look at the picture, you get the sense that perhaps they are originals. Or could they be someone else’s pictures? The seller does not accept returns. Perhaps we’re back to being skeptical again, since this is around the two-year anniversary of the great eBay Nautiluso fraud, from Italy. Clearly, others are skeptical as well, based on the price of this record and other listings from this seller. This one, listed in M- condition for the record and the cover, is now at $260. Here’s another from the same batch: Sonny Clark, Cool Struttin’, Blue Note 1588. This is described as being in M- condition and a U.S. pressing, but all of the other important data is not included in the listing. The bidding on this has gone to $585 and the auction is closing in a few hours. Under normal circumstances, what would an M- copy of this sell for — $3,000, $4,000?
Dec 20, 2011 $1000 Records, Blue Note
OK, so when did this become a $1,700 record: Donald Byrd, Byrd in Flight, Blue Note 4048? This was an original pressing and it was in M- condition. It was also a review copy. Who would have suspected it would get a top bid of $1,712? I certainly didn’t. Our previous high price for this record in the Jazz Collector Price Guide was more in the range of $300.
From the same seller came a batch of other nice collectibles, also at top prices, including: Rocky Boyd, Ease It, Jazz Time 001. This was an original pressing. The record looked to be M- and the cover was probably VG++. It sold for $668. I owned this record at one time but don’t recall that I ever listened to it. I wound up trading it for something not nearly as collectible. I know this record benefits from the presence of Kenny Dorham, for both musicality and collectibility. How is the record and what can we learn about Rocky Boyd?
Also:
Read More..
Dec 16, 2011 Jazz Vinyl, Prestige
Here’s some jazz vinyl we’re watching on eBay now:
Tommy Flanagan, The Cats, New Jazz 8217. This is an original pressing with the purple labels and deep grooves. It is a relatively early John Coltrane record featuring Trane as a sideman, along with Kenny Burrell. The record and cover are both in M- condition and the price is in the $250 range, but it has not yet reached the seller’s reserve. My personal story with this goes back nearly 40 years when I was doing some record trading with a sax player named David Krieger and I had a broken leg and couldn’t drive and something came up and he had to leave so I was alone in his basement with his entire record collection, including some gorgeous Blue Notes. I could have taken off with a few gems but of course I did not. I can’t ever look at a copy of The Cats and not think of Dave who sadly passed away earlier this year.
This one is a pretty one right in the time frame when Prestige was doing some of its best work:
Read More..
Latest Entry
Here’s some of the jazz vinyl we’re watching heading into the weekend:
