This week’s theme: Jazz records recorded on Feb. 4. Featured artists include Charles Mingus, Miles Davis, John Coltrane, Bill Evans, Billy Taylor, Hal McKusick, Art Farmer, Charlie Parker, Ella Fitzgerald, Billie Holiday, Phil Woods, Jon Eardley, Paul Chambers, Red Garland, Philly Joe Jones, Louis Smith.
Did you know that Booker Erwin is the tenor sax player on the album Mingus Ah Um? Or that it is the tenor saxophone that Sonny Stitt plays on the album Saxophone Supremacy? Or that John Coltrane wrote the song Afro Blue on the Impulse album Live at Birdland? I didn’t know any of this because none of it is true. Except that’s what it says in the liner notes or on the labels. In the process of doing my weekly two-hour radio show/podcast I’m discovering a surprisingly large number of typos and misinformation on liner notes. I was playing the Verve Dizzy Gillespie album Sonny Side Up with Sonny Rollins and Sonny Stitt. I looked at the liner notes for On the Sunny Side of the Street. It said quite clearly that Rollins has the opening solo and then Stitt has the solo after Dizzy. Listen to the record. Read more
Chick Corea, Return to Forever, 1973
In the fall of 1973, when I was 20 years old, I had the chutzpah to strut into the offices of the Syracuse New Times in Syracuse, NY, and inform them that I should be their new jazz critic. Although I was a journalism major at the Newhouse school, I had never published anything before in my life, not a word in my high school paper, not a syllable in my college newspaper. Not even an exclamation point anywhere! It was only by sheer luck that I was in the journalism school at all. My first two years in college were mostly a total waste. I didn’t get in to any of the schools to which I applied, so I had to go to Queens College, which was a couple of bus rides from my home in Bayside. I was still living with my parents for those two years, sharing a tiny room with my younger brother and sister, spending a lot more time at the race track and the poker table than in school, or anywhere else for that matter. Read more
Let’s celebrate our return with a look at random rare jazz vinyl on eBay, marking the transition back to Jazz Collector with some records from Transition: Doug Watkins, Watkins at Large, Transition TRLP-20. This looks to be an original pressing listed in VG+ condition for the record and VG for the cover. There is no mention of the booklet, and no pictures of the booklet, so my expectation is that there would be no booklet, making this particular copy incomplete. So far there is one bid at $750, with the auction closing in a couple of days. Whilst Transitioning, here is a new one to me: Donald Byrd Sextet, Transition 5. This looks to be a limited edition numbered reissue, and it seems to include the booklet as well. Looks pretty cool, if you are into numbered reissues. This is part of the Sam Records Artisan Series, number 138 out of 300. Since I don’t follow the reissues market as closely as original pressings, perhaps someone can enlighten us about this record and this series. Read more
As I’ve been perusing eBay since my return from vacation, I’ve been randomly filling my watch list with items to write about for Jazz Collector. And as I’ve been doing that, I am finding that most of the records I’m saving this week have a common seller, which would be Carolina Soul. I’m a little bit in awe, and a little bit in envy, of the huge collection of Blue Notes, Prestiges and others they have up for auction this week. Not sure if the awe/envy is about the money that will be coming their way in just one week’s worth of auctions, or if it’s the fact that they seem to have a virtually endless supply of interesting/collectible jazz records. Anyway, here are some of the items in my queue, starting with Thad Jones, After Hours With the Prestige All-Stars, Prestige 7118. This one caught my eye because of the cover: I have a copy of this record with the New York yellow label and a different cover. My cover has a generic picture of a city nightscape. This cover, as you see, has a picture of Thad and (I think) Frank Wess. With Prestige it’s challenging to figure out which cover came out first and why they would change it so quickly after the initial release of the record. If I were to guess, I would say the cover I have would be the first cover, but that is just a guess. The reason is that the orange cover has The Prestige All-Starts underlined and that strikes me as an idea that a marketing person would come up with as a way to boost sales by making a slight adjustment to an existing product. In my real job, I spend way too much time talking to marketing people, so I could be completely wrong. Rudolf will know for sure which was first, as will others out there in Jazz Collector World. Anyway, this copy is probably in VG condition for the record and VG+ for the cover. Bidding is in the $125 range, with four days left on the auction. Read more
I think CeeDee may be prodding me to post more. Yes, my friend? Anyway, he’s been sending me links with little notes. Here are the latest. This one is titled “another one from my ‘Greatest Misses’ list:” East Coasting by Charlie Mingus, Bethlehem 6019. This was an original red label pressing, featuring Bill Evans on piano. Is this the only recorded instance of Mingus and Evans together? The record and cover were in VG+ condition and the final price was about $286. Here’s one titled “This oddball LP has been fetching good bids for some years, so don’t pass it up the next time you’re browsing:” The Louvin Brothers, Satan is Real, Capital 1277. The record and cover were in VG+ condition and the price was $363.88. I have no idea what this record is and why CeeDee sent me this link. I have a feeling I am better off in my ignorant bliss, but I have a feeling someone, perhaps Mr. CeeDee, will provide an answer. Read more
To pick up here I left off yesterday, here is Freddie Redd Quartet with Jackie McLean, The Connection, Blue Note 4027. This was an original West 63rd Street pressing with the deep grooves, ears, etc. The record and cover were both listed in M- condition. The record sold for $1,525, which has to be a high for this record as I open a window to Popsike and . . . . it is, indeed, nearly doubling the previous high price for this record. Here’s another record that seems like it may have set a new record: Bennie Green, Soul Stirrin’, Blue Note 1599. This was listed in VG+ condition for both the record and the cover. The final price was $969. Indeed, according to Popsike, that is a new record high, quite a feat considering the condition. Surely, there have been M- copies of this record in the past. Read more
Time to clean out my watch list in time for the holiday weekend. Some of this stuff goes back a few weeks (or more) but I kept them in the queue thinking that someday I would do exactly what I am doing now. Here goes, starting backwards, from May there was Howard McGhee, Dusty Blue, Bethlehem 6055. This was an original mono pressing that was listed in VG condition for the record and G for the cover. It was in pretty bad shape, yet it sold for nearly $500. I don’t understand what it is about the record or condition that warranted that kind of price, with a bidding war to boot, so perhaps someone here can elucidate me. Read more
Here are some of the more interesting jazz vinyl collectibles we’ve been watching on eBay. Let’s start with Dexter Gordon, Dexter Calling, Blue Note 4083. This is a mono pressing with the New York USA labels and the RVG stamp in the dead wax. It does not have the Plastylite ear, which, to my knowledge, would probably make it a second press. The seller calls it an original first pressing and states clearly that he will never use any Blue Note guide to assess the generation of any Blue Note pressing. Fair enough. I should note that the seller is Bobdjukic, who, with all due respect, is a tremendously successful marketer on eBay who apparently has a coterie of devoted collectors who trust him and pay top dollar for many of his listings, including this one, which was listed in M- condition for the record and some version of VG++ for the cover. The final price was $1,913.90. According to Popsike that is a new high for Dexter Calling, nearly lapping the previous high price of $1,045. Read more
Time to clear out the old watch list this Thanksgiving holiday weekend here in the States, starting with Mal Waldron, Mal-1, Prestige 7090. This was an original New York yellow label pressing in M- condition for the record and VG+ for the cover. The final price was $536.69. I get the sense that the Prestiges are starting to get a little more interest from the collectors will to pay top dollar. These are certainly great music and packaging. I put a few of the Prestiges on the turntable the other day – Tenor Madness, Soultrane and When Farmer Met Gryce. Can’t beat it. I don’t own an original pressing of Mal-1, but I’m sure it’s of a similar quality.
