Back to Blue Note

If yesterday was a Prestige day, let’s make today a Blue Noter, starting with Here Comes Louis Smith, Blue Note 1584. This looks to be an original West 63rd Street pressing listed in VG++ condition for the record and VG+ for the cover. The bidding is in the $175 range with about four days to go. We were watching a different copy of the same record a few days ago and that one was in just VG condition for the record and VG+ for the cover. It wound up selling for $561, so I would expect this one to fetch a higher price. Will it enter the $1,000 bin? Could be. According to Popsike, the highest recorded price for this record is $1,514. Not owning an original copy of this record myself, I haven’t listened to it in a long time. When I put a record on the turntable, I usually prefer an original pressing. But perhaps I will make an exception. After all, the personnel includes one of my all-time favorite alto players, none other than the infamous “Buckshot La Funke.”

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Chasing Trane Tonight; Chasing Vinyl Forever

For those of you in the U.S., the documentary Chasing Trane will be on television at 10 p.m. tonight as part of the Independent Lens series on PBS. Here’s a video clip they posted on the site. It’s hard to believe that it was already a year ago that I had my mini breakdown as a result of the Presidential election and wrote the essay about how Chasing Trane helped me to cope. I wish I could say that my fears were unfounded but, unfortunately, they weren’t. They may take away the pillars of our democracy and our society, but they can’t take away our music. Or our heroes. Watch it. I will, even though I’ve seen it twice already.

Back to eBay. The other day I mentioned the seller Keca222 and that $4,049.99 copy of the 12-inch Kenny Dorham Afro-Cuban on Blue Note. The seller also had this one: Hank Mobley, Blue Note 1568. This was a pressing that did not have the New York 23 on one side, which, to some collectors, diminishes its value, although I’ve never seen a clear explanation why that is the case. But, as we know, we collectors can be a bit strange in our predilections, don’t you think? Anyway, this was in VG+ condition for the record and probably EX or Ex+ for the cover. There was the dreaded phrase “feelable scratches,” yet it still sold for $3,650, which is quite a hefty some for this record in that condition, New York 23 or not.

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How We Listen & How We Collect

Thanks to all for keeping the site current during my unexpected and prolonged absence. More than 60 comments and counting on the last item is quite impressive. I will try not to do that too often, but I was able to get a much-needed break from life and work and spend some time with The Lovely Mrs. JC in beautiful Provincetown, Ma., where we got to sit on the beach, view the eclipse, eat lobster and marvel at the beautiful sunsets and scenery. Now that I am back I feel compelled to at least catch up on some of the ongoing conversations and items I was watching before I left.

Let’s start with the riff on listening or not listening to our records. I don’t begrudge anybody their preferences on how to collection. As far as I’m concerned, it’s your money, your time, your enjoyment. Do whatever you want. As for me, I find that, in reality, my approach is somewhat mixed. I have no problem at all putting any of my records on my turntable and, in fact, take tremendous pleasure in listening to the real rarities in their original form and format. Just the other day I put on my beautiful mint original pressing of Saxophone Colossus, poured a glass of Porter and listened from beginning to end. Sheer ecstasy. And a few days before that, I took my portable Califone record player out to the porch here in The Berkshires and brought out a bunch of original 78s — Fats Waller, Louis Jordan, Charlie Parker, Billie Holiday and Lester Young. Again, sheer ecstasy.

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Time For Bigger Bins?

I know others have commented on the previous post, but I can’t let this one pass without at least one more word: Jackie McLean, The New Tradition, Ad Lib 6601. This was an original pressing in some kind of condition, perhaps VG+ or a little better. Hard to tell, because the seller used a stock photo as the main picture and then supplemented it, I suppose, with pictures of the actual record, which shows some obvious wear on the front cover, although the overall condition looks OK. You would think the lack of clarity on the description would cause bidders to be hesitant. And perhaps they were. Nevertheless, there were 16 bidders and 27 bids and a whopping final price of $5,035.75.

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Happy Holy Grail Day

Catching up on my watch list after a few days off eBay, starting with Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was an original West 63rd Street pressing listed in M- condition and Ex for the cover. Looks like there was a three-way bidding war for this LP and it wound up selling for $2,700.

Here’s one for those of you who like to use the term “Holy Grail,” although it is a term I normally avoid, except for a few seconds ago: Jackie McLean, The New Tradition, Ad Lib 6601. This one is listed in Ex condition by the seller and, based on his key, that seems like it would be a very strong VG+ using standard Goldmine grading. This one is already in the $1,360 range with more than a day left on the auction. It will at least join Peckin’ Time in the $2,000 bin and will probably sell for quite a bit more, based on past history with this record.  Read more

Covering A Couple of Classics

Let’s catch up with a few more from our watch list, starting with a pair of Newks: Sonny Rollins, Tenor Madness, Esquire 32-058. This was an original U.K. pressing listed in VG+ condition, although there was surface noise mentioned in the description, so there was some risk involved by the buyer. I guess it depends on your tolerance for noise. The cover was listed in Ex- condition. The final price was about $266. Seller describes the cover artwork as much better than the U.S. edition, which is certainly in the eye of the beholder, but I do tend to like the cover art on these U.K. Esquires as well. As for these two covers, I don’t have a strong preference one way or the other, although, if forced to choose, I’d probably opt for the U.K. version. Along the same vein there was:

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Stuffing the $1,000 and $2,000 Bins

Welcome, Mr. President

My goodness, the $1,000 bin is overloaded, including all four of the records I was watching last week (A New Crowd For the $1,000 Bin?). They were:

Sonny Rollins Plays, Period 1204. Final price:$1,300

Kenny Dorham, Cafe Bohemia, Blue Note 1524.  Final price: $1,482

John Jenkins and Kenny Burrell, Blue Note 1573. Final price: $2,025.01 (wow!)

Paul Chambers, Bass on Top, Blue Note 1569. Final price: $1,126

And then there were:

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A New Crowd For the $1,000 Bin?

Just a reminder, that auction we wrote about last week (An Old Fashioned Jazz Vinyl Auction) is taking place tomorrow. I spent some time looking through the list and I didn’t see that much of interest to me, although there were a few lots. I may place a few bids just for the experience of doing it. If any of you do participate, please share the experience with us here at Jazz Collector.

Now back to the “normal” eBay auctions that we watch, starting with a record that is near the top of my own want list, since it is the only rare Sonny Rollins records missing from my collection: Sonny Rollins Plays, Period 1204. This is an original pressing that looks to be in about VG++ condition for both the record and the cover. Looks like a nice copy but, alas, it will not be mine. The bidding on this has already exceeded $900 with more than a day left. So it seems pretty safe to say this one will reach the $1,000 bin and perhaps even higher.

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Blue Note Vinyl, Continued

Just back from a brief holiday in San Francisco and lovely Creede, Colorado, where my son directed a play. I seem to be picking up exactly where I left off, with another note from Ceedee bemoaning, in a jocular way, the latest adventures in Blue Note prices. Let’s start with Miles Davis, Volume One, Blue Note 1501. This was an original Lexington Avenue pressing listed in M- condition for the record and Ex for the cover. The final price was $1,125. No surprise there. I have to admit to you all that I recently passed on a lovely collection that contained a copy of this record in even better condition. The records in the collection were in beautiful condition but, unfortunately for me, there weren’t enough records that I didn’t already own to make it worth my while. I would have had to spend months on eBay to get back the return on my investment and I would have added some gems to the collection but, as you can probably surmise, I am just too busy with my regular work to devote my energies to selling records these days.

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Give Me Liberty . . . For a Lot of Money

Here’s a few items from the Jazz Collector in box, starting with a note from our friend CeeDee, who is commenting that “it looks like the cost of some Liberty pressing Blue Notes are approaching the price of the originals,” with a bunch of links, including Kenny Burrell, Blue Lights, Blue Note 1597. Not only is this a Liberty pressing, the cover, with the Andy Warhol illustration, is only on VG condition. This one sold for $255, which is quite a change in the market over the past few years. The other big change in the market is the tremendous spike in prices of the United Artists Blue Notes, which were 1980s reissues for the Japanese market. Unfortunately, I sold a lot of my Liberty and United Artists pressings a few years ago on eBay, generally for $10 or $20 apiece, which was the going rate at the time. Fortunately, however, the reason I sold those pressings was because I was able to obtain copies of the originals and these were just duplicates.

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