A Promo By Any Other Name

Carriage Trade copySo now that I’ve been writing about promo copies for the past few days, it seems that every other item I’m watching on eBay is a promo copy.  Just works out that way sometimes.

Barbara Lea with the Johnny Windhurst Quartet, Prestige 7065. This is an original New York yellow label pressing with a “Not for Sale” stamp on the back. I’ve never actually owned or even heard this record and I have no idea who Johnny Windhurst was, but it is, of course, a record I would love to have, it being an original Prestige and all. This copy is in M- condition for the record and VG++ for the cover and it looks quite nice overall. The start price is in the $300 range and that is already too steep for me.

George Wallington, Jazz For the Carriage Trade, Prestige 7032. This is also an original New York yellow label pressing with a “Not for Sale” stamp on the back as well as on the labels. The record is in M- condition and the cover seems to be VG++. The start price is in the $500 and there are no bidders with four days left in the auction. Perhaps I am wrong

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Two for The $1,000 Bin; More Promos

Eric Dolphy copyToday we have a couple of updates for the $1,000 jazz vinyl bin and a bit more on promos, including the WLPs (white label promos) that are apparently a common term that is new to me after 45 years of collecting. First, for the $1,000 bin there is Eric Dolphy In Europe, Debut 136. This is the original Danish pressing and the record and cover both looked to be in M- condition. The record sold for $1,026.

This one is left over from New Year’s, but CeeDee had sent it to me and I had forgotten to post it: Hank Mobley, Soul Station, Blue Note 4031. This was an original West 63rd Street pressing listed in Ex condition, which sounds like VG++ based on the grading system we use here at Jazz Collector. It sold for $1,605. I happened to be perusing my collection late last night and came upon this record and almost forgotten that I had it: Almost, but not quite. I’ve only had it for a little more than a year, since the Baltimore score of a lifetime. I think I will listen to it later today.

Back on the promo front there was this:

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Of Autographs, Promo Copies and More

Phil copySo this is what we’ll be watching on eBay this weekend as we brave the chills of the lovely Berkshire Mountains of Western Massachusetts, starting with Phil Woods, Warm Woods, Epic 3436. This is an original pressing with the yellow label. The record and the cover are both listed in VG+ condition and the front cover has a nice clear autograph by Phil, apparently signed in 2000 at the Blue Note in New York City. Not a bad idea to get an autograph on one of these vintage records, if you like that sort of thing, as I recently did with my Herbie Hancock Blue Notes. This one is in the $80 range with one day to go and there is only one bidder so far. We’ve seen this record sell for more than $400 without an autograph (but in M- condition) in the Jazz Collector Price Guide, so we’re curious to see what this goes for. For some collectors the autograph on the cover is a turn-off, which has always baffled me.

This one may be closed by the time many of you read this:

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Tracking Some Later Blue Note Originals

Blue copyHere’s some more jazz vinyl we were watching on eBay:

Dexter Gordon, One Flight Up, Blue Note 4176. This was an original mono pressing, still in its original shrink wrap. The record was in M- condition and the cover was VG++. It sold for $255. This was among a bunch of later original Blue Notes I was watching from the same era. Others included Blue Mitchell, The Thing To Do, Blue Note 4178. This also looked to be an original mono pressing and was listed in VG++ condition for both the record and the cover. It sold for $280. Also: Wayne Shorter, JuJu, Blue Note 4182. This was also an original mono pressing and was listed in M- condition for the record and VG for the cover, with water damage and tape repairs. Nonetheless, it sold for $265. Here’s another one that seems destined to sell in the same range as these, perhaps even higher:

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A Wailin’ Session (And More)

Art Taylor copyI was piling a bunch of very nice records into my Watch List folder and noticed that many were from the same seller, including Art Taylor, Taylor’s Wailers, Prestige 7117. This is an original New York yellow label pressing that looks to be in at least VG++ condition for both the record and the cover, and perhaps even better. The auction closes in three days and the bidding is close to $500. Interesting coincidence: Just a couple of days before noticing this listing I put this record on the turntable and gave it a close listen. I don’t think I’d ever listened to it and I was expecting one of those Prestige jam sessions. It’s not. It’s a well arranged, carefully conceived album with tremendous playing all around. The main group has Donald Byrd, Charlie Rouse, Jackie McLean, Ray Bryant and Wendell Marshall, in addition to AT. I have no idea why Prestige threw in another track by a separate group with John Coltrane, Red Garland and Paul Chambers, but of course it’s wonderful that they did. Coltrane is in nice form, but it’s the rest of the album that is also quite impressive. I highly recommend giving it a listen for those of you lucky enough to own a copy.

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A Boxed Set, An Autographed LP, a Mega-Rarity

Stan Getz copyDon’t see a lot of Stan Getz records in the higher price ranges, and we’re seeing fewer Norgrans in there as well, so I have my eye on this one: Stan Getz at the Shrine, Norgran 2000. This is a boxed set with two LPs and a beautiful booklet and all of it looks to be in M- condition and original, with the yellow labels on the vinyl. The bidding is in the $240 range and there are more than three days left on the auction.

Here’s another one you’re not going to see too often: An autographed copy of Bill Evans, Portrait in Jazz, Riverside 315. The Bill Evans signature is on the back cover and it is dated from 1974. The record is an original pressing with the deep grooves and blue label and it seems to be in about VG++ condition for the vinyl and VG+ for the record. The auction closes tomorrow and the bidding is in the $150 range with 13 bids and what looks to be eight different bidders. Wouldn’t mind this one myself. Hmm — birthday is coming up.

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Updating the $5,000 Bin (and More)

Sonny Clark copyMichael posted this as a comment in earlier post, but it’s worth a mention all on its own: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing probably in M- condition for both the record and the cover. It sold for $5,156. There were 13 bids and eight bidders. In the last minute the bidding went from $1,888 to $3,767 to $5,056 to $5,156. I’d be curious to know to which country this record is going, but I don’t think you can discern that from the eBay listing, can you? This is a new one to the $5,000 bin.

It looks like there will be some additions to the $1,000 bin as well: John Coltrane, Blue Train, Blue Note 1577. This looks to be an original pressing with the New York 23 one one side. It is listed in VG+ condition for both the record and the cover. Despite the condition, the record has already been bid up to $1,385 and the bidding will close in about two hours from the time I am typing this.

The bidding on this one is more than $1,200 and there are still SIX DAYS to go on the auction:

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Jazz Vinyl To Check Out

jerome richardson copyBack on eBay and, of course, there is much jazz vinyl of interest, starting with: Jerome Richardson, Midnight Oil, New Jazz 8205. This looks to be an original purple label pressing. The record is listed in M- condition and the cover is Ex+, which I imagine is close to M-. The bidding is in the $130 range with three hours to go and it has yet to reach the seller’s reserve price. I would think this would get a bid of at least $200, being quite a rare record on quite a collectible label, so we’ll keep an eye and see if this sells.

This one is from the same seller and has also not yet met the reserve price: Horace Parlan, Headin’ South, Blue Note 4062. This looks to be an early pressing, but is it an original? I’m not seeing deep grooves in the picture or on the listing, but this is one of those that was issued right at the borderline of whether Blue Note pressings still have deep grooves. I’m sure someone the question will be answered in the comments. The record is listed at M- for the vinyl and Ex for the cover. The bidding is currently in the $190 range with less than three hours to go.

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Dial Jazz Collector For Blue Notes

Sonny Clark copyYes, that copy of Sonny Clark Cool Struttin’ sold for $2,400, which was the buy-it-now price. Do you think it was a reader of Jazz Collector? I do. This would be a week to fill in those Sonny Clark gaps in your Blue Note collection, if you were inclined to spend a small fortune to do so. Also on eBay: Sonny Clark, Dial S for Sonny, Blue Note 1570. This looks to be an original West 63rd pressing listed in VG++ condition for both the record and the cover. We would, of course, expect this to sell for well more than $1,000, and perhaps entering into the $2,000 bin. Right now the bidding is at $811 with more than four days to go. Also on eBay: Sonny Clark, Sonny’s Crib, Blue Note 1576. This also looks to be an original pressing. It is listed in M- condition for the record and VG++ for the cover. This will also be a record that will sell in the four figures, I would assume. Right now the bidding is at about $350, but there are five days left on the auction.

While we’re on the subject of Blue Notes, here are:

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How About A Sealed Mobley?

Untitled copyA few more jazz vinyl pieces from the Jazz Collector eBay watch list.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This looks to be an original West 63rd Street pressing, listed in M- condition for the record and VG+ for the cover. The auction closes in two days and the bidding is close to $700. Given the current market it would be a real shocker if this doesn’t sell for more than $1,000.

Here’s one with similar personnel from the same era: Hank Mobley and Lee Morgan, Jazz Message #2, Savoy 12092. This is a sealed copy and this is the seller’s story: He recently purchased a bunch of sealed Savoys and opened one, which was an original red-label pressing. He’s not opening the others, because he is assuming that they are all original pressings. He is saying that he “guarantees” that the rest are original pressings. As a potential buyer, which I am not, I’d be

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