Watching Some All Star Jazz Vinyl

essen copyHere’s a nice one that I don’t recall seeing in the past: The Essen Jazz Festival All Stars, Debut 131. This record features Coleman Hawkins, Bud Powell, Oscar Pettiford and Kenny Clarke. I’ve always known this by the Fantasy issue in the U.S., which, if I recall, was colored vinyl in the original pressing. This looks to be the original Dutch Debut pressing, which was in stereo? Not familiar with it, although it is somewhat surprising that stereo would be the original release in 1960. Anyway, I like this cover a lot better than the U.S. cover. This copy is listed in M- condition for both the record and the cover and has a start price of $400 with nearly six days left on the auction.

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Three for the $1,000 Bin?????

Lee Morgan Jazz Vinyl copyAnother day, another batch of records to watch on eBay. Today let’s start with Introducing Lee Morgan, Savoy 12091. This is an original pressing with the red label. All in all it looks to be in M- condition for both the record and the cover. We’ve seen this record sell for more than $500 previous in the Jazz Collector Price Guide and it looks like this copy will set a new high point. The bidding is already more than $560 and there are still four more days left on the auction. This seller often has nice items and his listings wind up making our posts fairly frequently, although we’ve never dealt with him directly. Here’s another one of his nice records on eBay this week:

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Kind of Blues & The Abstract Truth

Miles Davis Jazz Vinyyl copyLet’s catch up on some rare jazz vinyl we’ve been watching on eBay, starting with Miles Davis, Kind of Blue, Columbia 1355. This was an interesting one because it looked to be an original first pressing and the record had never been played. When this album was first issued, Columbia used a plastic inner sleeve that had a seal. I know that from a couple of albums I purchased in the Baltimore collection. On this particular copy of Kind of Blue, the seal had never been broken. The cover also looked to be quite pristine and was graded in M- condition. The record wound up selling for $510, a fairly hefty price for the highest selling jazz record of all time. The question is, what will the buyer do with the record? Will he/she open it and play it, thus potentially lowering the value? Or will he/she put it on the shelf for posterity and listen to a different copy of the record, which is so readily available?

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Tracking a Trio of Blue Notes

Lou copyHere’s another one from my want list, and this one may even get a snipe: Lou Donaldson, Quartet, Quintet, Sextet, Blue Note 1537. This is an original pressing with the Lexington Avenue address, deep grooves, ears, etc. The record is listed in M- condition and the cover is just fair, with seam splits. The cover condition doesn’t bother me so much, but the price may. So far this is at about $250 with more than two days left on the auction. We’ll see. I would love to fill this gap in my collection, and I do love this record.

Here’s another one from the same seller: Dexter Gordon, Our Man in Paris, Blue Note 4146. This is probably an original pressing with the Van Gelder in the dead wax, although there is no mention of the Plastylite ear. The bidding is a bit more than $110 and there are also two days left in this auction. If I were to bid on this, which I won’t, I would at least inquire about the ear. Never hurts to ask.

One more Blue Note, while we’re on the subject:

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Four Listings: Two That Are New To Us, One On Our Want List and One That Doesn’t Make a Lot of Sense

Cliff copyWe’ve got some interesting jazz vinyl in the Jazz Collector watch list on eBay, including a couple we’ve never seen before. Let’s start with one we’ve seen many times, but still don’t own: Cliff Jordan and John Gilmore, Blowing in From Chicago, Blue Note 1549. This is an interesting listing because the seller was able to post really clear pictures of the record and the label. It also raises an interesting question for the Blue Note diehards out there: One side of this record has the New York 23 address, the other just has West 63rd. Is it an original pressing. In my book it would be, but I didn’t write the book on Blue Notes. In any case, this one is listed in VG+ or VG++ condition for the vinyl and VG for the cover and the price is in the $225 range. The auction closes later today and the bidding has not yet reached the seller’s reserve.

Now for the two that are new to us:

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Two for The $1,000 Bin, Plus Two More

Mobley copyBack in business, back on eBay, back to posting more regularly. First let’s catch up on some of the items we had been watching, starting with Hank Mobley Sextet, Blue Note 1560. This was an original West 63rd Street pressing. The seller had described the record as Ex and the cover as VG++, but it was clear from the pictures that the condition was less than VG++. At the time we first posted this record, the start price was around $500 and there were no bids. In the end there were four bidders, six bids and a final price of $1,075. I’m sure the seller was quite pleased. Hopefully, the buyer was as well.

Bill Evans, Explorations, Riverside 351. This was an original mono pressing with the blue label, deep grooves and reels/microphone logo. The record was listed in M- condition and the cover was VG+ and the final price was $504.90. It looks like this record, and a few others we were watching, were purchased by one of our readers, so congratulations. Here’s another one of his scores: Miles Davis, Relaxin’, Prestige 7129. This was an original yellow label pressing with the New York address. The record and cover were both listed in M- condition, and the pictures accompanying the listing certainly made it look quite pristine. The final price on this one was $1,037.99. Welcome to the $1,000 bin.

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Guest Column: Meeting Bill Evans

We haven’t had a guest column in a while, but here’s one that came in recently. I will let it speak for itself:

How I met Bill Evans…

First let me introduce myself… I am Mervyn de Gannes from Trinidad & Tobago. Born in the 1920’s, I am the third child in a family of seven kids and the first born boy. In those days, there was a piano in most homes and the girls always took lessons to learn to play. Even at the age of ten when the tutor came to our home, I would be listening in, and whenever my sisters were practicing and played anything incorrectly, I would let them know what they were ‘playing wrong’. Obviously this didn’t go over well with them as I never took lessons. By my late teenage years, by just listening to records and playing by ear, I was performing at friends’ parties until I got married at 26. My idols then were Bill Evans along with Errol Garner and Oscar Peterson.

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A Stroll Down Miles Davis Way (And More)

Miles copyI think my work workload is slowing down so, not making major promises, but I think I’ll be back to posting more regularly. At least I certainly hope so. In the meantime, it’s nice to see everyone commenting and keeping the action alive. I was able to swing over to eBay and add some items to my watch list. This is a great record, and one that has certainly gone up in value in the past few years: Miles Davis, Relaxin’, Prestige 7129. This is an original pressing in M- condition for the record and the cover. The seller was able to get some great pictures, which aways helps. The bidding is now in the $440 range and the auction closes later today. I had Miles on my mind because I was just taking a walk in my neighborhood and passed a street called “Miles Davis Way.” Yes, I live near Miles Davis Way. Nice, huh? 🙂 It is a single block — 77th Street between West End Avenue and Riverside Drive on the Upper West Side of Manhattan. Miles had an apartment there at 312 West 77th Street. Apparently there was something of a battle to get the street named after Miles, who lived there for about 25 years and enjoyed hanging out on the stoop and chatting with neighbors. Miles? Man, I would have loved to have seen that. Next time I pass the sign, I’ll take a picture and post it here.

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More From the Jazz Collector Mailbox

Griffin copyAllow me to take you away from your favorite subject for a moment and catch up on some items in the Jazz Collector inbox. First are a couple from our reliable friend CeeDee, who always has something interesting to offer. This one is Johnny Griffin, Lady Heavy Bottom’s Waltz, German Vogue 17164. I’ll admit I’ve never seen or heard of this one, but I do imagine that the title song would be interesting. It’s a recording from 1968. This one was in M- condition for the record and the cover and it sold for $240.37. CeeDee also sent this one: Jazz by Sun Ra, Volume 1, Transition 10. This was an original pressing with the booklet. The record and the cover both looked to be in about VG++ condition. The price was $660, which CeeDee considered to be something of a bargain. I wouldn’t really know myself because I’ve never been a collector of Sun Ra records and actually only own one or two. I guess I’m missing something. I also had many opportunities to see Sun Ra, but never did.

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Let The Insanity Continue

Bird copyForty-eight comments (and counting) on the last post. And the traffic on Jazz Collector has been as high as normal. Thank you all for keeping the discussion going while I was pre-occupied last week with doing my real job, the one that pays for the mortgage and the Blue Notes around here. This week I will be under similar pressure, so please feel free to comment on this post and take the discussion wherever you would like. I see that a lot of the previous discussion was a reprisal of a familiar theme, the ability of one particular seller, bobdjukic, to get prices that seem otherworldly to the rest of us in the Jazz Collector world. I personally have no beef with him, never met him, never dealt with him. He does seem to have some magic formula for getting top prices, but I imagine his customers are satisfied because the only way to get those prices is to have repeat business. In any case, after reading the comments, I took a look at his latest auction results to satisfy my own curiosity. Here are some of the ones that caught my eye:

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