A Misadventure in Jazz Collecting, Part 5

Five hundred thousand. Dollars. Half a million. That’s what Debby told me her collection was worth. After all the research she’d done, the piles she had pulled together, the broken dining room table, the $250 Woody Hermans and Benny Goodmans, the Japanese reissues and Blue Note originals, after all of that, the grand total was $500,000. And that’s not all. She’d had several subsequent conversations with the Big Shot Record Dealer From Chicago, who shall henceforth be known here as the BSRD from Chicago. He told her that he would pay her half of the retail value for her records.

I tried not to choke. I tried to remain calm and cool as I explained to her, for at least the tenth time, how things actually work in the real world. That what she thought the retail value of her collection was worth, would not be the same as what the BSRD from Chicago would think it was worth. That dealers are in business to make money and they need margin, they need to account for their time, they need to clean the records, put them on eBay, pay the fees, deal with fickle buyers who return items for no reason at all. That any buyer would have to transport the records, ship them, rent a truck to haul them, who knows. Read more

Less Than 50 Copies? Really??????

Ornette Coleman jazz vinyl on jazzcollector.comHere are some odds and ends from the jazz vinyl world on eBay, starting with Ornette Coleman, ESP 1006. This is an original pressing with the silkscreen cover. The record is listed in Ex+ condition, which I interpret to VG++ in the terms we use here at Jazz Collector. The start price is about $700 and so far there are no bids. What struck me about this listing were that the seller described it as a “holy grail” LP, which is a term I have come to detest after all these years watching eBay. The second thing that struck me was that the seller states as fact that there were less than 50 of these pressed. I find that hard to believe. I feel like I’ve seen at least 50 of these on eBay these past dozen or so years. I tend to doubt it’s the same 50 records going back and forth between collectors. Clifford would probably have a better sense of the veracity and reality behind this record, so please enlighten us when you get a chance.

This one looks appealing, particularly since I still don’t have an original pressing:

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More 78s Anyone?

In my last post, I’d mentioned the autographed Andy Warhol cover that may or may not still be available. Another inquiry that came into my email box came from a guy who has 17 Blue Note 78s: Nine of these are 10-inch and eight are 12-inch. No bebop among them, but there are a couple of Ike Quebec’s, plus Sidney Bechet, James P. Johnson, Art Hodes, T-Bone Walker, Albert Ammons and the Port of Harlem Seven. I get the sense he’d love to sell them all in one batch. If there are any Blue Note 78 collectors out there, just let me know and I’ll put you in touch with him.