Here’s one for you: Joe Henderson, Page One, Blue Note 4140. This was an original New York USA mono pressing. It was listed in Ex condition for the record and the cover. Certainly not mint minus or near mint or anything close to mint. It sold for $1,108.33.
From the same seller: Harold Vick, Steppin’ Out, Blue Note 4138. This was also an original mono pressing with the New York USA label. It was listed in Ex+ condition for the record and M- for the cover. It sold for $621.92.
Mal Waldron, Left Alone, Bethlehem 6045. This was an original red label pressing. The record was probably VG+ and the cover was listed as VG. The final price was $745.55.
Our friends at the Jazz Record Center had an auction close yesterday and here are some of the items of interest, starting with Gigi Gryce, The Hap’nin’s, New Jazz 8246. This was an original pressing with the purple labels and deep grooves. The record looked to be in M- condition and the cover was probably around VG+. The final price was $338.
Sonny Clark, Leapin’ and Lopin’, Blue Note 4091. This one does not look to be a first pressing, since they don’t call it a first pressing and don’t mention the ear. It looks to be really clean in M- condition for the record and the cover. And it is a mono pressing. The price was $212.50.
Speaking of Sonny Clark, there was also:
And now for some more jazz vinyl from our eBay watch list, starting with Art Farmer Quintet, Prestige 7017. This is an original yellow label pressing with the New York address. The record and cover are both listed in VG+ condition. The price is only at $88 with less than a day left on the auction. Someone may be in line for a bargain (and a great record). In the same vein, and from the same seller, there is Art Farmer and Gigi Gryce, When Farmer Met Gryce, Prestige 7085. This is also an original New York pressing, listed in Ex condition for the record and the cover. Based on the seller’s descriptions, it looks like Ex is a higher grade than VG+. This one is at a bit more than $200.
While we’re on Prestiges, there is:
Today we have a couple of updates for the $1,000 jazz vinyl bin and a bit more on promos, including the WLPs (white label promos) that are apparently a common term that is new to me after 45 years of collecting. First, for the $1,000 bin there is Eric Dolphy In Europe, Debut 136. This is the original Danish pressing and the record and cover both looked to be in M- condition. The record sold for $1,026.
This one is left over from New Year’s, but CeeDee had sent it to me and I had forgotten to post it: Hank Mobley, Soul Station, Blue Note 4031. This was an original West 63rd Street pressing listed in Ex condition, which sounds like VG++ based on the grading system we use here at Jazz Collector. It sold for $1,605. I happened to be perusing my collection late last night and came upon this record and almost forgotten that I had it: Almost, but not quite. I’ve only had it for a little more than a year, since the Baltimore score of a lifetime. I think I will listen to it later today.
Back on the promo front there was this:
What’s going on with promo jazz records? I was just perusing eBay and came upon this number closing later today: Donald Byrd and Gigi Gryce, Modern Jazz Perspective, Columbia 1058. This is a mono pressing with the six-eye white promo label. It is listed in M- condition for the record and the cover and it certainly looks nice. But the condition doesn’t explain the bidding, which is now more than $200. I’ve seen this record so often for $20-$30 even in nice condition, it’s hard to rationalize such a high price for a promo copy, but perhaps things are changing and, for whatever reason, these white promo Columbias are suddenly in greater demand. We’ve certainly seen a big price increase over the years for promo copies of Kind of Blue and Dave Brubeck’s Time Out. Maybe this is just an extension of the interest? The seller must have run into a collection owned by a former Columbia employee, at least that’s what he suggests, because he has many of these white label Columbia pressings on eBay this week. There are Read more
Let’s start the day with a couple of Prestige records we are watching on eBay, starting with Red Garland, Manteca, Prestige 7139. This is an original pressing with the New York address. When I started collecting, this record was fairly common, but most often with the New Jersey address. You don’t see that many with the New York address perhaps because it was at the end of the New York cycle. The latest number I’ve seen with a New York Address is Eddie “Lockjaw” Davis, The Cookbook, Prestige 7141. I’ve never seen a New York Soultrane, which is Prestige 7142. This copy of Manteca is in VG+ condition for the record and VG+ for the cover. The price is in the $160 range.
Art Farmer Quintet Featuring Gigi Gryce, Prestige 7017. This is an original pressing with the yellow label and New York address. The record is listed in M- condition and the cover is Ex. The bidding is now in the $200 range and there’s a bit more than a day left on the auction, as I type this. This is a terrific record, so I would expect the bidding to rise as the auction gets closer to the end.
Here’s a great Prestige record that did not sell:
If you’re on eBay now, it’s hard not to watch all of those auctions closing today from the seller zero.street. There are all of the later Blue Notes I mentioned yesterday. The prices on these have gone even higher, some in the $300-plus range. How about this one: Dave Brubeck, Time Out, Columbia 1397. This is an original pressing that looks to be in quite nice condition, probably M- or VG++ at the worst. The price has been bid up to $137.50. This is not that rare a record, even as an original pressing. Is it because Brubeck just died? Or will this record achieve some new cachet as a collectible, sort of like Kind of Blue, because it is so iconic. Weird to see this one fetching collectible prices after all of these years.
This one is also of interest from the same seller: Art Farmer Quintet Featuring Gigi Gryce, Prestige 7017. This is an original New York yellow label pressing. The cover is in nice VG++ condition and the record is VG or VG+, with a hairline mark that is said to cause some surface noise. I imagine the condition is a killer on this one, because under normal circumstances I wouldn’t expect it to sell for a price so far below those later Blue Notes, which apparently it will. The bidding now is in the $110 range. Unless the market is starting to shift more to the ’60s from the ’50s? Is that possible?
Here’s some jazz vinyl we’re watching on eBay:
Gigi Gryce and the Jazz Lab Quintet, Riverside 229. This is an original white pressing that is in what looks like M- condition for the record and probably VG++ for the cover. I’ve had this record for about 25 years and it’s always had a prominent place in my collection, but I can’t recall listening to it more than once, probably 25 years ago. I know one of our readers had commented earlier that it wasn’t all that great. Perhaps today is the day to finally put it on the turntable and judge for myself. It’s not just me, right? We all have nice collectible records that we’ve either never listened to or listened to just once? This one closes in a few hours and is in the $350 price range.
Dizzy Reece, Star Bright, Blue Note 4023. This looks to be an original deep groove pressing with the West 63rd Street address. The seller has created his own grading schema. If I were to judge the descriptions based on the grading system used by most of us, and certainly used by us here at Jazz Collector, I would guess that this one is in VG+ condition. It closes in a couple of days and is already at around $400.
Here’s a seller offering some nice 10-inch LPs, including:
Lots of Blue Notes on today’s watch list, starting with: Cliff Jordan, Cliff Craft, Blue Note 1582. This was an original pressing that was listed in VG++ condition for both the record and the cover. It sold for $1,370. We’ve seen this one sell for more than $1,300 in the Jazz Collector Price Guide, but this is quite a hefty price nonetheless.
Kenny Drew Undercurrent, Blue Note 4059. This one had the West 63rd Street address and, from the looks of the pictures, it had deep grooves on both sides, certainly on Side 2. That would make it original either way, no? This was described as being in VG condition, and the cover certainly looked no better than VG. It sold for $427.
Gigi Gryce/Clifford Brown Sextet, Blue Note 5048. This was an original 10-inch LP that was defined as being in “very fine” condition, which, the seller implies, is actually M- condition. The pictures certainly looked very fine indeed, if not M-. It sold for $372. 10.
If it’s a Blue Note, and it’s one of the coveted artists, the record or cover does not have to be in great condition to fetch a high price. Case in point:
Can’t sleep so I’m up early updating the Jazz Collector Price Guide. Here are some 10-inch records that will be going in:
Miles Davis All Stars Volume 2, Prestige 200. This looks to be an original pressing with the yellow label, probably one of the first Prestiges to have the famous yellow label. The record was listed in VG++ condition and the cover was VG+. The price was $204.50.
I think this was the first LP issued by Blue Note: Mellow The Mood, Blue Note 5001. It features Ike Quebec, Benny Morton, Buck Clayton and others. The record was VG and the cover was VG++. You’d think it would fetch a high price just for the historic value. But, alas, this copy did not: It sold for $28.
I’ve never seen this one and it has quite a cool cover: Bill Jennings/Leo Parker Quintet, Billy in the Lion’s Den, King 527. This was listed in VG condition for both the record and the cover. It sold for $81.
Hard to find this one in M- condition, but here was a copy: Gerry Mulligan Quartet, With Chet Baker, Pacific Jazz 5. It sold for $115.52.
And now for some 10-inch Blue Notes: