Here’s a nice one: Johnny Griffin, The Kerry Dancers, Riverside 420. This looks do be an original promo pressing with the white label and the deep grooves. It is listed in M- condition for the record and VG++ for the cover. The bidding is in the $300 range with more than five days left on the auction. The seller notes that it is from the estate of the late Dr. Herb Wong, who was a pretty well known jazz historian, writer and radio host in the San Francisco Bay area. The seller, Funkyousounds, states in the listing that it has acquired Dr. Wong’s entire collection. I noticed a bunch of other auctions from the estate earlier this week. Funkyousounds is based in St.Louis, so I, for one, am curious how they ended up with the collection. Funkyousounds, if you are out there, perhaps you have a story to share with us here at Jazz Collector?
One of the other ones I had noticed from the collection was this:
This one comes from CeeDee in an email with the above headline and all I can say is “WOW!” John Coltrane, A Love Supreme, Impulse 77. This was an original white label promo copy. The record was listed in M- condition and the cover was Ex. The final price was $1,225, which is the most we’ve seen for A Love Supreme. It is certainly a classic record, and there is definitely a limited supply of promo copies, so I guess if you want to own one you have to pay the price. The same seller also sold this: Tina Brooks, True Blue, Blue Note 4041. This was an original pressing listed in VG+ (or slightly better) condition for both the record and the cover. The final price was $2,550.
I’m cleaning out my eBay watch list so here are various odds and ends from the past six weeks or so, starting with Tommy Flanagan, The Cats, New Jazz 8217. This was an original pressing with the deep grooves and the purple labels. The record and cover both looked to be in M- condition, very nice indeed. Of course, one of the attractions of this record is that it features John Coltrane. When I acquired this record I filed it with my Coltranes because I was just building my Trane collection and every collectible record with Coltrane was a treasure to me. I hate to tell you when this was, but it was more than 40 years ago. I can’t believe I’m that old. Anyway, now that my Coltrane collection is more robust, this is properly filed with the Flanagans. This copy sold for a very nice $600. Nice for the seller and I’m sure very nice for the buyer, who will have a lovely record for his turntable and collection.
By Dave S.
“Honey, how much money do we have in our bank account? I want to buy some jazz records.” That was what I asked my wife, the darling Mrs. JC-A, two weeks ago.
There was a rumor circulating around town that there was a pretty nice collection of records up for sale by a private seller. Seems he had spoken to all the record stores in the area. A few of them had been out to his house to inspect the collection, but no one was willing to either commit to what he was looking to get for the records or had turned him off. Imagine that. A record store employee with an attitude. A friend of a friend who worked at a local record store finally squeezed a phone number for the seller out of his boss at the store, when they also decided to pass. Over a thousand records in the collection, but no way for a record store to quickly get in and out of the transaction was the explanation. Atlanta is a mediocre jazz record town, with rock and southern blues (think the Allman Brothers) being the local taste. People like you and me are certainly the exception.
Just checked my eBay watch list and came right up with a pair of high-priced items that we had mentioned here before, starting with Tommy Flanagan Overseas, Prestige 7134. This was an original deep groove New York yellow label listed in M- condition for the record and Ex for the cover. When we first saw this record, the bidding was more than $1,000 and it hadn’t reached its reserve price. The record eventually surpassed the reserve price and beyond, selling for $3,938.
This one sold for more than $2,000 but, frankly, I thought it would sell for more, given it’s rarity: Kenny Dorham, Harlem Youth Unlimited, Jazz at P.S. 175. This was an original pressing listed in VG++ condition for both the record and the cover. I asked in the previous post: Is this the rarest of them all? No one seemed to say no, so I’m assuming perhaps it is. It did not get the highest price of them all, although the price was quite high, $2,225, in fact. I would LOVE a copy of this record, but not at $2,225, thank you.
Let’s check out the e-mail bag:
And now for some more jazz vinyl from our eBay watch list, starting with Art Farmer Quintet, Prestige 7017. This is an original yellow label pressing with the New York address. The record and cover are both listed in VG+ condition. The price is only at $88 with less than a day left on the auction. Someone may be in line for a bargain (and a great record). In the same vein, and from the same seller, there is Art Farmer and Gigi Gryce, When Farmer Met Gryce, Prestige 7085. This is also an original New York pressing, listed in Ex condition for the record and the cover. Based on the seller’s descriptions, it looks like Ex is a higher grade than VG+. This one is at a bit more than $200.
While we’re on Prestiges, there is:
Was watching another copy of John Coltrane, Blue Train, Blue Note 1577. This was also an original pressing with the New York 23 label on one side. There was a copy of this last week with a VG cover that sold for $1,666. This one was in better shape — VG+ for the cover and either VG+ or VG++ for the record, depending upon how much you trust the seller’s description. This one sold for $2,318. As opposed to my headline for the Ellington at Newport record mentioned earlier, this one is a classic and a collectible. And it’s value as a collectible seems to keep on rising.
The same seller had this one, which you don’t see too often: Warne Marsh, Jazz of Two Cities, Imperial 9027. This was an original pressing in VG++ condition for both the record and the cover. It sold for $208.14. I’ve owned a reissue of this record for many years, but can’t remember ever putting it on the turntable. Maybe tonight.
Following up on the latest auction from the Jazz Record Center, starting with Duke Ellington at Newport, Columbia 934. This was an original mono six-eye pressing. The record itself was sealed — in those days Columbia had a sealable inner sleeve. So the record was unplayed and the cover was M-. The price was $227.50. This is quite an important record in the history of jazz, capturing the concert that helped to revitalize Ellington’s career, but I’ve never known it to be particularly collectible. I’ve had original pressings at record shows and haven’t been able to sell them, even for $20. I’m not sure how much the market has changed for this record, although in certain circumstances, such as this one, clearly it can now sell for collectible prices. There was a previous copy that once sold for about $127, but the seller was bobdjukic so I’ve always assumed that was an aberration.
Let’s catch up on some of the jazz vinyl auctions we’ve been watching on eBay, starting with Paul Chambers, Whims of Chambers, Blue Note 1534. This was an original Lexington Avenue Pressing that was listed in VG++ condition for the record and VG+ for the cover. It wound up selling for $1,136. It’s amazing how the prices for these original Blue Notes have gone up in the years we’ve been doing Jazz Collector. A few months ago we saw a copy of this record sell for more than $2,700. Back in 2004, I gave myself a hard time for spending $300 on a M- copy of the same record.
This one did not sell because it did not meet the seller’s reserve price: Red Rodney, Signal 1206. This was an original pressing in M- condition for the record and VG++ for the cover. The top bid was $1,501. It’s hard to imagine that any of us, collectors or sellers, would have ever thought that $1,500 was too low a price for a single jazz record, but that day has certainly arrived.
This one made it into the $1,000 bin and actually did sell, despite the condition:
Looks like we’ll be updating the $1,000 bin this morning, starting with John Coltrane, Blue Train, Blue Note 1577. This was an original pressing with the New York 23 on one side. The record was listed in VG++ condition and the cover was just VG. No matter, it seems, because these New York 23 Blue Trains are quite hard to find. This one sold for $1,666.
No surprise seeing Blue Train in the $1,000 bin. This one, which I mentioned yesterday, was a surprise, not that it sold for more than $1,000, but that it sold for more than $1,500: Hank Mobley Quartet, Blue Note 5066. This was only in VG+ condition for the record and the cover, and when we looked at it yesterday the price was around $460. The final price was $1,525.
Here’s one that may have a chance at making the $1,000 bin: