Tag: John Jenkins

JRC Auction: A Little Trane, A Few Blue Notes

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It’s always interesting to watch the Jazz Record Center auctions on eBay and the latest is closing today. Here are a few of the items:

John Jenkins and Kenny Burrell, Blue Note 1573. This is an original pressing that looks to be in M- condition for both the record and the cover. The start price on this was $1,000 and there is a bid on it, so it will be sold and will enter the virtual $1,000 bin.

John Coltrane, Giant Steps, Atlantic 1311. Here’s a more clear explanation of this than we’ve heard before. Jazz Record Center refers to this as the “pinwheels” label, although we’ve most often seen it described as “bulls-eye.” It is described as an “original deep-groove second press,” which kind of makes sense. It’s still valued among collectors, even though it is not a first press. This one looks to be in M- condition for the record and the cover and is already at more than $170. Speaking of original Coltranes on Atlantic: John Coltrane and Milt Jackson, Bags and Trane, Atlantic 1368. This is an original mono pressing with the red and purple labels, although I’m still not 100 percent sure how to distinguish it as a first pressing. This one is in M- condition and so far there are no takers at $50.

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Jazz Vinyl on eBay: Some Blue Notes & A Nice Norgran

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I logged onto eBay last night, found a number of interesting records to watch and, with great pride, was able to go to sleep without slipping into the temptation of placing any snipe bids. Progress, right? Anyway, here is some of the jazz vinyl we were watching that closed yesterday:

John Jenkins, welcome to the $1,000 bin: John Jenkins and Kenny Burrell, Blue Note 1573. This was an original deep groove West 63rd Street pressing and it was in M- condition for the record and VG for the cover. It was a reputable seller, there were 11 bids and more than 450 page views and the price was $1,136.55. Not bad in a soft market if, indeed, this can be called a soft market.

Actually, perhaps in retrospect I should have put in a snipe for this one: Sonny Red, Out of the Blue, Blue Note 4034. This was an original pressing in VG+ condition for both the record and the cover. Quite a fair price, depending, of course, on what VG+ means to the buyer and seller. As we’ve learned long ago, VG+ is in the eye of the beholder. I had this record once upon a time but traded it away in a lopsided trade that favored the other guy. Not sure what I was thinking at the time, but I’m more knowledgeable now. So this is one that got away. Getting it back for $283 or so, which is what this one sold for, would be quite a coup in my eyes.

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eBaying: Alto Madness & A Pair of Blue Notes

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Here’s some nice jazz vinyl that’s been sold on eBay recently, while we’ve been offline and packing.

Jackie McLean and John Jenkins, Alto Madness, Prestige 7114. This was an original yellow label pressing with the New York address. It was sold by Euclid Records and was listed in M- condition for both the record and the cover. What a beauty. It sold for $812, a relatively high price for a Prestige of this vintage, but who can argue at this kind of value for a record of this quality in this condition.

Here’s an interesting one: Cliff Jordan, Cliff Craft, Blue Note 1582. This was an original pressing. The seller didn’t actually grade it, but gave some information about the condition, so we get to determine the grading ourselves. There was some surface noise on two tracks of this LP, one of which the seller described as “unpleasant.” The highest grade it would get in our view would be VG+. The more likely grade would be VG. What do you think? The cover looked to be VG++. The price was $676, which would reflect more of a VG+ grading than a VG grading, don’t you think?

This one came from a seller with only three feedbacks, so it’s a little risky, right?

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‘Tis Better To Have Bid And Lost . . .

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These records all have one thing in common: I bid on them and lost:

I thought I could sneak this one in because the picture accompanying the listing wasn’t clear and perhaps that would turn people off: Alto Madness,  Prestige 7114. This features John Jenkins and Jackie McLean and I do not own an original copy. It was not getting a lot of action and I threw in a bit of about $130. Not even close. In the end there were 13 bids and the winning bid was $405.

Louis Smith, Smithville, Blue Note 1594. I mentioned this one yesterday and posted the picture. For some reason, this record was not getting much action. With several hours to go before it closed it was in the $100 range. I thought perhaps the listing wasn’t clear as far as the condition and there was something in the listing about price guides and $100. Anyway, there was light action, so I used by BidNip sniping service — if you bid on eBay you really should be using one of this — and put in a bid of about $360. Well it sold for $811, so I wasn’t even in the game.

I tried to sneak this one in at about $20: Frank Rosolino, I Play Trombone, Bethlehem 26. The vinyl was only VG, but it had a nice cover and the seller didn’t mention the presence of Sonny Clark

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On eBay: Blue Note, Transition & Hyperbole

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Was watching this later pressing to see if it would sell: John Jenkins with Kenny Burrell, Blue Note 1573. This was a United Artists pressing. The vinyl was in M- condition, but the cover had a corner clip. The starting price was $44.44 and there were no bidders. Not sure where the market is for these United Artists pressings. I do have a bunch of them and I’m planning to hold onto them. They sound fine, not like the original pressings, but not like the reprocessed stereo editions either.

Here’s an interesting one from our “friend” Bobdjukic: Don Byas, Tenor Sax Solos, Atlantic 11233. This is a 10-inch LP with an interesting cover. The listing notes that it is an uncredited David Stone Martin illustration and, I have to admit, it looks like one for sure. But when this seller says something is “absolutely certain” I tend to wonder. In this case, I think he’s accurate, but it would nice to get confirmation from one of the experts out there as well. The rest of the hyperbole in the listing is a true work of art. Here is some of the language: “One of the rarest jazz albums in existence,” plus “We are reasonably certain that less than four copies

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For the Price Guide: A Blue Note Bonanza

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We’ve been quite busy updating the Jazz Collector Price Guide, so we will do a few posts over the next few days highlighting some of the new entries, starting with some Blue Notes, of course. There are no links to these, FYI.

Kenny Drew, Undercurrent, Blue Note 4059. This was an original pressing with the West 63rd Street address and just one side deep groove. The record was listed in VG+ condition for both the vinyl and the cover and it sold for $285.

Baby Face Willette, Stop and Listen, Blue Note 4084. This was an original pressing with the NY USA label. the record looked to be in VG++ condition for both the vinyl and the cover. It sold for $200.

This one sold for a big price, but it didn’t seem to be an original pressing:

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On Ebay: Newk & Jenkins, Blue Note & Prestige

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Here’s another one headed for the $1,000 bin: Sonny Rollins, Saxophone Colossus, Prestige 7079. This is an original pressing that looks to be in near mint condition by a seller in Italy who has solid feedback. There are about 14 hours to go and it is already at about $1,800. The seller has five rare Rollins LPs on eBay now, also: Sonny Rollins Volume 1, Blue Note 1542. This is an original Lexington Avenue pressing that also looks to be in near mint condition. The current price is more than $500, but it has not yet reached the seller’s reserve.

Here’s another seller with some nice Blue Notes on eBay today, including: John Jenkins with Kenny Burrell, Blue Note 1573. This is an original pressing with

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Some More Blue Notes, Some More $1,000 LPs

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We casually mentioned the Lexington Avenue version of Sonny Rollins Volume One, Blue Note 1542 and there, lo and behold, is a beautiful M- copy that is ready for the $1,000 bin. This one sold for $1,225.

Also entering the $1,000 bin is Dizzy Reece, Blues in Trinity, Blue Note 4006. This was an original West 63rd Street pressing that was in M- condition, both record and cover. It sold for $1,595.

John Jenkins with Kenny Burrell, Blue Note 1573. This was an original pressing n VG+ condition with a light scratch. The cover was listed as excellent-minus, which is, what, VG+ at best? It too is in the $1,000 bin, fetching

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Sonnys Crib, No Deep Groove, At What Price?

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Lots of focus on Blue Note this week. Sometimes, that’s just the way things break. Here’s one of interest, closing soon: Sonny Clark, Sonny’s Crib, Blue Note 1576. This, of course, is one of the hot ones, featuring John Coltrane. This one has the West 63rd Street address, is mono and seems to be in pristine condition. Yet . . . it is not a deep-groove pressing. So, what’s it worth? The seller has a buy-it-now price of $1,000 — or you can make an offer — and there are two hours to go, so it seems unlikely that he will get his asking price. If this was a deep-groove copy in this condition, at $1,000 it would have been gobbled up long ago. Without the deep groove, all bets are off. Isn’t it interesting how specific the market has become. One of our loyal readers commented on another post about a John Jenkins Blue Note he purchased from us, probably for around $15 o $20. It was a United Artists mono pressing and he is quite pleased and getting a lot of joy out of it. And he didn’t need to get a second mortgage on his home.

A Few More (Blue Notes) For the $1,000 Bin

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The $1,000 bin keeps getting bigger and bigger. We just did a search on eBay of completed auctions of $1,000 jazz records and it was quite stuffed. Here are some of the items we will be adding to the Jazz Collector Price Guide. 

Louis Smith, Smithville, Blue Note 1594. This was an original pressing with the West 63rd Street address. The record was listed in in “excellent” condition for both the vinyl and the cover. According to the seller’s notes, “excellent” is what we wold normally use for VG+. So, in VG+ condition, this record sold for $1,525.

John Jenkins With Kenny Burrell, Blue Note 1573. This was an original pressing with the West 63rd Street address. The record was in M- condition, both vinyl and cover. The price was $1,905.

Lee Morgan Volume Three, Blue Note 1557. This was an original West 63rd Street

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