Here zre are some of the rare jazz records that have been sitting in our eBay watch list, starting with Eric Dolphy, Outward Bound, New Jazz 8236. This was an original pressing with the purple label and the deep grooves. The record was listed in M- condition and the cover was Ex, equivalent to VG++, according to the seller’s description. The final price was $837. High, but certainly not surprising for an original classic such as this. From the same seller, there was Kenny Dorham, Quiet Kenny, New Jazz 8225. This was also an original pressing with the purple label and the deep grooves. The record was listed in VG+ condition, as was the cover. The final price was $1,083. And one more from the same seller, this one a tease for me, but not in a comfortable price range, although certainly a fair price range based on the final bid:
As prices continue to rise, readers are sending me more and more emails calling particular records to my attention. This one came from Clifford, with the simple note: “nuts!!!”: Kenny Dorham, Afro Cuban, Blue Note 1535. This was an original pressing, or at least the original 12-inch pressing, and it looked to be in VG++ to M- condition for the record and probably VG++ for the cover. The final price was $3,819. There were 22 bids and 13 bidders and it went from about $1,700 to the final price in the last few seconds. So, clearly, there were two bidders that really, really, really wanted this record, but that is quite a dear price to pay, IMHO. A commenter on the previous post also pointed to this one, with the simple words “Wow!” and “Crazy!”: Harold Vick, Steppin’ Out, Blue Note 4138. This was an original pressing from the same seller as the Dorham record. The record and cover were both in M- condition. The final price was $720.
I know this one has already been all over the previous post, but I wanted to get it into a headline and separate post so that it would come up in searches: John Coltrane, Blue Train, Blue Note 1577. This has the New York 23 label on one side, which makes it an original pressing. The record was listed in M- condition and the cover was VG++, with some writing on the back. There were nine bidders, 13 bids and the final price was $4,717.89.
Not sure who said that prices seem down on the previous post, but that’s certainly hasn’t been the case for the records I’ve been watching. Here are a couple of examples: Jackie Mclean, 4, 5 and 6, Prestige 7048. This was an original New York yellow label listed in VG++ condition for the record and Ex for the cover. It sold for $1,144.
And how about this one:
Here’s a nice one for a rainy Tuesday here in The Berkshires: Kenny Dorham, Afro-Cuban Blue Note 5065. This is an original 10-inch Lexington Avenue pressing listed in M- condition for both the record and the cover. Not to hype things for the seller, but how many M- copies of this record do you think there are, anywhere in the world? Could there be 100, 200? Doubtful it would be more than that. I have a copy, but the condition is VG for the vinyl, and I was happy to get it for about $35 maybe 25 years ago in a store in Los Angeles.
Charles Mingus, Pithecanthropus Erectus, Atlantic 1237. This was an original black label pressing in VG condition for the record and the cover. It sold for $150, somewhat surprising given the condition. Interesting seller who seems to be selling all kinds of stuff all the time, nearly 110,000 feedbacks. He had a couple of other items I had spotted, but when I went back to search I didn’t have time to go through the various Judge Dredd bikes or Predator wolf masks to find a stray Mingus or two.
I see that everyone is quite focused on the Dr. Herb Wong collection from the seller funkyousounds, so please feel free to continue the discussion on the previous post. For me it’s time to move on to some other records on eBay, starting with a batch from the seller vinyl.unlimited. You may recall that this seller had a bunch of very nice jazz vinyl, seemingly from the top of my want list, but the bidding wasn’t reaching the reserve prices. Well, that changed as the auctions closed and most of the records did wind up selling, and fetching top prices as you might expect. A couple of examples: Cliff Jordan, Cliff Craft, Blue Note 1582. This was an original pressing that was described as VG++ for both the record and the cover, although, IMHO, the dirt on the back of the cover and the labels precluded this record from being VG++. Hopefully the seller was more scrupulous with the vinyl. This one sold for $1,275. Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original purple label pressing with a promo stamp. The record was listed as M- and the cover was VG++. The final price was $3,284.56.
I’m watching a lot of rare jazz records on ebay now that have reserve prices. As a seller, I used to occasionally use reserves, but as a buyer I find them annoying. I’d much rather place a bid and know that, if it is the top bid, then I will get the record. Even though I rarely buy on eBay these days, there is a record I’m watching closely, as we are getting close to my birthday once again. I probably shouldn’t mention it here because that will only heighten the interest, but it’s doubtful I’ll actually bid for it so here goes: Freddie Redd, Shades of Redd, Blue Note 4045. This is an original pressing that looks to be in VG+ condition for the record and probably VG++ for the cover. The bidding closes in four days and is in the $150 range, but it has not yet reached the seller’s reserve price.
The seller vinyl.unlimited has a great batch of records on eBay now, but they mostly seem to have reserve prices as well, and many have not yet reached those prices. Some of the listings are:
Actually, I don’t even celebrate Christmas, but that’s quite beside the point, isn’t it? I spent a couple of hours today just looking at my records and going through the shelves, one by one. It’s a pretty damn good collection, I must say. Although it is not complete. Not even close. So, when I do look at the collection, what’s missing. Or, more to the point, if I were to make a Christmas Wish List, what would I put on it? Here we go, all original pressings, of course.
1. Freddie Redd, Shades of Redd, Blue Note 4045. Yes, I’ve been searching for this record for years, and yes, I could just pay the price and buy a copy on eBay. But that takes out all of the fun. Now, if The Lovely Mrs. JC would be interested in a gift for my upcoming birthday, I wouldn’t complain about that at all, no matter what the price.
2. Lou Donaldson, Quartet, Quintet, Sextet, Blue Note 1537. No the list will not be all Blue Notes, but it could be if I wanted to go there. This happens to be another favorite. I’ve owned a Japanese pressing for years. Two, in fact. But an original on my shelf would be quite appealing.
3. Hank Mobley, Blue Note 1568. No I don’t have it. If I did, whenever someone would ask me what’s the most valuable record in your collection, I could point to that. Right now, when someone asks, I don’t know exactly what to say. The music is pretty good too, no?
Had my eye on this one: Kenny Dorham and the Jazz Prophets, ABC Paramount 122. This was an original deep groove pressing listed in Ex condition for the record and VG+ for the cover. It sold for $343. I’d recently had an email exchange with a reader who said he’s been watching this record and, in a period of just a few weeks, he’d seen the price range from $28 to $1,000. I saw I thought of it as as $400-$500 record, but more in pristine condition. So, from my perspective, this seems to be around the market value. At least it was the market value for this particular copy. I once had an opportunity to buy a beautiful copy of this record at the Jazz Record Center in New York for $100. I wasn’t particularly flush at the time, so I passed. Then I went home and changed my mind. Came back a few days later and the record was gone. I asked Fred about it. He said he had made a mistake in pricing it at just $100 and I should have jumped at the opportunity. That was probably 25 years ago. I finally got a copy of this record in the Baltimore collection almost exactly two years ago. Have yet to listen to it. Perhaps I will correct that oversight later this evening.
Here’s some stuff from my email inbox:
Here are a few more rare jazz records worth watching on eBay, starting with Elmo Hope, Informal Jazz, Prestige 7043. This looks to be an original New York yellow label pressing listed in M- condition for the record and VG++ for the cover. This one just came onto eBay and has a start price of $380. It also has a “but-it-now” price of $700. I have a feeling, once people start reading this article, someone just might swoop in and buy it. The $700 price tag actually seems pretty reasonable for this very rare LP. I, fortunately, have my own copy now, courtesy of the family of Bruce W. West in Baltimore. Also from Prestige: Kenny Dorham, Quiet Kenny, New Jazz 8225. This is an original deep-groove purple label pressing listed in VG++ condition for both the record and the cover. There are five days left on the auction and the bidding is in the $565 range, on its way up into somewhere in the $1,500 to $3,000 range for its final price.
Just checked my eBay watch list and came right up with a pair of high-priced items that we had mentioned here before, starting with Tommy Flanagan Overseas, Prestige 7134. This was an original deep groove New York yellow label listed in M- condition for the record and Ex for the cover. When we first saw this record, the bidding was more than $1,000 and it hadn’t reached its reserve price. The record eventually surpassed the reserve price and beyond, selling for $3,938.
This one sold for more than $2,000 but, frankly, I thought it would sell for more, given it’s rarity: Kenny Dorham, Harlem Youth Unlimited, Jazz at P.S. 175. This was an original pressing listed in VG++ condition for both the record and the cover. I asked in the previous post: Is this the rarest of them all? No one seemed to say no, so I’m assuming perhaps it is. It did not get the highest price of them all, although the price was quite high, $2,225, in fact. I would LOVE a copy of this record, but not at $2,225, thank you.
Let’s check out the e-mail bag: