Had my eye on this one: Kenny Dorham and the Jazz Prophets, ABC Paramount 122. This was an original deep groove pressing listed in Ex condition for the record and VG+ for the cover. It sold for $343. I’d recently had an email exchange with a reader who said he’s been watching this record and, in a period of just a few weeks, he’d seen the price range from $28 to $1,000. I saw I thought of it as as $400-$500 record, but more in pristine condition. So, from my perspective, this seems to be around the market value. At least it was the market value for this particular copy. I once had an opportunity to buy a beautiful copy of this record at the Jazz Record Center in New York for $100. I wasn’t particularly flush at the time, so I passed. Then I went home and changed my mind. Came back a few days later and the record was gone. I asked Fred about it. He said he had made a mistake in pricing it at just $100 and I should have jumped at the opportunity. That was probably 25 years ago. I finally got a copy of this record in the Baltimore collection almost exactly two years ago. Have yet to listen to it. Perhaps I will correct that oversight later this evening.
Here’s some stuff from my email inbox:
Here are a few more rare jazz records worth watching on eBay, starting with Elmo Hope, Informal Jazz, Prestige 7043. This looks to be an original New York yellow label pressing listed in M- condition for the record and VG++ for the cover. This one just came onto eBay and has a start price of $380. It also has a “but-it-now” price of $700. I have a feeling, once people start reading this article, someone just might swoop in and buy it. The $700 price tag actually seems pretty reasonable for this very rare LP. I, fortunately, have my own copy now, courtesy of the family of Bruce W. West in Baltimore. Also from Prestige: Kenny Dorham, Quiet Kenny, New Jazz 8225. This is an original deep-groove purple label pressing listed in VG++ condition for both the record and the cover. There are five days left on the auction and the bidding is in the $565 range, on its way up into somewhere in the $1,500 to $3,000 range for its final price.
Just checked my eBay watch list and came right up with a pair of high-priced items that we had mentioned here before, starting with Tommy Flanagan Overseas, Prestige 7134. This was an original deep groove New York yellow label listed in M- condition for the record and Ex for the cover. When we first saw this record, the bidding was more than $1,000 and it hadn’t reached its reserve price. The record eventually surpassed the reserve price and beyond, selling for $3,938.
This one sold for more than $2,000 but, frankly, I thought it would sell for more, given it’s rarity: Kenny Dorham, Harlem Youth Unlimited, Jazz at P.S. 175. This was an original pressing listed in VG++ condition for both the record and the cover. I asked in the previous post: Is this the rarest of them all? No one seemed to say no, so I’m assuming perhaps it is. It did not get the highest price of them all, although the price was quite high, $2,225, in fact. I would LOVE a copy of this record, but not at $2,225, thank you.
Let’s check out the e-mail bag:
Buongiorno! Back from Italy and a little bit worse for the wear. My flight home was delayed because a horse was acting up in cargo and they had to remove all of the luggage, then remove the horse and then reload all the luggage. Yes, that really happened. Then I got a nasty cold, but I’m starting to feel better and finally am able to look at eBay to see what’s going on. I want to thank Clifford Allen for filling in while I was away. Clifford, I really appreciate it and you did a great job — please feel free to continue posting at any time. I think it adds a lot of value to the site to have another perspective.
I did a search on eBay and found an extremely interesting record, which is: Kenny Dorham, Harlem Youth Unlimited, Jazz at PS 175. This is a live recording from 1964. I was told by a reputable dealer several years ago that this is possibly the rarest jazz record of them all. Has anyone else heard that? I’ve been looking for a copy for more than 30 years — ever since I learned about it — and have never seen one. In fact, this is the first one I’ve ever seen even on eBay. I will be very curious to see what this record sells for, particularly now that I have called attention to it. This one is in VG++ condition for the record and the cover. The start price is about $900 and there are nine days to go on the auction. I’m curious if anyone in our community owns this record and how it sounds.
Whilst I was away there was some email, as usual, so let me get to some of that as long as I am catching up. Clifford sent me a note under the subject “1568 Comedy Watch,” with the accompanying text: “I don’t know if people are getting bored with these, but I still find 1568 auctions fairly amusing/interesting.” Attached was this link to Hank Mobley, Blue Note 1568. The auction as over and the final price was $960. Was it a copy you would actually put on your turntable? Not me. The record was listed in G+ condition. Was it a record you’d be proud to display on your shelves? Not really. The cover was in VG- condition with water damage and small seam split. Was it a record you’d spend $960 on, so you could say you own a copy of the rarest of the rare Blue Notes? Clearly, there was at least one buyer who would say amen to that. It was funny seeing this email from Clifford, because just a few minutes later I got a separate email from Mike with the same link and the following question: “I wondered if you or your readership would be willing to part with US$960 for BN1568 in this condition? Speaking for myself, Read more
You will now be treated to a treatise covering more than you ever wanted to know about Blue Note 45s. So from now on, if you do happen to run across any interesting Blue Note 45s, you can do a search at Jazz Collector for this article and the shared knowledge of the community will be available for as long as I pay the bills to keep the site up and running. Here’s how I came by this newfound knowledge, which I wasn’t seeking, but which I will now share for others who may also not be seeking it. It started, as these things often do, with an e-mail inquiry, as follows:
Here are the results of a few other jazz vinyl auctions we’ve been watching on eBay, starting with Kenny Dorham, Afro-Cuban, Blue Note 5065. This was an original 10-inch pressing with the Lexington Avenue label. The record was listed in VG+ or VG++ condition (I’d vote for VG+, based on the description) and the cover was listed in VG condition with a big stain on the front that spread to the back. The stained cover would certainly negatively impact my interest in the record, but not for the winning bidder, who is spending $902 for this record.
This was another one that was in not-so-great condition but still wound up selling for a fairly hefty price:
I happened to notice some nice 10-inch jazz vinyl on eBay this morning, so let’s start today’s post with The Amazing Bud Powell Volume 2, Blue Note 5041. This is an original 10-inch pressing that looks to be in M- condition, although the seller is not a record person and didn’t actually attempt to grade it. It looks quite lovely in the pictures, and that is definitely one of my favorite Blue Note covers. The bidding is now in the range of $235 with more than two days left and I would expect this LP to sell for quite a bit more. The seller has several other nice 10-inch LPs for sale, including Horace Silver Quintet, Blue Note 5062. This is also an original pressing, and the description is similar to the Powell record, no actual grading, but an implication that this one is also in M- condition for the record and the cover. The current price is around $125.
While we’re on the subject of 10-inch Blue Notes, there is also:
I’m watching a few items from the current Jazz Record Center auction on eBay, including: The Dave Bailey Sextet, Bash!, Jazzline 33-10. This is an original pressing Kenny Dorham, Curtis Fuller, Tommy Flanagan and others. The record is listed in M- condition and the cover looks to be about VG+, based on the description. The bidding is at $200 with nearly three days left before the auction closes.
Oliver Nelson, The Blues and the Abstract Truth, Impulse 5. This is an original mono promo copy with the white label. The record is listed in M- condition and the cover looks to be about VG++. The bidding is at $100.
This is one that is completely new to me:
Wow, looks at the prices on these two:
Kenny Dorham, Afro-Cuban, Blue Note 5065. This was an original Lexington Avenue 10-inch pressing listed as Ex condition for both the record and the cover. The seller hyped up the condition, suggesting that the record was only played once or twice. It sold for $1,684.
Roland Kirk, Triple Threat, King 539. This was an original pressing that was probably in VG++ condition for the record and VG+ for the cover. It had been listed previously at about $2,000, didn’t sell and was listed again. This time it sold for $1,259.56.
Well, while we’ re filling the $1,000 bin, let’s add a few more: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing listed in Ex condition for both the record and the cover. There were 17 bidders and 79 bids, which is a pretty high amount. The record sold for $2,604.54.
This came from the same seller: