Just found out the other day that the pianist Eddie Higgins passed away. He and his wife, the singer Meredith d’Ambrosio, were friends of my parents down in Florida. Anyway, the question is this: In 1960 Eddie was a sideman on a date with Lee Morgan. What was the record, what was the label?
As I’m going through some of the items I’ve been watching on eBay, I’m actually finding less evidence than I expected of this supposed shift into a two-tier market. There is still a lot of high-priced bidding among the non-Blue Note labels and artists. Perhaps it’s just by comparison that the gap is widening because some of the Blue Note/Prestige prices have been skyrocketing lately. We’ll keep watching, but as you guys see evidence of a real drop-off in prices of second-tier labels, please post them on the site as a comment. Here are some items we’ve been watching that may give you an alternate view versus my comments and others of the past couple of days:
Red Mitchell, Bethlehem 38. This was an original red label pressing, deep groove. It was in M- condition for both the record and the cover. It sold for $190.93.
Lee Konitz with Marne Marsh, Atlantic 1217. This was an original black-label mono pressing. It looks to be generously graded at VG++. It sold for $149.99.
Here’s one that would support the theory of a developing two-tier market:
Time to catch up on some of the items we’ve been watching on eBay the past couple of days:
There was this copy of Sonny Clark, Dial S for Sonny, Blue Note 1570. We had spotted it at $484 with a few hours left to go, and we expected that the price would probably double. It actually did more than that: It surpassed the $1,000 mark and sold for $1,025. This was an original pressing in M- condition for both the record and the cover. We looked this record up in the Jazz Collector Price Guide and, interestingly, it had previously sold for as much as $1,750, in worse condition.
Speaking of Sonny Clark, he was on two of those Buddy DeFranco LPs we were watching. He was on Buddy DeFranco, In a Mellow Mood, Norgran 1079. This was an original yellow label pressing in VG+ condition for the record and the cover. It sold for $67.78. Sonny Clark is also on The Artistry of Buddy DeFranco, Norgran 1012. This was also an original yellow label and
I’m watching some records that are closing soon from Buddy DeFranco. These are original Norgrans in pretty nice condition. They are all being offered from the same seller: Odalisque, Norgran 1094; The Artistry of Buddy DeFranco, Norgran 1012; and In a Mellow Mood, Norgran 1079. When I started watching these records last night they were all in the $9 range. Now they are in the $20s. Still, not very much at all. Two of these records — The Artistry and In a Mellow Mood — feature Sonny Clark on piano, which usually means some enhanced collector interest, and some higher prices. I guess what I’m wondering is what happens to an artist like Buddy DeFranco. He was great for his time and he put out some beautiful records, but as time goes on does there continue to be interest in his music, or does he fall by the wayside the way interest in some of the traditional players has fallen? I’ll be interested
Here are a few more nice items to watch today on eBay:
Jutta Hipp at the Hickory House, Blue Note 1515. This is an original Lexington Avenue pressing. The record is in M- condition and the cover is VG+. The current price is $630. I’m keeping an eye on this because I have a copy in my collection in similar condition and I’m thinking about selling it. Perhaps I’ll offer it first on Jazz Collector before going to eBay.
Lawrence Marable, Tenorman, Jazz West 8. The record is listed as VG+ and the cover is VG. The current price is $360.
To this listing we say “ugh.” It’s another copy of John Coltrane, Giant Steps, Atlantic 1311. It’s quite reputable seller, but somehow this myth of the bulls-eye label is being perpetuated. The seller lists this as
Had some time to kill last night so I went through several days’ worth of upcoming eBay listings. There are quite a few interesting items up today. Let’s get to them quickly:
Lots of Bird this week, which seems fitting, since yesterday would have been his 89th birthday (thank you to Colm O’Sullivan for pointing that out). Here’s a beauty: Charlie Parker, Dial 201. This is an original 10-inch pressing listed in VG++ condition for both the record and the cover. The current price is $565, which is higher than we’ve normally seen for these 10-inch LPs in the past. It’s nice to see Bird getting his due again in the collectibles market.
We had all that discussion a couple of weeks ago on J.R. Monterose. Here’s one of his rare records closing today: J.R. Monterose, Blue Note 1536. This one is an original Lexington Avenue pressing and is listed in VG+ condition for both the record and the cover. It is currently priced at $300. Here’s an update on those rare J.R. Monterose tapes
When we were updating the $1,000 bin yesterday, we came upon this quite rare collectible: Charlie Parker, The Bird Blows The Blues, Dial LP 1. The seller lists this as the “first 12-inch LP ever” and having been issued in 1948. We have heard before that this was the first 12-inch long-playing record, which we’ve never been able to confirm, but we think the original issue was in 1949. It was issued without a cover. The seller here claims there were only 50 copies originally issued, which, of course, sounds like one of those claims aimed at making the record seem rarer than it actually is, which is quite rare. This copy was listed in “VG to VG+” condition and sold for $2,250.
This also gives me another chance to remind you all that we are still running our contest to give away a free copy of
It’s time to throw a few more items into the $1,000 bin. These are some of the rare jazz records that have recently crossed the $1,000 price threshold.
Cliff Jordan and John Gilmore, Blowin’ in From Chicago, Blue Note 1549. This was an an original pressing with the West 63rd Street address and deep groove. The record was listed in M- condition and the cover appeared to be at least VG+, perhaps better. The price was $1,199.99.
Sonny Rollins, Saxophone Colossus, Prestige 7079. This was an original pressing. The record was in VG++ condition and the cover was VG+. The price was $1,266.66. The item had more than 500 page views, compared to less than 200 for the Cliff Jordan/,John Gilmore LP. The seller, bobdjukik, seems to have a knack for getting people to view his records.
We’ve missed a couple of days posting. Sorry. Up in the country. The weather is beautiful and the Internet connection is inconsistent. We will attempt to be more regular. To get back into posting shape, this morning we will list some of the new items we’ll be entering into the Jazz Collector Price Guide. Nothing in the $1,000 bin — we’ll save those for later — but some nice, interesting collectibles. Here are several:
George Wallington Quintet at the Bohemia, Progressive 1001. This is an original pressing and the seller listed it as near-mint condition for both the record and the cover. It sold for $810.
Kenny Drew, Undercurrent, Blue Note 4059. This was an original pressing, also in near-mint condition and was one of the items sold by the seller herschel78. This one also sold for $810.
Here’s a record I actually bid on (and lost, by $1):
There’s this new study from the University of Cambridge that concludes that people make assumptions about other people based on their musical tastes. Classical music fans, for example, are expected to be dumb and boring. Rock fans: emotionally unstable. Who fares best in this study? Jazz fans, of course. We are regarded as imaginative, peace-loving individuals with friendly and outgoing natures. In other words, people think we’re cool. Sounds about right to me. Of course, if they really knew about the obsessive side of us jazz collectors, perhaps they might alter their view.
