A Couple of Rare Birds, One For the $1,000 Bin

We’re still running the contest to give away a free copy of The Charlie Parker Memorial Album, Savoy 12000. Please comment on the site to be eligible to win. Meanwhile, here are a couple of nice bird collectibles that sold recently on eBay, including one for the $1,000 bin.

Charlie Parker, Alternate Masters Volume 2, Dial 905. This was an original 12-inch Dial, quite rare. It was in very nice VG++ condition and was sold by the seller Herschel78, who has been selling some beautiful items lately. This was fetched a price of $1,350.

Also from Bird is this: The Charlie Parker Story, Savoy 12079. This was an original pressing, with a great cover of a relaxed Bird sitting on a throne. This was from the same seller and was listed in M- condition for both the record and the cover. It sold for $150.  You don’t often see the Bird Savoys selling for these prices.

Joining Bird in the $1,000 record bin is this:

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A Couple More Surprises For the Price Guide

Here are some of the other interesting items we’ve been watching on eBay. Nothing for the $1,000 bin, but there are other collectibles, aren’t there?

This is one I’ve never thought about as a major collectible, but it seems to be getting more popular among collectors, as are some of the other records on the Impulse label: Roy Haynes, Out of the Afternoon, Impulse A-23. This features Roland Kirk as a sideman and is a nice record. Perhaps the value is going up because Roy is still alive and well and playing formidably, keeping the tradition alive. Anyway, this record was listed in M- condition for both the record and the cover. It sold for $136.49.

Would you feel comfortable bidding on this record: Dexter Gordon, Our Man in Paris, Blue Note 4146? The seller listed the item as

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Today on Ebay: Such Stuff As Dreams Are Made On

The seller Herschel78 is back with some very nice items that are closing today. Here are a few:

Jackie McLean, Lights Out, Prestige 7035. This record is VG++ and the cover is near and it’s an original pressing with the New York address and yellow label. A real beauty, at least in the picture. The current price on this one is $620 and there are still a few hours to go. Tempting, but I’m trying to get rid of records, not acquire them.

Also, Here Comes Louis Smith, Blue Note 1584. This is an original pressing in near mint condition, “the finest copy you’ll ever see,” according to the listing. This is now at $800 and is a near certainty to crack the $1,000 barrier. In the Jazz Collector Price Guide we’ve seen it go for as much a $1,420.

This one is also in beautiful, near-mint condition:

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All Things Considered, Some Surprising Prices

Time to catch up with some of the items we’ve been watching this past week. We will do this in a few posts throughout the weekend. We’ll start with some of those items sold by the seller bobdjukic, who’s clearly got something going on that enables him to get wacky prices as well as staggering numbers of page views.

We’ll start with Thelonious Monk, Monk’s Music, Riverside 1102. This was a later stereo pressing, with that gold stereo stamp that many of the Riverside’s carried. Clearly not an original, which was a white label mono. One time on eBay, an original copy sold for more than $3,000. We chronicled it on Jazz Collector and it created quite a stir. See here. In any case that price for a mono was an aberration, just as we feel the price here for a stereo is an aberration. This copy, in M- condition for the record and cover, sold for $413.55. The seller actually wrote this in his listing: “Monstrously rare stereo pressing, many times rarer than the mono.” Yikes.  The other amazing thing about this record: It had more than 1,700 page views in eBay. Yikes again.

Speaking of second pressings, there was the copy of John Coltrane, Giant Steps, Atlantic 1311. This was the one with the bulls-eye label, that was characterized as being of the same provenance as the black label. This record

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Win A Free Collectible: Original Bird on Savoy

Okay, we are going to celebrate the impending end of summer with our best give-away to date: This is a genuine collectible, an original pressing of an all-time great LP: Charlie Parker Memorial, Savoy 12000. Yes, this is an original pressing with the red Savoy label and the deep groove. The record is not in perfect condition, but it sounds real nice, with just enough surface noise to certify it’s authenticity as a release from the mid-1950s. This features Bird in a variety of settings, with Miles Davis, Bud Powell, Dizzy Gillespie, Max Roach, Duke Jordan, Curley Russell and others. It’s a mix of Bird’s Savoy material, from his earliest dates with Tiny Grimes, to his tenor sessions with Miles, to classics such as Steeplechase and Barbados. In order to be eligible to win this record, all you have to do is

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My Favorite Things: The Winner Is . . .

Time to do the drawing for the winner of the great LP, John Coltrane, My Favorite Things, Atantic 1361. This is a near mint stereo pressing, not an original, but it sounds great and it’s one of the classics, despite the surprising criticisms from some of our favorite commentators. For me, this is a real favorite and one of the first records I fell in love with when I fell in love with jazz. I find the title track powerful and innovative and am a huge fan of the way Trane does “But Not For Me,” with an echo of his Prestige years, but the clear growth he had shown in Giant Steps. And then there is Everytime We Say Goodbye, which Mrs JC and I took for our wedding song. Speaking of Mrs. JC, here she is to select this week’s winner. As most of you know by now, the rules for our contests are simple: All you have to do to be eligible to win

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Today at Jazz Collector: Trane Reigns

This is a busy day here at Jazz Collector, with a particular emphasis on John Coltrane collectibles. Some of the heavy-ticket items we’ve been watching are closing today, including that copy of Giant Steps, which is now more than $200; later today we will be announcing the winner of our contest to win a copy of My Favorite Things; and we are closing our last auctions for a couple of weeks, as we head off for a brief holiday. Have no fear, during the holiday we will still be doing our daily posts, and more, on Jazz Collector. Meanwhile, some of the items closing today.

Art Taylor, Taylor’s Wailers, Prestige 7117. This is an original pressing and the record features an all star lineup of John Coltrane, Jackie McLean and Charlie Rouse, among others. The record is in M- condition and the cover is VG++. The price is now about $450. This is one of those records in the batch being sold by Bobdjukic, which also includes the Giant Steps LP. What I find incredible is

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Phil Woods & eBay Existentialism

I have a friend who is a big fan of 10-inch LPs and a big fan of 1950s Phil Woods. I was looking at eBay today and sent him this photo and this listing: Phil Woods New Jazz Quintet, Prestige New Jazz 1104. This one is only in VG condition, but I knew he would love it. Sure enough he wrote a reply: “You know me too well.” I love this one too, particularly the red and white New Jazz label, which you don’t see too often and, if I recall, doesn’t appear on 12-inch LPs at all. It is now in the $50 price range. So I’m picturing my friend now sitting at home pondering: To bid, or not to bid. The essential existential e-Bay question on a sultry summer day in New York. My bet on the answer? To bid.

Miles, Introducing Trane, On eBay, In Metronome

I was perusing eBay early this morning and came across this beautiful item: Miles, The New Miles Davis Quintet, Prestige 7014. I’ve always loved this LP, not just for the music and the great cover, but for the historic value as well: The introduction of the great Miles Quintet of the ’50s and, in particular, the introduction of John Coltrane. So, I put this item on my watch list and took a further look and it turns out to be a listing from Rudolf, our faithful friend and commentator. So we are happy to help Rudolf publicize this listing on the Jazz Collector site, but we also noticed a nice teaser in the listing, which notes that they album will be offered with a copy of Metronome’s July 1956 review of the album. Furthermore, the listing notes that the Metronome review is

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