Author: Al

What Really Went on in the Van Gelder Studio?

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Speaking of playing favorites, the other night I had a little time to do some mindful listening, so I put on one of my all-timers, Sonny Rollins Plus Four, Prestige 7038, original pressing, original cover, as seen in the accompanying photo. As I’m listening, I’m picturing the musicians in Van Gelder’s studio playing live, looking at one another and giving signals and approvals, all young men in their primes discovering what they were capable of doing and, on this album, doing it as well as anyone ever did it. Then I put on a record I haven’t listened to nearly as often as Sonny Rollins Plus Four, which was Newk’s Time, Blue Note 4001, and I had the same picture in my head with the four musicians on that album, Sonny, Wynton Kelly, Doug Watkins and Philly Joe Jones. And then my mind started wandering and this is what I thought. Read more

Playing Favorites

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No sooner did I empty the Jazz Collector eBay watch list did I fill it up again, starting with two of my all-time favorite records from the same seller: Sonny Rollins, Tenor Madness, Prestige 7047. This is an original New York yellow label listed in M- condition for the record and probably VG+ for the cover, based on the description and the pictures. Maybe VG for the cover. I know the seller and he is very reputable. The auction closes in about three days and the start price is about $450 with no bidders yet. Another of my favorites from this seller Benny Golson Sextet, The Modern Touch, Riverside 256. This looks to be an original pressing with the blue label and small logo. The record and cover are both in M- condition. This one also closes in about three days, with a start price of about $250 and no bidders . . . yet. Both of these records will sell, if not to anyone else then perhaps to me. Yes, I have copies. But the M- Golson is a strong upgrade for one of my top records. Love the arrangements and all the playing, especially an impeccable Kenny Dorham. Read more

Seconds Anyone?

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Going deeper into the Jazz Collector eBay watch list, we have Mal Waldron, Mal-1, Prestige 7090. This was an original New York yellow label. The seller graded the record and the cover as VG+. Based on the pictures, I would grade the cover VG. The final price was $776. The same seller had this one: Freddie Hubbard, Open Sesame, Blue Note 4040.This was an interesting one, IMHO. No deep groove, no ear, no West 63rd Street address. So, was it issued by Liberty using old labels, or by the original Blue Note using old labels? In either case, it wasn’t an original. But it was in nice condition, M- for the record, close to M- for the cover. The final price was $760. This seller also had that later pressing Introducing Lee Morgan on Savoy that we spotlighted a few days ago How Many Original Copies of Rare Jazz Vinyl Have Survived (And Other Existential Questions). When we highlighted this record, the bidding was in the $400 range. The final price was $797.99. Perhaps I (and others?) will have to adjust my expectations of what a nice second pressing might command in today’s market. Good for the sellers, and good for the buyers if they are happy. Read more

Bewitched, Bothered and Befuddled

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Time again to clear out some items from the Jazz Collector eBay watch list, whatever that is. Let’s start with Cliff Jordan, Cliff Craft, Blue Note 1582. This is an original pressing that was listed in Good condition for the record and Fair for the cover. The seller suggested that the buyer clean the record “multiple times” before judging the condition. OK. Also, I should mention that the seller’s rating on eBay is 97.7%. When I originally spotted this record, the start price was $1,000 and I was curious to see if it would sell. It didn’t. So the seller relisted it for $500 and it did sell. I don’t have an original copy of Cliff Craft in my collection, but I wouldn’t be interested in one of G/F condition, especially if I had to pay $500 for it. Very happy with my clean United Artists pressing, which I bought for $10 from Red Carraro sometime in the previous century. Read more

How Many Original Copies of Rare Jazz Vinyl Have Survived (and Other Existential Questions)

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Let’s check out the Jazz Collector watch list on eBay, starting with Introducing Lee Morgan, Savoy 12091. This is not an original pressing. It has the maroon label with no deep grooves. I was fooled at first because the label looks red in the pictures, but the seller is very clear about what it is. Also, it’s not an original Savoy cover, with the white frame. It is in nice condition, graded M- for the record and near mint for the cover. The auction closes today and the bidding is in the $400 range. Read more

Free Jazz (And More) At a Price

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Like many of you, I was closely watching the auction last week from the seller  Carolina Soul. There were some items in my wheelhouse, such as Lee Morgan Indeed and Tommy Flanagan The Cats, but what caught my attention were the free jazz and other jazz records that were outside my normal area of interest and expertise. I will leave it to others to flesh out more detail – thank you, Clifford, in advance – so I will just share some of the highlights, starting with Don Pullen/Milford Graves in Concert at Yale University. This copy had a hand-painted jacket, the likes of which was unfamiliar to me. The final price was $9,515. Read more

Jazz Holiday Bonus

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We have our friend Japhy to thank for today’s post. My inbox contained the following note under the subject “Jazz Collector Website – Jazz Holiday Playlist.”

Hi Al,A decade or so ago I went on a mission to create the ultimate Jazz Christmas (or Holiday, if you prefer) collection. I dug deep, scoured the darkest recesses of the internet, searched every conceivable keyword on iTunes, etc., and ended up with an 8-CD collection (the days of CD burning!) that I called “Yule Be Swinging”.A few years ago I recreated the collection on Spotify (some tunes weren’t available, and some come and go) as a 10-hour, 152-song playlist. They’re all my personal selections, of course, instrumental and vocal, and I tried to stick to “classic Jazz”. There are certainly countless tunes not represented (e.g., I didn’t just dump the entire Ramsey Lewis record on there), and I tried to avoid having 10 versions of any one song, for example (“Have Yourself a Merry Little Christmas” came close!). Point being, anyone can certainly say, “Man! How can you not have Song X on here?!” And that’s fine; this is just were I landed. That said, I’m always looking for any I missed, obscurities in particular. Read more

Catching Up on Rare Jazz Vinyl

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Let’s catch up on some items we’ve been watching on eBay, starting with Tommy Flanagan Overseas, Prestige 7134.This was an original New York yellow label. The record was listed in VG+ condition and the cover was VG. The final price was $1,610. Hank Mobley Quintet, Blue Note 1550. This looked to be an original promo copy with the New York 23 label. The record was listed in VG+ condition and the cover was listed as VG, but the pictures tell a different story for the cover. VG minus would be a stretch. Despite the cover, the record sold for $969. Read more

Blue Note Sunday

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Back to the watchlist grind, starting with Donald Byrd, Byrd in Flight, Blue Note 4048. This looks to be an original mono pressing with the deep grooves, ear, Van Gelder, etc. The record is listed in Ex condition and the cover is VG. The start price is about $900 with eight days left on the auction. According to Popsike, there have been about 10 instances of this record in the $1,000 bin. We’ll see what happens with this VG cover. Another Blue Note: Fred Jackson, Hootin’ ‘N Tootin’, Blue Note 4094. This looks to be an original New York USA pressing, despite what the listing says. The record is listed as VG and the cover as VG+. The start price is $700 and so far there are no bidders, with the auction closing next week. High expectations for both sellers, IMHO, but we’ll see. Read more

Brick-and-Mortar Vs. Online

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These days I can leave my home in The Berkshires and drive in almost any direction and, within an hour or a little more, I can cover three or four or even five record stores. Some of these stores have been around for a while, others seem to have popped up in the last few years to take advantage of the recent boon in vinyl and the growing interest in records from a younger audience. It definitely makes the hobby more fun and interesting, seeing what is happening in these stores and perusing the shelves for items of interest to me, not just as a collector but as the sole proprietor of the Jazz Collector site. I share this as a precursor to some thoughts I had yesterday while shopping in one of the relatively new strores not very far from home. I was in town doing chores and wanted to get the newly remastered Revolver. I could pay less online, but for items like this I like to buy local to support the stores and their owners. In this particular store, I was there the first day when the owner started the business a couple of years ago, and he very little in the way of jazz vinyl. But he has gradually increased the amount and quality of his inventory, and he has definitely upped his prices. Read more

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