A Cornucopia of Jazz Vinyl Classics
Let’s follow up on some of the items we were watching, and then look at a few more that are on eBay now. There was that copy of Lee Morgan, Candy, Blue Note 1590 from Chick Corea’s personal collection, sold by the eBay seller Carolina Soul. This was an original pressing in VG+ condition for the record and the cover. When we last tuned in the bidding was at $3,050. The final, final price was $3,350. From that same auction there was an original pressing of Donald Byrd, Byrd in Hand, Blue Note 4019. This was also from the Chick Corea collection, with the record listed as VG/VG- and the cover graded as VG+. This one sold for $452.99.
We were also watching some jazz vinyl from the Jazz Record Center, including Mal Waldron, Mal/2, Prestige 7111. This was an original yellow label pressing with the New York address. We assessed the record as being in VG++ condition, based on the description, and the cover as VG++. We threatened to possibly bid on this copy, since we don’t have an original, John Coltrane is one of the musicians, and, at the time, the bidding was in the $260 range. Alas, we moved on to other events in our life, hence the relatively infrequency of recent posts, and forgot all about Mal/2. The final price was $568.88, which would have been beyond our bidding in any case. Nothing ventured, nothing lost, nothing gained – except I still have my Japanese pressing.
As I am typing this and creating new links, I am on the Jazz Record Center web site and I see they have another auction closing in about five days. Let’s see, here is a deep-groove West 63rd Street pressing of Lou Donaldson, LD+3, Blue Note 4012. Interesting that they don’t use the word “original” in the description, so perhaps someone can shed light on why this copy would not be an original. In any case, the record and cover look to be in M- or VG++ condition. The bidding starts at $150 and so far there are no bidders.
From the same auction: Workin’ With the Miles Davis Quintet, Prestige 7166. This is an original yellow label New Jersey pressing. The record and the cover both look to be in M- condition. The cover is still in its original shrink wrap and, psychologically, it definitely looks cooler in the shrink wrap. Perhaps that is leading to higher bidding? The bidding on this one has already surpassed $400.
Let’s look beyond the usual suspects, at least as far as eBay sellers. Here’s one: Dizzy Reece, Star Bright, Blue Note 4023. This looks to be an original deep-groove West 63rd Street pressing. The record is listed in M- condition and the cover is VG+, with some writing on the back. The auction closes in about five days from this posting and the bidding is in the $600 range.
One more: Johnny Griffin Sextet, Riverside 12-264. This looks like an original pressing with the small reels and mic logo and the deep grooves. It also has promo stamps on the cover and label. I don’t remember all the factors that go into making these early Riverside’s original, so I could be missing something? Anyway, this copy is listed as VG++ for the record and VG++ for the cover. Nice looking copy. Bidding starts in the $250 range and so far there is no action. If it were a Blue Note with this personnel in this time frame, who knows what it would be. But it isn’t.
the presence of INC and ®.
INC: first time on 4013 (cover only)
INC+®: first time on 4017
Workin’ shrink wrap. Prestige did not wrap their albums, never. The wrapping has been added later.
Re authenticity Riverside Records: without Inc. Is earlier and later catalogue issues on the rear indicate a later pressing. I cannot read the print on this one, but the labels look to be first.
yeah, I noticed that too — seemed a bit early for shrinked Prestige.
That Johnny Griffin Sextet, Riverside 12-264, has standard size labels without “INC”, which predate small labels, also without “INC”.
I always loved that cover image on Donald Byrd’s ‘Byrd in Hand’ (Blue Note 4019) primarily because it was taken just outside the infamous Van Gelder Studio at 445 Sylvan Avenue, Englewood Cliffs, New Jersey. It’s not the only one, either… So many legendary session cover photos like Coltranes ‘A Love Supreme’ were shot in and around the studio. Truth be told, I also bought ‘Blue Hour’ by Stanley Turrentine with the Three Sounds (Blue Note 4057) initially for the cover photo taken inside the studio. The recordings are amazing, of course, but sometimes, a great album cover is the icing on the proverbial cake.
I once asked Rudy about the concept for the new studio, and he noted that it was designed by architect David Henken, a disciple of Frank Lloyd Wright. It was clearly no accident that it resembles a Usonian chapel, especially on the interior, with its trademark polished concrete floor, finished in red, and vaulted ceiling with those unmistakable cedar wood planks, support beams, and purlins. Not to mention that iconic stair that connects Van Gelder’s studio and residence, as captured in Chuck Steward’s photo of John Coltrane laying out on. Such a stoic place if you ever have an opportunity to visit now that Maureen and Don Sickler are at the helm.
The Lou Donaldson -three sounds is definitely not a original. i have the same record with R or inc. Kudos to Fred for not listing it with the original – First catch phrase to trick those who don’t know better.
I meant with out the – R or inc on the labels or back cover. Old age catching up to me.