Record Temptation, Then and Now

I had my eye on this one and someone also mentioned it in a comment on the previous post: Bill Evans, New Jazz Conceptions, Riverside 223. This was an original white label pressing with the original photo cover. The record was listed in M- condition and the cover was VG++, although perhaps VG+ may have been more accurate given the tape/tape residue on the back cover. Nevertheless, you rarely see the front cover this clean, and it’s such a gorgeous cover, you wonder what they were thinking at Riverside when they changed it. Anyway, this particular copy sold for $3,629, with the buyer and other bidders no doubt entranced by the clean picture of the cover. A quick click to Popsike tells us that this is by far the highest price ever paid for this record.

I have a clear memory of when I purchased my copy of this record with this cover, probably 25 or 30 years ago. It was a the Mr. Cheapo’s store in Mineola on Long Island and they were a good store at the time because they lived up to their reputation of being cheap. You could always get a bargain, and even collectible records were priced in the $10 to $20 range. I saw this on display behind the counter with no price tag on it. I had never seen this cover before and, frankly, didn’t even know it existed. I had a copy of the record with the second cover and was quite content with it.

I asked the guy behind the counter (not the owner Stu but one of the employees) about the record and he told me that the cover was extremely rare and that Japanese collectors would pay a small fortune just for the cover. I asked him if I could look at it. He handed it to me. The cover was in decent shape and the record was less so, probably in VG condition. But it did have the white label and, of course, I was intrigued. How much, I asked. A hundred and fifty, he said. Now, I had never seen a jazz record at Mr. Cheapo’s for $150, and I’m sure they had never sold one for that amount. And, at the time, I had probably never paid more than $50 for any record. But, now I had this one in my hands and I wasn’t about to let it go. How about a hundred, I replied. At which point he picked up the phone, called the owner in one of the other stores and, voila, for a hundred bucks it was mine. I still have it.

It’s been a while since I’ve bought records on eBay but I can tell you this next batch is really, really tempting and it’s from our friends at the Jazz Record Center a few subway stops away from my apartment: Blue Note 12-Inch 78s, #1-48. Seriously, this is every one of the first Blue Note recordings in their original format from the founding of the label in 1939 through 1945. For the most part they are described to be in E to N- condition. I mean, talk about owning a piece of history. To me, this is priceless, but perhaps I’m alone in that feeling. Well, not completely alone. There is only one bidder for these records at $500 and eBay tells me there are 35 watchers. Hmmm. I’ll be doing another post with some of the other records from this auction, but right now I only have eyes for this. Hmmm. Do I smell a bid in the air? I don’t even have to worry about shipping, which is usually a big concern with 78s. Hmmm.

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13 comments

  • Five

    Man! If I was Emmett!

  • jbouhht a copy with the picture and white label at a shop in newport ky.

  • those 78’s are indeed cool, and probably never going to surface again in good shape… but 78s frighten me. they are so delicate that i worry about just handling them when i have them. too stressful.

  • No doubt those 78’s are a nice lot, but not such a big deal from a collector’s viewpoint. the blue and white labels as described unfortunately identify numbers 1 and 2 as third pressings and all of numbers 3 to somewhere around 21 or 22 as second pressings. Fairly common but yes, still unusual as a complete series in this condition.

  • With my 78s, I expect that there will be a certain amount of breakage because they are so fragile, and I pray that it’s not Bird or Billie or Louis Jordan or Prez. So far, I’ve been lucky that way. Speaking of Prez, this weekend we are celebrating Presidents day here in the US. It’s nice that they honor a true visionary and genius, even if is only us jazz fans who understand the true meaning of Prez day.

  • Actually, I have my Bird, Billie, Prez, Blue Note, Louis Jordan and other premium 78s in special binders you can get at Bags Unlimited. They are expensive and take up more space than I would like, but they protect the records quite well.

  • @Al, don’t forget to trim those sleeves after you pick them up from JRC!

  • Wow ! I am very happy to see the appreciation for shellac. I can tell ya ‘ stories about bringing them home from the airport . Opening the record case with fingers crossed !

  • I just love 78’s, to me they represent the bebop era, the 78 format that really captured the 1940’s and early 1950’s era. And if you play one ( in good condition) on a tube amp with a 78 needle and cartridge it will blow you away!!

  • I’m a bit confused – that complete run of Blue Note 78s included more than 48 in total, no? I thought there was a total of 53 of them in that initial run (the last few in the run being a bit out of numerical order)…

  • @Caroline: yes, 53 were released. Numbers run up to 56 but near the end of series 3 numbers were not used.

  • @Caroline: yes, 53 were released. Numbers run up to 56 but near the end of series 3 numbers were not used.

  • I wonder if Al got those 78s?

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