Category: $1000 Records

Heavy Hitters, Day Two

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Let’s get right to it: The Hank Mobley Blue Note 1568 from the Jazz Record Center sold for $7,600. Is that a record for a jazz vinyl record? I think it is. There was an earlier copy of Blue Note 1568 that sold for $11,000, but we later ascertained that was a bogus bid and the sale didn’t actually go through as described. Unless I get better information from someone in the Jazz Collector universe, I’ll assume this is now our apex. Not a surprise, although I had the record pegged more in the $6,000 range. I actually placed a rare bid on the auction, not for the Mobley record, since I knew that would be WAY out of my price range, and it was. No, after seeing Joe L’s comment on the previous post I became somewhat enamored with the idea of owning that test pressing of Horace Silver, Finger Poppin’, Blue Note 4008. Test pressings have never been my thing, but

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Heavy Hitter Day

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Lots of heavy hitters on eBay this week, including a high-end Blue Note auction from the Jazz Record Center that includes this beauty: Hank Mobley, Blue Note 1568. This is an original original pressing, meaning side two has the New York 23 address, which makes it the one most prized by the most avid collectors. The record is probably in VG+++ condition and the cover looks to be M-. The auction closes tomorrow and the bidding is now in the $4,000 range with 18 bids and eight bidders. Anyone want to take a guess on the final price for this baby? We’ve seen $9,000 in the past, but my memory is that was not a legitimate bid or sale. I’m guessing this one sells for somewhere in the $6,000 range. Here are a couple more from the same auction:

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Not So Quiet Kenny, And More

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One of our readers sent me the following link: Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original purple label deep groove pressing. The record and cover were listed in M- condition and the seller used the word “pristine” in his description. The final price was $3,617. According to Popsike, that is a new high water mark for Quiet Kenny. The reader added this note: “Of course, this LP is superb music-wise and very rare, so in today’s market maybe the price is justified?” My answer, I guess, is yes, it is justified in today’s market. And, I have to say, every time I think the market has peaked, I am always proven wrong. So, who’s not to say that someday down the road, we’ll be talking about this purchase as a bargain?

This one also fetched quite a price:

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Blue Note 1568: Bah, Humbug

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Buy it now, just $1,200. There’s a copy of Hank Mobley, Blue Note 1568 sitting on eBay now with a start price of $4,500 and a Buy it Now price of $12,000. It is an original West 63rd Street pressing and the obsessive collectors among us would argue that it is an original original, meaning it sports the inscrutable New York 23 label on side two. The seller starts off by saying he is not qualified to grade jazz records but he just lucked out and found a collection that included the likes of Hank Mobley Blue Note 1568. Funny, I’ve been collecting jazz records for nearly 50 years now and this particular little bit of luck has never befallen me. In any case, he offers some audio clips of the record that he recorded on a (gasp) Ion USB turntable, which is enough to scare some of you off right there. Read more

A Fine Array From Blue Note and Prestige

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We were watching a bunch of items from the Jazz Record Center auction that closed yesterday and here are some of the results, staring with Clifford Jordan and John Gilmore, Blowing in From Chicago, Blue Note 1549. This was an original pressing. It was probably in VG++ condition for the record. The JRC doesn’t use our normal grades, just a description. This one had a single mark that is audible seven times. I know that precludes it from M-. Does it preclude it from VG++? Otherwise, the record sounds immaculate. The cover was probably VG+ or VG++, depending upon how you feel about a “professionally repaired” spine and bottom seam. Also, the picture looks more VG+ to me than VG++. The final price was $1,247. My sense is that a different seller would have been less meticulous in his description and received a higher price. In any case, I still don’t own an original copy of this record for any of you out there who may be interested in a trade.

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Jazz Vinyl Catchup

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Sorry, again, for the long gap between posts. With Thanksgiving and an abundance of real work, time has just slipped away. I owe you an update on some of the auctions we were watching, so here goes. We’ll start with some of the records from the seller vinyl-house-uk, including Elmo Hope, Informal Jazz, Esquire 32-0139. This was an original British pressing listed in M- condition for both the record and the cover.  It sold for a whopping $925. When we started watching this UK pressings a couple of years ago, the prices weren’t nearly this high. Hope we didn’t start a trend. There were a few other similar pressings in the same auction list that sold for high prices, including these Read more

Two Blue Notes and a Dash of Pepper

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The seller bluenote5 has some interesting and high priced records on eBay now including this one: Art Pepper Meets the Rhythm Section, Stereo Records 7018. So this is not the Contemporary version and it has the original loose plastic seal with a promotional card for the label inside. The seal is unbroken, so the record is in new condition and the cover is probably close to that as well. Here’s the conundrum with this record: When it was first issued on Contemporary it was 1957 and the labels weren’t producing stereo copies yet, at least not to my knowledge. This was probably the first Stereo release of this record, so in that way it is an original. But it was also probably released at least a couple of years after the original mono recording. You can see in the listing that it doesn’t have the red and blue writing on the back that would make it an original on the Contemporary label. I’m sure this copy is extraordinarily rare and nearly impossible to find sealed like this. As for me, Id rather have the Contemporary. BTW, my copy of this record was from the Bruce M. West collection in Baltimore and it also had the loose polybag cover the cover with the Contemporary promotional card inside. I removed the cover — after all, it was almost 60 years old and quite filthy — but I keep the promotional card inside. It was quite cool to see it in this condition, as if it were sitting on the shelf of a record store in 1957 The start price on the sealed Stereo version in this listing is $1,00. So far there are no bidders.  

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Here Comes Louis Smith — Coltrane and Rollins, Too

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Geez, did you see the final price on that Here Comes Louis Smith record we were watching the other day? It was an original pressing in VG++ condition for the record and VG+ for the cover. We predicted it might make it to the $1,000 bin, but didn’t expect it to get into the $2,000 bin, which it did at $2,027. That would make it the highest price we’ve seen for this record, according to Popsike, which, interestingly, already has it posted on their site. So, with a VG+ cover this copy received a price that was more than $500 higher than the previous top price. Not bad.

Meanwhile, I was watching this record and it didn’t sell at all: John Coltrane (et al), Tenor Conclave, Prestige 7074. This was an original New York yellow label pressing, listed in VG+ condition for the record and VG for the cover. The start price was about $400 and there were no bidders.

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Back to Blue Note

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If yesterday was a Prestige day, let’s make today a Blue Noter, starting with Here Comes Louis Smith, Blue Note 1584. This looks to be an original West 63rd Street pressing listed in VG++ condition for the record and VG+ for the cover. The bidding is in the $175 range with about four days to go. We were watching a different copy of the same record a few days ago and that one was in just VG condition for the record and VG+ for the cover. It wound up selling for $561, so I would expect this one to fetch a higher price. Will it enter the $1,000 bin? Could be. According to Popsike, the highest recorded price for this record is $1,514. Not owning an original copy of this record myself, I haven’t listened to it in a long time. When I put a record on the turntable, I usually prefer an original pressing. But perhaps I will make an exception. After all, the personnel includes one of my all-time favorite alto players, none other than the infamous “Buckshot La Funke.”

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Chasing Trane Tonight; Chasing Vinyl Forever

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For those of you in the U.S., the documentary Chasing Trane will be on television at 10 p.m. tonight as part of the Independent Lens series on PBS. Here’s a video clip they posted on the site. It’s hard to believe that it was already a year ago that I had my mini breakdown as a result of the Presidential election and wrote the essay about how Chasing Trane helped me to cope. I wish I could say that my fears were unfounded but, unfortunately, they weren’t. They may take away the pillars of our democracy and our society, but they can’t take away our music. Or our heroes. Watch it. I will, even though I’ve seen it twice already.

Back to eBay. The other day I mentioned the seller Keca222 and that $4,049.99 copy of the 12-inch Kenny Dorham Afro-Cuban on Blue Note. The seller also had this one: Hank Mobley, Blue Note 1568. This was a pressing that did not have the New York 23 on one side, which, to some collectors, diminishes its value, although I’ve never seen a clear explanation why that is the case. But, as we know, we collectors can be a bit strange in our predilections, don’t you think? Anyway, this was in VG+ condition for the record and probably EX or Ex+ for the cover. There was the dreaded phrase “feelable scratches,” yet it still sold for $3,650, which is quite a hefty some for this record in that condition, New York 23 or not.

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