Jazz Vinyl on eBay: Blue Notes, Bird, Transition

Here’s some nice jazz vinyl we missed:

Lee Morgan, Lee-Way, Blue Note 4034. This was an original West 63rd Street pressing. The record was listed in M- condition and the cover was VG++. The price was $847, which is by far the highest we’ve seen for this record in the Jazz Collector Price Guide.

Kenny Dorham, Afro-Cuban, Blue Note 5065. This  was an original 10-inch pressing that looked to be in very nice condition: The record was VG++ and the cover was M-, with a crisp, clear picture. The price was $811.91.

Doug Watkins, Watkins at Large, Transition 10. This was an original pressing that was listed in

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A Mobley Day at Jazz Collector

Here are some updates on some of the items we’ve been watching on eBay.

Those Mobley’s from the seller bullsite2000 did all right, particularly if you were bullsite2000. There was Hank Mobley With Donald Byrd and Lee Morgan, Blue Note 1540. This was an original Lexington Avenue flat edge pressing and it looked to be in beautiful condition. In fact, if you have a second you should click on the link and look at the pictures posted with the listing: They are absolutely pristine, looking as if they could have come out of the Blue Note catalogue in 1957. Anyway, it sold for  $2,382, which is quite a bit more than it would have sold for in 1957 and quite a bit more than what Mobley got paid to actually record the session, right? This one also made it into the $1,000 bin: Hank Mobley, Soul Station, Blue Note 4031. This was also

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On Ebay: Lou, Lou & Some Wailers

Here is some of the jazz vinyl we’ve been watching this weekend:

Lou Donaldson, Quartet, Quintet, Sextet, Blue Note 1537. This was an original Lexington Avenue flat-edge pressing. It was listed in M- condition for both the record and the cover. The price was $1,008.80. Rudolph asks if perhaps there is a slowdown. We have seen this sell for more than $1,800 recently, so who knows. I find so much of what happens on eBay arbitrary: Depends who’s looking that week, how competitive the bidding gets, how the record is listed, who does the listing, etc. Here’s another Donaldson: Lou Takes Off, Blue Note 1591. This was a bit of a strange

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A Few For the $1,000 Bin, Happy B-Day Newk

Ahhh, it’s nice to be back posting regularly again. We haven’t updated the $1,000 bin in a while, so let’s do that this morning, starting with: Lee Morgan, Indeed, Blue Note 1538. This looks to be an original pressing with the deep grooves and Lexington Avenue address. Although there is no mention of a flat edge in the listing, the seller confirmed that it is, Indeed (pun intended), a flat-edge pressing. The record was listed in M- condition and the cover was described as “very good” but it sounded more liked VG+ or even VG++ based on the description. This beauty sold for $1,925. Since we’re doing the $1,000 bin this morning, it must be a Blue Note day here at Jazz Collector. Here’s another:

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More Jazz Vinyl For the $2,000 Bin

Here’s some jazz vinyl for the $2,000 bin:

Hank Mobley Quintet, Blue Note 1550. This was an original pressing and it was listed in M- condition for both the record and the cover. The price was $2,142. A few months ago, I catalogued all of my Blue Notes for insurance purposes. For each record, I put down the condition and assigned a value to it, based on current market conditions and historical trends from the Jazz Collector Price Guide. Well, based on price trends, I’m going to have to go back and reassess the values and make them higher in most cases. For example, I don’t have an original pressing of this record, but I have an original of Hank, Blue Note 1560. My copy is M- for the record and VG++ for the cover. When I did the spreadsheet earlier this year, the value I assigned to this record was just

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More Questions About “Original” Blue Notes

I went back to look at some of those listings from Paperstax that have generated all of this discussion and controversy. I started with Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. When you look at the listing, it seems to have it all: West 63rd Street address, deep groove, but . . . when you look closely, Van Gelder in the dead wax as opposed to RVG, no mention of the ear. In bidding, I would assume — and did — that this was an original and that the seller inadvertently did not mention the ear and used Van Gelder descriptively as opposed to using the RVG. The reason is because I don’t quite understand how this can be a Liberty pressing and still have the deep grooves. The same thing with:

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Jazz Vinyl Price Update: Jackie, Newk Et Al

I have a couple of hundred items to enter into the Jazz Collector Price Guide and I’m hoping to find some time this weekend. As I’ve been perusing through the entries this morning, I found a few that I never updated on the site, so here they are. No links on these, by the way.

Jackie McLean, Alto Madness, Prestige 7114. This was from about a month ago. It was an original pressing in M- condition for both the record and the cover. The price was $932. A copy of Jackie’s Pal sold for more than $1,500 last week. There’s definitely been something that has stirred some higher prices in the past couple of weeks.

Sonny Clark, Sonny’s Crib, Blue Note 1576. This was an original pressing that was in VG+ condition for the vinyl and VG for the cover. The price was $610.. This was an original pressing that was

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Blue Notes Shattering Price Ceiling

Let’s catch up from the weekend.

The Blue Notes seem to be in a new stratosphere. We’d never seen any Curtis Fuller record sell for more than $1,000 in the Jazz Collector Price Guide. Until now, that is: Curtis Fuller Volume 3, Blue Note 1583. This was an original pressing, featuring Sonny Clark on piano, and it was listed in M- condition for both the record and the cover. The price was $1,467.43. Then there was this one, from a different seller: Curtis Fuller, The Opener, Blue Note 1567. This was also an original pressing, not with Sonny Clark but with Hank Mobley on tenor. The vinyl was M- and the cover was VG++. The price was $1,180. Honestly, watching these prices, I’m getting quite tempted to dig into the collection. I have both of these records in nice condition.

There there was this, which wasn’t even an original pressing:

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A Prestige Pair & One For The $1,000 Bin

Here are a few more jazz vinyl odds and ends we’ve been watching on eBay:

Let’s start with a couple more Prestiges. Frank Foster, Hope Meets Foster, Prestige 7021. This looks to be an original pressing with the New York address and the deep groove. It was listed in M- condition for the record and the cover looked to be VG+ or VG++. The price was $548.78, which is a nice price but in this market I would have thought it might have sold for even more. If that Prestige sold for less than expected, this one got top dollar, based on what we’ve previously seen for this record in the Jazz Collector Price Guide:

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Six Blue Note LPs, Six For the $1,000 Bin

There were some comments on the earlier posts about Prestige prices being high. Here are some Blue Notes from the same time period and some of the same sellers:

Sonny Clark, Sonny’s Crib, Blue Note 1576. The record was mis-labeled as Dial S for Sonny in the listing, but I don’t think that impacted the price. The vinyl was listed in M- condition and the cover was M- and it was a nice clear picture in the listing, as you can see here. The record sold for $3,050.

Cliff Jordan, Blue Note 1565. This too was an original pressing from the same seller, also with a nice picture, also in M- condition for both the vinyl and the cover. It sold for $2,444, which was the highest price we’ve ever recorded for

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