Category: $1000 Records

A Tale of Two Blue Notes

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The Blue Notes remain through the roof. Here’s a new one for the $1,000 bin: Clifford Brown Memorial Album, Blue Note 1526. This was an original Lexington Avenue pressing and it was listed as “very close to mint” condition. It sold for $1,280.50. Our friend Rudolf recently put this on a list of expendable Blue Notes. So what do you think about this price?

This one came from the same seller: Thad Jones, Detroit-New York Junction, Blue Note 1513. This was also an original Lexington Avenue pressing and it was also listed as near mint. It sold for $692.02, not quite half of the Clifford, but pretty close. Who knows why? That is a rhetorical question by the way, although if some thinks there is an answer, be my guest.

Mobley Sets New Top Vinyl Price For Jazz Collector

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Time to catch up on a few items. By now, most of you have probably seen what happened with those records we were watching from the Jazz Record Center. The Hank Mobley, Blue Note 1568 sold for $5,101, which is the highest price we’ve ever recorded for a jazz record at Jazz Collector. The previous high was $4,036 for a copy of Jackie McLean, The New Tradition, on Ad Lib. A lot of people have already commented on this one, so I don’t have much to add other than what I’ve often said: The market is the market and eBay reflects what the market will bear. This is the going rate for this record in this condition at this point in time. I was wrong, barely on a couple of my predictions. (1) I had opined that two of the other records from this auction would sell for more than $2,000 and only one of them did: Hank Mobley, Hank, Blue Note 1560, which is the one pictured here. This one sold for $2,347. The one that did not break the $2,000 barrier was:

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New Jazz Record Center Auction Could Be Big

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Got an email from the Jazz Record Center and they have an auction closing in a couple of days and it could be a doozy. Here’s one of the items we’ll be watching closely, to see if it perhaps sets a new record for Jazz Collector: Hank Mobley, Blue Note 1568. This is an original pressing and it’s in M- condition: In fact, it’s listed as “near new.” The combination of one of the rarest records, a Blue Note at that, and the most trusted seller, is definitely worth watching. So far, the record has a start price of $2,500 and there are no bidders.

Here are a couple more we’ll be watching from the same auction:

Dexter Gordon, Dexter Blows Hot and Cool, Dootone 209. This is an original red vinyl pressing. The record is in M- condition and the cover seems to have been repaired, but is also listed as very clean. This one has a start price of

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Rare Jazz Vinyl Collectibles From Three Tenors

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We did a whole riff on this record a few months ago and actually came up with some never-heard-before tapes of J.R. Monterose, which, to my knowledge, may still be available. Check it out here and here. Anyway, another copy of this record sold recently: J.R. Monterose In Action, Studio 4 SS 100. This was an original pressing. The vinyl was listed as M- and the cover looked to be VG++, based on the description. The price was $1,911.

Here’s another non Blue Note for the $1,000 bin: Dexter Gordon, Dexter Blows Hot and Cool, Dootone 207. This was an original red vinyl pressing. The record was listed as VG++ and the cover was VG+. The price was $1,137.

This one really got top dollar, more than you would normally expect to see for a Jazzland LP:

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Blue Notes, $1,000 Bin & $2,000 Bin

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It’s June and the $1,000 bin is busting out all over, mostly with Blue Notes.

How do you like this one? Tina Brooks, True Blue, Blue Note 4041. This was an original pressing. The vinyl was listed in M- condition, the cover was listed as excellent, with shrink wrap still on it. The top bid was $2,311 and . . . and . . . and . . . and it still failed to meet the reserve price.

The seller roverd-90 had a nice weekend selling Blue Notes. Here are a few:

Lee Morgan, Candy, Blue Note 1590. This was an original pressing in M- condition for the record and the cover. It received a top bid of $2,264 and actually sold for that price, since there was no reserve. From the same seller was Lee Morgan, Indeed, Blue Note 1538. This was an original Lexington Avenue, flat-edge pressing. The vinyl was M- and the cover was VG+. The price was $1,915. And then there was this:

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Catching Up: Sahib, Serge, Newk, Woods

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This one almost made the $2,000 bin: Sahib Shihab and the Danish Radio Jazz Group, Oktav 111. This was an original Danish pressing. What was most amazing about this listing was the number of views it received — more than 1,600. It was listed so that it came up on the first page when you would do a search of jazz vinyl, but still, 1,600 views is quite a lot for any record. Also, I have to plead my ignorance about this LP: I’ve never seen it before and know nothing about it, so if anyone has insight to share, please feel free to do so. The record seemed to be in VG++ condition, close to M-, and the cover was also about VG++, based on the description. The price was $1,952.60.

This one seemed to get top dollar: Serge Chaloff, Blue Serge, Capitol 742. It was an original pressing in M- condition for both the record and the cover and it was sold by Euclid Records. The price was $364.88. Finding these records in such

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Jazz Vinyl Price Guide: Wallington, PC, 10-Inch King

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Here’s one we missed for the $1,000 bin: Paul Chambers, Bass on Top, Blue Note 1569. This was an original pressing. The vinyl was in M- condition and the cover was VG++. The price was $1,036.

This is a nice New Jazz LP with Phil Woods and Donald Byrd: George Wallington, New York Scene, New Jazz 8207. This was an original pressing with the purple labels and the deep groove. The vinyl was in M- condition and the cover was VG++. The price was $565.55. I remember walking into a local store and seeing this record for three bucks about 15 years ago. Needless to say, it didn’t last long in the store and is still sitting on my shelf at home.

Here’s another original Blue Note: Herbie Nichols Trio, Blue Note 1519. This one looked to be in M- condition for the vinyl and VG+ for the cover. It had the Lexington Avenue address, flat edges and

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On EBay: Hank & a Pair Of Lees

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Here are the results of a jazz vinyl few items we’ve been watching on e-Bay:

Lee Morgan, Indeed!, Blue Note 1538. This was an original Lexington Avenue pressing with the flat edge. The record was in VG+ condition and the cover was VG. The price was $1,247. This seller had about 300 records for auction at one time. Not sure how that works as a selling strategy. I generally tend to spread my listings out a bit more, but I can see where it makes sense to do a lot at one time. You can combine shipping costs, which always helps, and sometimes buyers figure if they’re buying a couple of records from you, the may as well bid on a few more. But it’s putting a lot of eggs in the basket of who may be active on eBay that particular week. In any case, it didn’t seem to impact the price of this Lee Morgan LP. In addition, these were from the same seller:

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Lee, Newk, Pepper For the $1,000 Bin

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Here are a few recent eBay sales we missed:

Lee Morgan, Volume 3, Blue Note 1557. This was an original West 63rd pressing that looked to be in VG+ condition, perhaps a little better, but not nearly mint. It sold for $1,704.

Here’s another copy of Sonny Rollins, Saxophone Colossus, Prestige 7079. This was an original pressing in VG+ condition. It sold for $1,425.

Art Pepper, Modern Art, Intro 606. Based on the description it sounds like this record was VG+, although it was listed as VG++. The price was $1,300.

Pretty cool so far: Three records for the $1,000 bin and none of them

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For the $1,000 Bin: Jimmy Smith, Blue Note

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I entered this one into the Jazz Collector Price Guide the other day and I had to give it a special call out: Jimmy Smith, A New Sound, A New Star, Blue Note 1514, Volume 2. This was an original Lexington Avenue pressing with the flat edge, deep groove and all of the other markings that would guarantee that this would have been an original pressing. It was sold by a reputable seller and it was listed in M- condition and, in fact, was noted to be in “superb” condition. I cite this record because of the sales price, which was $1,074. It was quite a surprise to us to see one of the Jimmy Smith records, even an original Blue Note, in the $1,000 bin. In addition, this is a record that does not feature any of the Blue Note hornmen, so that this would be the Jimmy Smith record to break the $1,000 barrier was equally surprising. But, there it is. Just goes to show the power of original Blue Notes in today’s market.

Here’s another that came up just short of the $1,000 bin:

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