For the $2,000 Bin: Dexter Gordon, True Blue (Again)

A few of the items we’ve been watching have broken the $1,000 barrier, and a few of those have broken the $2,000 barrier.

Dexter Gordon, Dexter Blows Hot and Cool, Dootone 207. This was an original pressing with the red vinyl. The record was listed as M- and the cover was VG++. It was sold by the seller herschel78, who’s been selling quite a bit of rare jazz vinyl and scoring some nice prices with them. This one sold for $2,886. Our previous high for this in the Jazz Collector Price Guide was more than $3,000, so that’s not even a record. We were also watching a later pressing of this record on the Authentic label (which, unfortunately, is the version we own in our collection). Even this one did fairly well, selling for $70, although we’ll never know if the buyer thought he was getting an original.

Also for the $2,000 bin was this one:

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More Blue Notes For The $1,000 Bin

Good that we mentioned those Blue Note tips yesterday: There are a few more original pressings that shall be entering and re-entering the $1,000 bin. Here  they are:

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This is an original pressing and the vinyl is in M- condition. The cover is at least VG++. The price is already around $1,600 with many more hours left before it closes today, so we may be seeing an addition to the $2,000 bin.

Also, Tina Brooks, True Blue, Blue Note 4041. This is an original pressing. Again, the vinyl is listed in M- condition and the cover is VG+. This one has more than a day to go before it closes and

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A Bargain At Under $1,000?

If a record should sell for more than $1,000, perhaps this would fit the bill: Sonny Rollins, Tenor Madness, Prestige 7047. This was a beautiful, New York pressing in mint minus condition, for both the record and the cover. Sonny and Trane together, an early Prestige, great cover. It’s got it all. This one sold for $832. As great a record as this is, this is the highest price we’ve ever recorded for it. The previous high in the Jazz Collector Price Guide was $543.  I actually think this one would have sold for a higher price with a better picture. Someday soon we will be adding a copy of this to the $1,000 been, we are quite sure.

A Pair for the $2,000 Bin & A Pair of Surprises

As we mentioned the other day, there has been an overflow of $1,000 records. Here are a few more, including a couple for the $2,000 bin:

Lee Morgan, City Lights, Blue Note 1575. This one was pointed out earlier by one of our readers.  It was in M- condition by a credible seller and it was an original pressing. It sold for $2,655.

Barney Wilen, Tilt, Swing Vogue LDM 30.058. This was an original French pressing. The record ws what we would call VG++ and the cover was M-. This one sold for $2,250.  This one is not new to the $2,000 club: It has previously sold for $2,700 in the Jazz Collector Price Guide.

Sonny Criss, Jazz-USA, Imperial 9006. This was a surprise to see in this category, simply because

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The Incredible Rise of the $1,000 Jazz Record

The $1,000 bin truly doth runneth over  days. It’s quite an interesting phenomenon.

Paul Chambers, Whims of Chambers, Blue Note 1534. This was an original pressing in VG++ condition for both the record and the cover. A few years ago, I bought a copy of this on eBay in similar condition for about $300. At the time, I thought I was overpaying. A few weeks ago I sold a separate copy on eBay for about $325. It was in nice condition, with a VG+ cover. This was not a record I ever expected to see in the $1,000 bin. This copy sold for $1,313.

Here’s another one I never expected to see sell for more than $1,000: Cannonball Adderley, Somethin’s Else, Blue Note 1595. This is a nice record, but has never been among the higher-priced Blue Notes. The highest price we had previously recorded for this in the Jazz Collector Price Guide was around $400. This copy was in mice M- condition for both the record and the cover. It sold for $1,475.

This one almost entered the $2,000 bin:

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The $1,000 Bin: Helen Merrill & Sonny Clark (Again)

A couple of records we’ve been watching fell into the $1,000 bin.

Helen Merrill, Emarcy 36006. This is the one with Clifford Brown, and it has become quite a collectible.  A few weeks ago we put one into the Jazz Collector Price Guide at $1,781. This one was in comparable condition: VG++ for the record and M- for the cover. Although it didn’t reach the same height, it did quite well for its seller: It sold for $1,414.

Then there was this: Sonny Clark, Dial S For Sonny, Blue Note 1570. This is a regular in the $1,000 club these days. This one looked to be in VG++ condition, for both the record and the cover, with the dealer stating that some might rate it M-. It sold for $1,670.

For the $1,000 Bin: Hank, Sahib, Griffin, Warhol

Here are a few more items for the $1,000 bin.

Hank Mobley, Blue Note 1568. This was an original pressing with the West 63rd Street address and all of the other markings that go with it. It was a tough one to assess in terms of condition because the seller notes that it has a couple of marks, one of which was feelable. That would cause me some concern if I were bidding for it, but I wouldn’t have lasted long in the bidding because this one eventually sold for $1,593. The cover was listed in VG+ condition and the vinyl was listed in VG+ to M-, if only it didn’t have the marks. This is one of the really rare Blue Notes and it has previously sold for more than $2,600 in the Jazz Collector Price Guide, so we can see why someone would want to take a chance on this album.

Here’s another interesting one we’ve been watching: Sahib Shihab, Sahib’s Jazz Party, Debut 101. This one was being offered

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Art Pepper For the $1,000 Bin: Blues Walk, Almost

Here’s one for the $1,000 bin and another for the almost-$1,000 bin:

The Return of Art Pepper, Jazz West 10. This was an original pressing. The vinyl was listed in M- condition and appeared to be unplayed. The cover looked to be about VG+. The price was $1,155.55. We’ve seen several Art Pepper records cross the $1,000 barrier in the past: The Art Pepper Quartet on Tampa as well as Modern Art on Intro, which recently topped $1,500. This is the highest price we’ve seen yet for this LP, according to what we have followed in the Jazz Collector Price Guide.

Joining the almost-$1,000 bin, which is not really a bin, is this one:

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Catching Up: Dial S For The $1,000 Bin

Time to catch up on some of the items we’ve been watching on eBay the past couple of days:

There was this copy of Sonny Clark, Dial S for Sonny, Blue Note 1570. We had spotted it at $484 with a few hours left to go, and we expected that the price would probably double. It actually did more than that: It surpassed the $1,000 mark and sold for $1,025. This was an original pressing in M- condition for both the record and the cover. We looked this record up in the Jazz Collector Price Guide and, interestingly, it had previously sold for as much as $1,750, in worse condition.

Speaking of Sonny Clark, he was on two of those Buddy DeFranco LPs we were watching. He was on Buddy DeFranco, In a Mellow Mood, Norgran 1079. This was an original yellow label pressing in VG+ condition for the record and the cover. It sold for $67.78. Sonny Clark is also on The Artistry of Buddy DeFranco, Norgran 1012. This was also an original yellow label and

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Another Rare Bird, This Time For the $2,000 Bin

When we were updating the $1,000 bin yesterday, we came upon this quite rare collectible: Charlie Parker, The Bird Blows The Blues, Dial LP 1. The seller lists this as the “first 12-inch LP ever” and having been issued in 1948. We have heard before that this was the first 12-inch long-playing record, which we’ve never been able to confirm, but we think the original issue was in 1949. It was issued without a cover. The seller here claims there were only 50 copies originally issued, which, of course, sounds like one of those claims aimed at making the record seem rarer than it actually is, which is quite rare. This copy was listed in “VG to VG+” condition and sold for $2,250.

This also gives me another chance to remind you all that we are still running our contest to give away a free copy of

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