Category: $1000 Records

The $1,000 Bin Welcomes an Old Friend

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When I first became aware many years ago that there was actually a sub-culture of jazz collecting and collectible jazz records, one of the first of the “rare” jazz records I heard about was Tommy Flanagan Overseas, Prestige 7132 (I was not aware of the Metronome version). In all the early years of collecting and searching for records in the bins of hundreds of record stores around the world, I never saw a copy of this record. By the time I did find a copy, by then the collectibles market had taken off and the price tag was out of reach. I’ve looked on eBay for affordable copies, but, somehow the words “eBay” and “affordable” don’t always go together. I’m content now to watch the record sell and listen, if I desire, to my very fine Japanese pressing. This is all a long way toward getting to the point, which is:

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J.R. Monterose In Action and In the $1,000 Bin

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I hadn’t updated the $1,000 bin in a while, so I went searching for interesting new items and I came upon this: J. R. Monterose In Action + The Joe Abodeely Trio, Studio 4. According to the seller, this original pressing was one of approximately 250 issued and sold from the cloak room of Abodeely’s The Tender Trap night club in Cedar Rapids, Iowa. It was also described as an original Columbia pressing from Rock Island, Ill. The record and the cover were both listed in VG++ condition and the price was $1,703.98. In addition to the price tag, what caught my attention was the memory somewhere deep in the back of my recesses of my brain that I actually own this record. So, I ran downstairs, trailed excitedly by my dog Marty, and searched through the shelves of Part II of my collection and there it was, sitting there. I pulled out the copy, ready to bask in the glow of a $1,700 record. But, alas, to my chagrin the copy I pulled out was

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Sonnys Crib, No Deep Groove, At What Price?

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Lots of focus on Blue Note this week. Sometimes, that’s just the way things break. Here’s one of interest, closing soon: Sonny Clark, Sonny’s Crib, Blue Note 1576. This, of course, is one of the hot ones, featuring John Coltrane. This one has the West 63rd Street address, is mono and seems to be in pristine condition. Yet . . . it is not a deep-groove pressing. So, what’s it worth? The seller has a buy-it-now price of $1,000 — or you can make an offer — and there are two hours to go, so it seems unlikely that he will get his asking price. If this was a deep-groove copy in this condition, at $1,000 it would have been gobbled up long ago. Without the deep groove, all bets are off. Isn’t it interesting how specific the market has become. One of our loyal readers commented on another post about a John Jenkins Blue Note he purchased from us, probably for around $15 o $20. It was a United Artists mono pressing and he is quite pleased and getting a lot of joy out of it. And he didn’t need to get a second mortgage on his home.

No Summer Slump Yet: Lots Of $1,000 Records

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We have quite a large number of items to add to the $1,000 and even $2,000 bins on this beautiful Monday morning in sunny New York. If there is a summer lull in prices on eBay, it hasn’t much made a dent in the prices of some of the high-end collectibles, such as these:

Hank Mobley, Blue Note 1550. This was an original West 63rd Street pressing in beautiful M- condition, for both the record and cover. It was also sold by the seller Roverd-90, who had the Johnny Griffin the other day and also had a few others, such as the Lee Morgan Candy I’ll cover below. Quite a nice week for Mr. Roverd-90. This record sold for $1,825.

As mentioned, Lee Morgan, Candy, Blue Note 1590. This is one of the rarest of the rare and was in beautiful M- condition, both record and cover. It sold for $1,900.

We had pointed out the Jazz Record Center’s auction of Sonny Rollins, Saxophone Colossus, Prestige 7079. This one was listed as mint condition — not even mint minus and we had predicted that it would sell for at least $2,000 and perhaps as much as $3,000. We were right the first time: This one fetched a price

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Et Tu, Johnny Griffin?

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Here’s an interesting newcomer to the $1,000 bin: Johnny Griffin, Volume One, Blue Note 1559. This is a great record and, as a rare Blue Note with a great roster of artists, it is not surprising that this would sell for a high price tag. This particular copy, in M- condition for both the record and the cover, sold for $1,380. What was interesting to me about this record was the way in which the seller chose to list it. He listed it as “Blue Note 1559 Lee Morgan Hank Mobley.” He also purchased a subhead, which mentioned the presence of John Coltrane as a sideman. Notice how the seller never even mentioned Johnny Griffin, who was the leader on the date.

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New JRC Auction Includes Mint Saxophone Colossus

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There’s an auction this week from the Jazz Record Center and it’s always fun to watch their auctions because they generally get top dollar. One of the items we’re watching this week is Sonny Rollins, Saxophone Colossus, Prestige 7079. This one is listed as being in MINT condition — not even mint minus — and the cover is described as “extraordinary.” I have a feeling the price will be extraordinary as well. Right now it is at about $1,200, but I think the first number of the final selling price will be at least a two or quite possibly a three.

Chasin’ The Bird on Savoy

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The other day I posted an item about a 10-inch Charlie Parker LP on Savoy selling for more than $1,300. I mentioned that I’d had two copies of these LP and was never sure which was the original cover. I figured that the one that sold for $1,335 was the original, but was not sure. So here are the two covers, side by side, and I’m still not sure which is original. Based on the packaging, I have a feeling the one on the right is the original. This is not the one that sold for $1,335. The one on the left has liner notes on the back, plus listings of other Savoy releases, including a bunch of 12-inch LPs, all the way up to Savoy 15021. The one on the right has a blank back. It also has the title: New Sounds in Modern Music. So our bet is that the Bird selling for $1,335

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Bird 10-Inch Savoy Enters $1,000 Bin

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Here’s a record new to the $1,000 bin and it’s presence there is somewhat of a surprise to us: Charlie Parker, Savoy 9000. This is a 10-inch LP and I’ll assume it’s the original cover. I have this record with two different covers and was never sure which one came first. The high price tag leads me to believe this is the first cover, and I assume it is the first cover for the rest of the series. It’s also surprising to see a Bird record sell for such a high price, and a 10-inch LP to sell for such a high price, and a Savoy to sell for such a high price. But, all of that notwithstanding, it did sell for a high price: $1,335 to be precise. The record was in M- condition and the cover was VG+.

One For the $2,000 Bin & One For The $1,000 Bin

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We were watching a couple of new items that have crossed the four-figure plateau on eBay. They are:

Jutta Hipp, Blue Note 1530. This is the one featuring Zoot Sims. This was an original Lexington Avenue pressing. The seller did a very good job of presenting it, with nice, clear, close-up pictures. It was listed in VG++ condition, for both the record and the cover. It sold for $2,030.

Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing with the purple label and the deep groove. It looked to be in nice shape: The record was listed as M- and the cover looked like it was VG+, based on the pictures. The price was $1,225.

Waltz For Debby Hits The $2,000 Bin

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Here’s one I somehow missed: Euclid Records had a sealed copy of Bill Evans, Waltz for Debby, Riverside 9399, which sold recently for $2,034, which is definitely a new high for this particular record. The question I have is this: What does a collector do with a sealed record? If you want to listen to it (presumably) you have to break the seal, and thereby it is no longer a sealed record. So do you just hang on to it and admire it and realize it’s still sealed and find another copy for listening? These are the things we think about here at Jazz Collector.

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