Four for Jazz Vinyl

Back to the grind of watching rare jazz vinyl on eBay. It’s a tough job, but someone’s got to do it. Here are items sitting in my current watch list, starting with Curtis Fuller, The Opener, Blue Note 1567. This is an original West 63rd Street pressing listed in EX condition for both the record and the cover. The bidding starts at $500 and there is already one bidder with more than two days left on the auction. In the past, this record has made it into the $3,000 bin one time and into the $2,000 bin twice, according to Popsike. In this condition, we wouldn’t expect it to reach those lofty heights. As for my own copy, I just reorganized my records the other day and re-affirmed that I do not have an original pressing of The Opener, but rather a United Artists pressing that I purchased more than 40 years ago and probably haven’t listened to since I first brought it into my home. Perhaps I will listen today or tomorrow, if I have the opportunity. I have been doing that recently, pulling random records out of the collection and putting them on the turntable. I am preparing posts both on the reorganizations efforts as well as these random listening sessions, so stay tuned. Read more

A Dash of Blue Note Mania

I was away from eBay for a couple of weeks but I had put a bunch of records in my queue. Now that all of the auctions are done, and I’m looking at the queue of records all at once, it’s striking to me how the market value of Blue Note LPs just keeps escalating and escalating with no apparent limits. I think it has been this way for as long as I’ve been watching the market and collecting records, but for whatever reasons there seems to have been another quantum leap forward recently. Or perhaps I just haven’t noticed. Let me do a download of some of the records I’ve been watching, starting with Bud Powell, Bud!, Blue Note 1571. This was an original West 63rd Street pressing with the deep groove, ear, etc. The record and the cover both looked to be in M- condition. The final price was $1,230.90. Based on Popsike, this looks to be the highest price this record has sold for on eBay. Granted, the condition was great and the seller is reputable, but the price was outside of what you have considered to be the normal top range for this LP. Read more

A New Year’s Jazz Vinyl Treasure Trove

Merry Christmas, Happy New Year. It’s been a while. I will spend the next couple of days catching up on eBay, starting today with some items we missed while we were hibernating over the holidays. First up is one of our all-time favorites: John Coltrane, Soultrane, Prestige 7142. This was an original yellow label pressing with the New Jersey label. The seller was the Jazz Record Center and the record and cover were both listed in M-, near-new condition. The final price was $902. This was the highest price we’ve ever seen for Soultrane, confirmed by a quick link over to Popsike. Only a matter of time before we see this record in the $1,000 bin. Why not? I mean, it’s Coltrane and, IMHO, the best of all his Prestige records. Read more

True Blue, Peanuts and More

Today we have some random jazz vinyl from our eBay watch list, starting with a record that has already surpassed $3,000 in bidding, Tina Brooks, True Blue, Blue Note 4041. This is an original West 63rd Street pressing that looks to be in M- condition for the record and cover. The bidding is at $3,156 with five days left on the auction. So far there are six bidders and 14 bids. In the past few months we’ve seen a copy of True Blue sell for $6,643 and yet another copy sell for $5,779, according to Popsike. Perhaps this one will end up in similar rarified territory. Read more

Thanksgiving Jazz Vinyl

Time to clear out the old watch list this Thanksgiving holiday weekend here in the States, starting with Mal Waldron, Mal-1, Prestige 7090. This was an original New York yellow label pressing in M- condition for the record and VG+ for the cover. The final price was $536.69. I get the sense that the Prestiges are starting to get a little more interest from the collectors will to pay top dollar. These are certainly great music and packaging. I put a few of the Prestiges on the turntable the other day – Tenor Madness, Soultrane and When Farmer Met Gryce. Can’t beat it. I don’t own an original pressing of Mal-1, but I’m sure it’s of a similar quality.

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What is Your Most Valuable?

OK, I did not bid on that Cliff Jordan/John Gilmore Blue Note last night. By the time I logged in about 15 minutes before the auction ended, the price was already past what I would have entered as my top bid. So I just watched as it spiked from about $760 to $960 at the last minute. It is not for me to judge whether the record is worth that price. Obviously, it is to the buyer. To me, after the auction closed I played my United Artists copy. While it doesn’t sound quite like an original pressing, it sounded plenty good to these ears. It was actually nice to get the inspiration to listen to the record again. Damn good record, for sure. Meanwhile, back to eBay with this gem: Sonny Clark, Cool Struttin’, Blue Note 1588. This is an original mono, West 63rd Street pressing with the ears, deep groove, etc. It is listed in M- condition for the record and Ex for the cover, which looks like M- in my nomenclature, based on the description and the picture. The bidding is already at more than $3,300 with more than three days left on the auction. Get ready for a big number on this one. Read more

Another Jazz Vinyl Potpourri

Time once again to clean out many of the older items sitting in my watch list. Let’s start with this nice 10-inch French Vogue LP: Henri Renaud Quintet with Gigi Gryce and Bobby Jaspar, Vogue 174. This was an original pressing in Ex condition for the record and near mint for the cover was sold by the seller fiftiesjazz, better known among Jazz Collector aficionados as Rudolf, who is an expert on the French Vogue label, as evidenced by this article from our archives of about 10 years ago, “A Comprehensive Guide to French Vogue.” This copy sold for about $202. From the same auction was Thad Jones, Mad Thad, Period 1208. This was an original pressing listed in M- condition for the record and the cover. The final price was $1,569.44. One more: I have to admit, I have never seen this record: Bill Hardman Quintet, Saying Something, Savoy 12170. This was an original pressing with the blood red label. This copy looked to be in M- condition for both the record and the cover. The final price was $362. Read more

Collectible Jazz Vinyl on a Summer’s Day

Here’s a pretty cool jazz collectible that is closing today on eBay: J. R. Monterose, Blue Note 1536. This looks to be an original Lexington Avenue pressing. The record is in VG+ condition, or perhaps even better. The cover has an autograph by J. R. that looks authentic to these eyes, but I am no expert. The cover is probably in VG or VG+ condition. This is a nice collectible with or without the autograph, which, to me, enhances the appeal, although some collectors differ on that account. Anyway, the bidding is in the $950 range with about 10 hours left on the auction. Read more

Collectible Jazz Vinyl and Not Vinyl

Yeah, that Bill Evans New Jazz Conceptions LP with the original cover sold for $1,725, as someone pointed out in comments. With a VG cover and VG record. I guess not even a global pandemic can halt the market for original jazz collectibles. A few more from the same seller: Gil Melle, Patterns in Jazz, Blue Note 1517. This was an original Lexington Avenue pressing in VG MINUS condition with a VG cover. Despite the condition it sold for $910. Curtis Fuller, Bone & Bari, Blue Note 1572. This was an original West 63rd Street pressing in VG MINUS condition for the record and VG for the cover. It sold for $706. Read more

For Lady (and Everyone Else)

Time to get back to eBay, starting with Webster Young, For Lady, Prestige 7106. This is an original New York yellow label pressing listed in Ex condition for the record and VG+ for the cover. I’ve always had a soft spot for this record because it was one of the first yellow label Prestige originals I ever owned and because it was, and is, quite a lovely record. It was, I presume, also my introduction to Webster Young and Paul Quinichette, two very fine, very underrated players, IMHO. Writing this post, I just talked myself into putting this on the turntable next time I have time to listen mindfully. The bidding for this one closes in more than for days from this writing, with a top bid now of about $245. Read more

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