A Pair for the $2,000 Bin & A Pair of Surprises

As we mentioned the other day, there has been an overflow of $1,000 records. Here are a few more, including a couple for the $2,000 bin:

Lee Morgan, City Lights, Blue Note 1575. This one was pointed out earlier by one of our readers.  It was in M- condition by a credible seller and it was an original pressing. It sold for $2,655.

Barney Wilen, Tilt, Swing Vogue LDM 30.058. This was an original French pressing. The record ws what we would call VG++ and the cover was M-. This one sold for $2,250.  This one is not new to the $2,000 club: It has previously sold for $2,700 in the Jazz Collector Price Guide.

Sonny Criss, Jazz-USA, Imperial 9006. This was a surprise to see in this category, simply because

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The $1,000 Bin: Helen Merrill & Sonny Clark (Again)

A couple of records we’ve been watching fell into the $1,000 bin.

Helen Merrill, Emarcy 36006. This is the one with Clifford Brown, and it has become quite a collectible.  A few weeks ago we put one into the Jazz Collector Price Guide at $1,781. This one was in comparable condition: VG++ for the record and M- for the cover. Although it didn’t reach the same height, it did quite well for its seller: It sold for $1,414.

Then there was this: Sonny Clark, Dial S For Sonny, Blue Note 1570. This is a regular in the $1,000 club these days. This one looked to be in VG++ condition, for both the record and the cover, with the dealer stating that some might rate it M-. It sold for $1,670.

Catching Up: Mobley, Mehegan, Morgan, Trane

Time to follow up on some records we’ve been watching.

Remember that 10-inch Hank Mobley record on Blue Note from yesterday: Hank Mobley Quartet, Blue Note 5066? When we spotted it, the price was around $65 with a couple of hours to go. The record was in VG- condition and the cover was just VG, barely. We figured it may go as high as $100? It sold for $274.

On the other hand, there was this record: John Mehegan, Casual Affair, TJ1. This record features Kenny Dorham and has always been a nice collectible. When we spotted this one it was at $7 with an hour or so to go. We put in a bid of $41.41 and it was topped at $42.41. I assume if the seller had done a better job with the listing, it could have sold for a bit more. We don’t have it listed at this point in the Jazz Collector Price Guide, but we’ve seen this record sell for more than $100 in the past.

Also, that copy of John Coltrane, Blue Train, Blue Note 1577:

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Today on eBay: Willing to Gamble?

Watching some items on eBay this morning. There’s a seller with some good records, but challenging listings. She doesn’t give clear indications of the condition of the records and the prices are quite high, so it’s a bit of a risk: You may be getting something great, you may not. Consequently, some of the prices are not what they would be if the records were listed even in VG+ condition, if indeed that would be accurate. I’ll point out a couple, but you can also check out the links and look at some of the others as well: John Coltrane, Blue Train, Blue Note 1577. This seems to be an original pressing. The words used to describe the condition are “very nice” and “pretty nice.” It asks for serious bidders only and the start price is $199.99. So far no takers. Here’s another: Lee Morgan, Lee Way, Blue Note 4034. This one is listed in is listed in excellent condition, so it sounds better than the Trane. It also has five bids and a price of $200. It will be interesting to see the final price. You should take a look at the seller’s other listings. They may be worth a gamble.

Also coming up today is this:

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Updates: Thad, Beverly Kenney, Evans, Arte & Billie

Here’s an update on some of the records we’ve been watching:

The Magnificent Thad Jones, Blue Note 1527. This was an original Lexington Avenue pressing. The record was in VG+ condition and the cover was VG++. The price was $336. A second copy of this record also sold in the last couple of days. The seller described the vinyl as VG to VG+ and the cover seemed to be about VG+. The price of that one was $199.99.

Beverly Kenney Sings For Playboys, Decca D8743. The record was in M- condition — probably unplayed, according to the seller — and the cover was VG+. The price was $399.99, the highest price we’ve seen for any Beverley Kenney record in the Jazz Collector Price Guide.

Bill Evans, New Jazz Conceptions, Riverside 223. This was an original pressing with the white label as well as the first cover. The vinyl was in M- condition and the cover was listed as VG+. The price was $709.99.

We had mentioned yesterday the Arte Shaw LP on Clef:

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Today on eBay: Tadd, Zoot, Fuller, Miles, et al

We’re back from The Berkshires after our successful gig in the Monterey General Store and it’s time to get back to the ever-lasting grind that is eBay. We took a look at listings over the next couple of days, and it’s actually pretty quiet out there, although our friends at Euclid Records have a few nice items closing today. Here’s some of what we’re watching:

Tadd Dameron, Fontainebleau, Prestige 7037. This is an original New York pressing that is in M- condition for both the record and the cover. This one is not usually among the higher-priced early Prestiges, but the bidding is already at $162, which is nice to see for a nice record.

Zoot Sims and Joe Newman, Locking Horns, Rama 1003. This is a rare record on a rare label. The vinyl is listed as M- and the cover is VG++. The price is nearly $300, with more than an hour left.

Miles Davis, Miles, The New Miles Davis Quintet, Prestige 7014. This is the album that introduced John Coltrane to

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Keep Those Comments Coming

Geraint apologizes in an earlier comment for mentioning another seller’s auction on this site. No reason to apologize — actually, I really appreciate it when you share other listings on Jazz Collector. The whole idea is to create a community where we share information, so please feel free. The only thing I’d prefer not taking place is the out and out bashing of eBay sellers, simply because I don’t want the site to be misused by someone who may have an axe to grind. However, if you spot sellers who are consistently inaccurate or deceptive in their listings, that to me is fair game, focusing on the listings. It’s been gratifying because I’ve been offline for a couple of days and the comments are continuing to roll on even when I’m not putting up new posts myself. Keep it up, everyone, we’re all doing good work.

For the $1,000 Bin: Hank, Sahib, Griffin, Warhol

Here are a few more items for the $1,000 bin.

Hank Mobley, Blue Note 1568. This was an original pressing with the West 63rd Street address and all of the other markings that go with it. It was a tough one to assess in terms of condition because the seller notes that it has a couple of marks, one of which was feelable. That would cause me some concern if I were bidding for it, but I wouldn’t have lasted long in the bidding because this one eventually sold for $1,593. The cover was listed in VG+ condition and the vinyl was listed in VG+ to M-, if only it didn’t have the marks. This is one of the really rare Blue Notes and it has previously sold for more than $2,600 in the Jazz Collector Price Guide, so we can see why someone would want to take a chance on this album.

Here’s another interesting one we’ve been watching: Sahib Shihab, Sahib’s Jazz Party, Debut 101. This one was being offered

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Art Pepper For the $1,000 Bin: Blues Walk, Almost

Here’s one for the $1,000 bin and another for the almost-$1,000 bin:

The Return of Art Pepper, Jazz West 10. This was an original pressing. The vinyl was listed in M- condition and appeared to be unplayed. The cover looked to be about VG+. The price was $1,155.55. We’ve seen several Art Pepper records cross the $1,000 barrier in the past: The Art Pepper Quartet on Tampa as well as Modern Art on Intro, which recently topped $1,500. This is the highest price we’ve seen yet for this LP, according to what we have followed in the Jazz Collector Price Guide.

Joining the almost-$1,000 bin, which is not really a bin, is this one:

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Watching The Next Tier: The Bidding Continues

As I’m going through some of the items I’ve been watching on eBay, I’m actually finding less evidence than I expected of this supposed shift into a two-tier market. There is still a lot of high-priced bidding among the non-Blue Note labels and artists. Perhaps it’s just by comparison that the gap is widening because some of the Blue Note/Prestige prices have been skyrocketing lately. We’ll keep watching, but as you guys see evidence of a real drop-off in prices of second-tier labels, please post them on the site as a comment. Here are some items we’ve been watching that may give you an alternate view versus my comments and others of the past couple of days:

Red Mitchell, Bethlehem 38. This was an original red label pressing, deep groove. It was in M- condition for both the record and the cover. It sold for $190.93.

Lee Konitz with Marne Marsh, Atlantic 1217. This was an original black-label mono pressing. It looks to be generously graded at VG++. It sold for $149.99.

Here’s one that would support the theory of a developing two-tier market:

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