Heavy Hitters, Hefty Prices

All of the jazz vinyl auctions I was watching in my queue are now over, so let’s start catching up with those, starting with Roland Kirk, Triple Threat, King 539. Although I’m a big Kirk fan, this is a record that has eluded me over the years. This was an original pressing listed in VG condition with “light noise hiss, crackle & an occasional pop.” Cover was listed as VG, with shelf wear and a partial seam split. This was from the seller 1molecularrman, who’s been on quite a run for the past few months. The run continues. This one sold for $1,300 on the noise. Read more

Potpourri From the 10-Inch and UK Vinyl Vaults

Random stuff in our watch list. Let’s start with some original 10-inch vinyl, none of which seems to be getting much action: Howard McGhee Volume 2, Blue Note 4024. This is an original Lexington Avenue pressing listed in VG or VG- condition for the record, and VG+ for the cover. I could actually be in the mix for this one. I have a nice copy of the vinyl with no cover at all. The starting price is about $80 and the auction closes later today with no bidders yet. Seems like a no-brainer, at least to put in some kind of bid. Here’s another 10-inch Blue Note that has more in common than just the label: Gil Melle Quintet, Blue Note 5033. This is also an original Lexington Avenue pressing, from the same seller, listed in VG condition for the record and VG+ for the cover. No bids yet, with a start price of $100. The common element: Both records feature the great Tal Farlow on guitar. Read more

One Record

I was driving in the car the other day and listening to a playlist on my phone. A usual car playlist will have a variety of music, from the Beatles to Ella, James Taylor, 60s rock and, of course, some jazz. I was listening for about a half hour, singing along a little, but nothing that necessarily put a smile on my face. But then came this: Paul’s Pal, by Sonny Rollins. As soon as it came on, my face lit up. For me, it’s one of those songs that always puts a smile on my face. Maybe it reminds me of the first time I heard it, or perhaps because it always seemed to me like Sonny was smiling while he played it. Anyway, I started thinking about the record, Tenor Madness, and the thought popped into my head: If I could keep only one record, Tenor Madness would be one of the contenders. Now, I realize this is silly because there is so much music available everywhere in digital formats, so I could listen to pretty much anything I would want at any time. But it’s my game, and here’s how I played it out. Read more

Back in Action and, Finally, Back on eBay (Looking, Not Selling)

I promised to get back to watching rare jazz vinyl on eBay, so here I am again, but at some point I also expect to weigh in on some of the comments on the previous post. Meanwhile, we have Paul Gonsalves, Boom-Jackie-Boom Chick, Vocalion LAE 587. This looks to be an original British pressing. The record and cover are both listed in VG++ condition. The bidding is in the $280 range with more than two days left on the auction. What’s the story on the record’s title again? I’m sure it’s been mentioned somewhere on Jazz Collector, but I can’t find it. From the same seller is Duke Pearson, “Wahoo!”, Blue Note 4191. This looks to be an original New York USA pressing. The record and cover are either VG+ or VG++, depending on your interpretation of the seller’s description. I would tend to be on the conservative side and go with VG+, but, then again, I am not a potential bidder for this record. For those who are potential bidders, the auction is currently in the $200 range. Read more

Catching Up, Up, Up

Catching up on a few jazz vinyl sales from the recent auction by Carolinasoul, starting with Lee Morgan, Candy, Blue Note 1590. This was an original West 63rd Street pressing listed in VG+ condition for the record and the cover. The final price was $3,000. Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original purple label mono with deep grooves. The record was VG and the cover as VG+. The final price was $1,598. Doug Watkins, Watkins at Large, Transition 20. This was an original pressing with the booklet. The record and cover were VG. The final price was $1,415. Read more

Prestiges and Transitions and Booklets and Speculation

Perusing eBay and came upon this record: Wardell Gray Memorial Album, Volume One, Prestige 7008. This is an early New York yellow label pressing with the second cover. The cover has a cutout hole in the center. The record is listed in M- condition and the cover is VG+. Start price is $350 with no bidders and plenty of time left on the auction. What strikes me about this is why Prestige changed covers so early and often in the early years. Off the top of my head, I can think of a bunch of similar situations: Sonny Rollins Plus Four,  John Coltrane with the Red Garland Trio, All Day Long, all come to mind. I know the cynical answer is they did it to make money, but how? Were they also experimenting to see what would sell better? Perhaps covers with innocuous photos such as this Wardell record, versus a picture of a black artist? Perhaps a careless buyer would buy both copies? Perhaps they envisioned a time in the far off future when they could drive collectors crazy with questions like this? I have raised this question before and Rudolf has been helpful in sharing his insight. Any other thoughts? Read more

A Supreme Love Supreme, Prestiges and Blue Notes

Still here. Still watching jazz vinyl on eBay. Here’s one: John Coltrane, A Love Supreme, Impulse A-77.  Gotta give the seller credit for being loquacious and highly descriptive about this record. We know why he is selling it, what equipment he played it on, how loud. It is one of the more unique listings I’ve seen. Anyway, after reading all that, I would guess, as the seller does, that the record is in VG+ condition, that it is an original pressing and the cover is probably in VG+ or VG++ condition. The start price is $400 and so far there are no bidders with a bit more than a day left on the auction. The seller says he is ambivalent about selling the record because he is afraid to play it, so maybe the market will make it an easy decision for him to keep it. Read more

Hot and Heavy

Here are some jazz vinyl auctions we are watching this week, starting with a couple of heavy hitters: Tommy Flanagan Overseas, Prestige 7134. This is an original pressing listed in VG+ condition for both the record and the cover. The bidding is in the $800 range with more than six days left on the auction. Tina Brooks, True Blue, Blue Note 4041. This looks to be an original West 63rd Street pressing. The record looks to be in VG++ condition and the cover is probably VG+. The current price is $2,995. There is one bidder and five-plus days left on the auction as of this writing. Last week we saw a copy sell for more than $8,000 (WOW). Read more

Wow

The comments on the previous post were intriguing, to say the least, so I jumped over to eBay to see this auction in particular: Tina Brooks, True Blue, Blue Note 4041. This was an original pressing with the West 63rd Street address from the seller vinyl-house-uk. The record was listed in Ex+ condition, which I translate into M-, and the cover was Ex/Ex+, which I translate to VG++. The final price was approximately 6,200 British pounds, which I translate to $8,132.92. By my calculation that’s the top price I’ve seen for True Blue, which seems to be confirmed by Popsike. For those who keep an eye on these sorts of things, is this the highest legitimate price we’ve seen for any 12-inch jazz LP? If not, what is? Looking at some of the other items from this auction, my eyes are popping out of my head. Read more

A Modern Jazz Quintet

Let’s go back to the eBay watch list and catch up on some jazz vinyl auctions that may be of interest to the Jazz Collector masses, starting with Chet Baker, Chet, Riverside 299. This looked to be an original blue label deep groove pressing featuring, among others, Bill Evans on piano, which usually seems to generate added interest from collectors. This looked to be graded in EX condition for the record and the cover. The final price was $1,187.  Per Popsike, this is the second highest price ever recorded for this record. In 2018 a mintier copy sold for $1,225.

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