Updating the $1,000 Bin & A Few More

Here are some $1,000 and near-$1,000 records we missed:

Kenny Dorham, ‘Round About Midnight at the Cafe Bohemia, Blue Note 1524. This was an original pressing that was listed in M- condition for the record and excellent condition for the cover, which is, what, VG+, VG++? This one sold for $1,315.

People have already commented on this one elsewhere on Jazz Collector, but it seems reasonable to me, given the state of the Blue Note market: Cannonball Adderley, Somethin’ Else, Blue Note 1595. This looked like an original pressing and was in M- condition for both the record and the cover. It sold for $1,250.

This one came from the bobjdukic batch and, given the condition, sold for a fairly whopping price tag: Lee Morgan, Indeed!, Blue Note 1538. It was listed as “insanely rare” (of course), but it was also listed in VG to VG-minus condition for the vinyl, which would definitely indicate surface noise. The cover was VG+ and the price was an even $1,000, which, I suppose, is a sign of something  to conspiracy theorists.

Here was an original copy of Sonny Rollins, Saxophone Colossus, Prestige 7079, the barely missed the $1,000 bin. This looked to be in VG+ or VG++ condition for the vinyl and probably around VG+ for the cover. It sold for $948,

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Tracking eBay: The Cats, Blue Notes, Cannonball

Before we look ahead at the coming week, let’s look at some of the jazz vinyl we were watching last week:

Tommy Flanagan, The Cats, New Jazz 8217. This was an original pressing with the purple label and the deep grooves. It features John Coltrane. I haven’t listened to this record in a few years, but my recollection is that it’s not among Trane’s better efforts, but I should go back and check again. Nevertheless it is a New Jazz and it is Trane and Flanagan and it is thus an important collectible. This one was listed in excellent condition by the seller, which I took to mean about VG++. The price was $404.99.

This one was from the same seller and also looked to be in excellent VG++ condition: The Magnificent Thad Jones, Blue Note 1527. This was an original Lexington Avenue pressing and sold for $869.99.

Speaking of Blue Notes, as we so often do at Jazz Collector, here are a couple of 10-inch Blue Notes we were watching:

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Catching Up: More Warhol Madness

Time to catch up on some jazz vinyl sales on eBay:

This one made the $1,000 bin with plenty to spare: Conte Candoli, Cool Gabriels, Groove 1003. This was an original pressing and, of course, the main feature is the cover illustration by Andy Warhol. The record was VG-, the cover had splits on the top and the bottom, yet it still sold for $1,825. The Warhol market is driving these prices quite high, but this one seems to do even better than the Blue Notes in better condition. It must be harder to find? Or perhaps the Warhol collectors are more enamored with the artwork?

This one was not an original pressing, at least not in the way we think of originals as “first” pressings: Sonny Rollins Volume 1, Blue Note 1542. This one had the West 63rd Street address, plus the deep grooves and ear and all the other markings of an early pressing: But a first pressing would have had the Lexington Avenue address. This one was in VG++ condition for both the record and the cover and it sold for $334. Quick question: I know most collectors prefer Blue Notes over Prestiges in general but, musically, to me the Sonny’s on Prestige are far more preferable and inventive than the Blue Notes. How do other collectibles feel about this?

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Tracking Prices in an Alternate Universe

Let’s catch up on some of the jazz vinyl we were watching last week. Remember that copy of Miles Davis, Steamin’, Prestige 7200, pictured a few items below?   That was the one from bobjdukic and it was in M- condition, an original New Jersey pressing? It sold for $760. Wow! I’ll put it in the Jazz Collector Price Guide, but it’s hard to imagine that this will now be the going rate for this record. This guy seems to have a customer base that’s in an alternate universe from the customer base buying jazz vinyl from every other seller on eBay. There are many examples, but look at this one as well: Stan Getz, Imported From Europe, Verve 8331. This isn’t even an original pressing and he was able to get $122.50 for it. It leaves me somewhat speechless, but someone, somewhere, was willing to pay the price.

This is from a different seller and more in line with current market realities: Duke Jordan, Flight To Jordan, Blue Note 4046. This was an original pressing with the West 63rd label, deep grooves, ear, etc. It was listed in M- condition for the record and VG+ for the cover. It sold for $741.

This is a nice record:

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Ebaying: Horace and a Bit of Miles

Let’s take a look at some interesting jazz vinyl we’ve been watching here at Jazz Collector:

This is a new high point in the Jazz Collector Price Guide for this one: Miles Davis, Cookin’ Prestige 7094. This was an original New York pressing that was listed in M- condition for both the record and the cover. In fact, if you look at the seller’s description, it’s almost as if the record were new. It sold for $789.67. It’s funny, when I first started really collecting collectible jazz vinyl, maybe in the early 1980s, these Miles Prestiges were not so hard to come by, and not nearly as pricey as some of the earlier yellow label Prestiges. But times seem to have changed, and the music on the Miles Prestiges is outstanding, no?

This one was from the bobjdukic batch: Horace Silver, Blowin’ the Blues Away, Blue Note 4017. This looked to be an original pressing in VG++ condition, depending upon how much you trust the seller, and it sold for $125.50. This seems to be around market value these days for this great record. I had a friend over the other day who likes jazz but is not really knowledgeable. I had him sit in my listening seat at home and I put on Sister Sadie and we listened together closely. The music was just perfect and the sound on the Blue Notes, on a nice turntable with a nice system, is just so incredible compared to anything else. It was like listening to it for the first time. Tres sweet.

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The Original Original (NOT!!!)

I was just about to write a post about this item: Miles Davis, The Original Quintet (First Recording), Prestige 7254, but I see that Rudolf beat me to it in one of his comments. The reality, of course, is that this is the first recording of the “new Miles Davis Quintet” as issued and described on Prestige 7014, the original pressing of these wonderful album. Most jazz collectors would know this, but apparently not. The seller — do I really need to say who it is (yes it is bobdjukik) — does a fantastic job of obfuscation without actually lying. He notes that the material was recorded in 1955 and the album — this particular album — was released in 1961. When I was an editor, I used to tell my reporters and writers to be careful: It is possible to have the facts correct, but to get the story wrong. Here, clearly, we have the story wrong. What would you pay for this record in a store, even if you didn’t have the original? Would you pay $15, $20, maybe $30 to fill in the gaps in your yellow Prestige collection? This one is now $127.50 with two days to go. I don’t even want to put the picture of this record on the site, lest someone mistakenly think it is actually a collectible of real value.  You do wonder if the hyperbole and razzle-dazzle in this seller’s listings affect real bidders and real collectors. It certainly helps to jack up prices on records such as these, but does it scare bidders off on other records? Case in point:

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Updating the Jazz Collector Price Guide

I’ve been spending time updating the Jazz Collector Price Guide. I hope you guys use it: It does take up a bit of time to keep it going. In any case, as I’ve been going through older watch lists on eBay, here are some of the odds and ends I’ve been seeing.

I would classify this as a bargain: Gene Ammons, The Big Sound, Prestige 7132. This was not an original pressing with the New York address, but it was an early yellow label with the New Jersey address. The record and cover were ion VG+ condition and the price was $32. What makes this record interesting, in my opinion, is the presence of John Coltrane as a sideman. I have to admit I haven’t listened to this record in years so perhaps that will be one of my chores for the day to report back to you on the quality of the music.

There was a seller a few seeks ago with a bunch of autographed records, including: Art Farmer, Modern Art. This was a reissue, worth about $3 without an autograph. With the autograph it sold for $47. There were also a couple of records signed by Dizzy Gillespie, including: Dizzy Gillespie, Perceptions, Verve 8411. This was listed in VG+ condition for both the record and the cover. Without the autograph this would be maybe $10: With the autograph it sold for $60. Did I ever tell you about my copy of AT’s Delight signed by Art Taylor?

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eBaying This Week: JR,Trane and More

Another week, another 7,000 or so jazz records on eBay. Here are some of the ones we’ll be watching for you at Jazz Collector:

As noted, the lovely bobdjukic is back with a lot of superbly hyped records, including: J.R. Monterose, Blue Note 1536. This looks clearly to be an original pressing and it is listed in VG+ condition for both the record and the cover. It closes at the end of the week and is already at $510. This will certainly be in the $1,000 bin soon. From the same seller, among others, is John Coltrane, Lush Life, Prestige 7188. I mention this because I have a friend looking for a nice original pressing of this record. This one looks to be in VG++ condition for the record and VG+ for the cover. It is now at $100. I’m sure you all know the great story behind this record, about the trio side which was only a trio side because Red Garland forgot to show up for the date.

This is from another seller: Lee Morgan, City Lights, Blue Note 1575. This one looks to be VG++ for the record and perhaps VG+ for the cover, although part of the top right corner is off. The current price is $485 and there are about three days left.

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Updating the $1,000 Bin, Plus a Few More

Let’s catch up on some of the high-end jazz vinyl we’ve been watching on eBay:

Here are a few from the Jazz Record Center auction: Kenny Dorham, Quiet Kenny, New Jazz 8225. This one was in beautiful condition, M- all the way around. It sold for $2,380.99. Sonny Clark, Dial S For Sonny, Blue Note 1570. This was another beauty that was M- for the record and probably VG++ for the cover, depending upon how you view things such as small splits and slight wear. It sold for $2,039. Kenny Dorham, Afro-Cuban, Blue Note 1535. This was in M- condition for the record and somewhat less for the cover. The price was $1,613.88. And the big one: Hank Mobley, Blue Note 1568. This was an original pressing in M- condition for the record and between VG++ and M- for the cover, depending upon how you grade such things. The price was $3,618.

Here’s a $1,000 record that was not sold by the Jazz Record Center:

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eBaying: Phil Woods, Cliff Jordan, Ray Draper

Here’s some jazz vinyl we’ve been watching on eBay:

Phil Woods, Woodlore, Prestige 7018. This is one of those great early Prestiges that, somehow, I’ve never been able to find an original pressing for my collection, despite 40-plus years of trying. I do have a Japanese pressing, which sounds good, but an original with the kakubushi cover, how can you ever compare? This was an original pressing from Atomic records. The record looked to be n M- condition and the cover was VG+. The price was $493.88, pretty reasonable in today’s market I would say.

Cliff Jordan and John Gilmore, Blowing in From Chicago, Blue Note 1549. This is another in the same category as Woodlore, I’m still searching for an original pressing for my own collection. Gives you a sense how rare these are — in all of my 40 years of exploration to have never come upon a reasonably priced copy of either one of these records. This one was sold by my friend Steve at Roundagain records in Providence and it was in VG++ condition for the record and what looked to be VG- for the cover. It sold for  $632.

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