Jazz Auctions on a Summery Day (in November)

Anos-l1600ther unseasonably warm day in New York – which, at least for me, makes it harder to stay inside after work with a nice whiskey and a stack of jazz records – but I suppose that is the direction we’re headed at this latitude. Meanwhile, here are a few of the things I’ve been watching on eBay (and in keeping with the ‘oddball’ directive):

First up, from our friend bullsite2000 in Italy, is this copy of Illumination! from the Elvin Jones-Jimmy Garrison Sextet. This was an original Impulse! mono pressing from 1963 and was listed as M- for both the record and the cover. It’s a really nice, albeit brief session with Prince Lasha, Sonny Simmons and Charles Davis on reeds and McCoy Tyner on piano. The feel is much more like a Lasha-Simmons date than the music that Jones and Garrison would record later for Impulse! and Blue Note. I picked up a copy about 20 years ago in similar condition for about $5. That’s far less than the whopping $228 it went for here; though we’ve noted the steady climb of Coltrane and Oliver Nelson Impulse! albums, it’s a little uncharacteristic to see these obscure, perhaps also-ran LPs reach similar heights.

The same seller also had a nice-looking example of Booker Ervin’s lone date as a leader for Savoy, Cookin’, which is an album I’ve never owned (though I would like to). I do have his co-leader LP with Bill Barron, The Hot Line, though it’s been a while since it’s been on deck. We’ve certainly seen original pressings of Ervin’s records on Bethlehem and Prestige do some wallet damage before, and the Savoy is seemingly rarer than any of those albums. While I like Ervin, I understand others’ criticism that his albums are relatively interchangeable – nevertheless, that didn’t stop someone from forking over nearly $500 for a copy that was probably VG++ for the record and M- for the cover.

From France, a seller was offering what appeared to be a pristine copy of one of my favorite records, pianist François Tusques’ first session as a leader, titled Free Jazz, on the small label Disques Mouloudji. It’s an excellent and actually rather tightly-arranged 1965 sextet featuring a fine crop of French modern jazz musicians. I thought about getting into the fray just to get a copy with the booklet (that brochure is impressive!), but the price was a little out of my range. From what I understand, only a few came with the brochure, which might’ve been a promotional addition. It ended up selling for $661 and I’m sure the buyer will be happy.

The same seller also had a nice-looking copy of Boston saxophonist Abdul-Hannan’s only recording, titled Awareness and privately released on his imprint The Third World. It’s the first appearance on disc of tenor saxophonist David S. Ware and was recorded in 1968 (with one track from ’71). It’s an interesting, albeit very low fidelity, album and one I’m happy to have in my collection. The record and hand-assembled cover were both probably in VG++ condition, and it sold for a respectable $386. These private-press jazz albums from the ’70s are pretty hard to find, and compared to the stratospheric prices on jazz records from a decade or so earlier, almost seem reasonable.

In any event, happy bidding and happier listening!

How Much is Shrink Wrap Worth? Plenty, It Seems

Herbie Hancock Jazz VinylI’m still here, haven’t left yet. Thanks to Clifford for filling in, but while I’m here I’ll strive to do at least a couple more posts. Here are a couple of items that came in from readers, starting with our friend CeeDee under the subject: “prices going up, up, up . . . Liberty!” with a link to Herbie Hancock, Empyrean Islands, Blue Note 4175. This was a clear Liberty pressing, no doubts. It was in VG++ condition for both the record and the cover, and the cover was also in shrink wrap (big deal, right?). The record sold for $300 and there were at least four bidders in on the action at the end. Is this a trend, Liberty Blue Notes selling for collectible prices?

This one came in from another reader, and I’m not quite sure why, but I’ll post it here anyway:

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. . . And The Prices Keep Going Up

Bill Evans Jazz VinylI’m sure many of you are way ahead of me, but please let me catch up on some of the interesting auctions we were watching, starting with Bill Evans, Waltz for Debby, Riverside 399. This was an original white label promo copy. The record was listed in VG++ condition and the cover looked to be about VG+ because a previous owner had stamped his name and address on both the front and the back. When I first wrote about the record, there were several hours left in the auction and the bidding was in the $265 range and I guessed that the final price would probably surpass $1,000. To my surprise, and probably to the surprise of many of you here, the final price was $2,248. And that’s not even counting the Global Shipping Program charge of nearly $475, which is discussed in the comments on the earlier post. I’d be curious as to who is spending this kind of money on these records, and why? Is it for listening? Is it for investment? Is it just for collecting and owning the history?

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What an Auction! (One More Time)

Maiden Voyage VinylPlease allow me to dwell one more day on that Jazz Record Revival auction because there are a few more things to point out, as many readers have already done, particularly with that copy of Herbie Hancock, Maiden Voyage, Blue Note 4195 selling for a quite amazing $1,580.

How about this one, with the second cover: Art Blakey, A Night at Birdland Volume 2,Blue Note 1522. This was an odd one in that it had a Lexington Avenue address on one side and a West 63rd Street address on the other. It was clearly not a first pressing, particularly with that cover. But it sold for $236.50.

Someone on the previous post also mentioned this one:

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Le Jazz Vinyl Et Plus

Barney Wilen Jazz VinylI thought I’d have more to say about the death or Ornette Coleman, but I really don’t. I am not an expert on his music and was never really a fan, although I typically liked what I heard, at least from his early years. So I’m going to go back to what I normally do here, which is watch records on eBay, starting with a pair of French records from a French seller: Barney Wilen, Tilt, Swing 30.058. This is an original pressing from 1957. It is listed in VG+ condition for the record and M- for the cover. The price is in the $400 range with less than two days left, but it has not yet reached the seller’s reserve price. Nice cover, but don’t know the record. Readers? Another one that is quite rare, but unfamiliar to my ears:

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Catching Up On Some Rare Jazz Vinyl

Sonny Clark copyI know I haven’t posted in a while when every item in my eBay watch list is no longer active. Here are some of the highlights that I’ve missed, starting with Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing with the West 63rd address, deep grooves, etc. The seller listed the vinyl in VG++ condition and the cover as VG+/VG++, but the picture clearly shows that it’s not VG++, so that might cause some concern about the vinyl grading as well. It would concern me, that’s for sure, particularly at that price, which was $2,524. Not that I would ever pay that price anyway, nor would I pass judgment on anyone that would

Here’s another Blue Note that ended up in the $1,000 bin: Lee Morgan, City Lights, Blue Note 1575. This was also an original West 63rd Street pressing. The vinyl was listed in M- condition and the cover was VG++. The final price was $1,081.

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Three for the $1,000 Bin?????

Lee Morgan Jazz Vinyl copyAnother day, another batch of records to watch on eBay. Today let’s start with Introducing Lee Morgan, Savoy 12091. This is an original pressing with the red label. All in all it looks to be in M- condition for both the record and the cover. We’ve seen this record sell for more than $500 previous in the Jazz Collector Price Guide and it looks like this copy will set a new high point. The bidding is already more than $560 and there are still four more days left on the auction. This seller often has nice items and his listings wind up making our posts fairly frequently, although we’ve never dealt with him directly. Here’s another one of his nice records on eBay this week:

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A Rare Trio: Fats Sadi, Yusef Lateef, Duke Jordan

Fats Sadi copyForgive me for my lack of familiarity with this record and this artist: Fats Sadi, The Swinging Fats Sadi Combo, Blue Note 5061. I guess I must have seen this record somewhere on a discography or on The Blue Note Story, but, honestly, seeing this record on eBay, I thought it was a mistake. Then I did a Google search and Fats Sadi was a Belgian vibist who played with a wide range of artists, including Django Reinhardt, Don Byas and, later on, the Kenny Clarke-Francy Boland Big Band. I don’t know anything about this 10-inch record or how it came about that Fats Sadi recorded for Blue Note in the early 1950s. I do know that this copy of the record is listed in VG+ condition for the record and Ex for the cover and has a start price of about $80. With more two days left on the auction there are no bidders.

This one went for a pretty steep price:

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Catching Up on Jazz Vinyl Auctions

Paul Chambers Jazz Vinyl copyI’m actually cleaning out my eBay watch list in preparation for finally doing a modest updating of the Jazz Collector Price Guide. So, as I clear out records, I will just post some random results for the next couple of days, starting with one for the $1,000 bin: Paul Chambers Quintet, Blue Note 1564. This was an original pressing with the West 63rd Street address. The record looked to be in VG++ condition and the cover was probably VG. It sold for $1,203. This came from the same seller: Kenny Burrell at the Five Spot, Blue Note 4021. This was an original West. 63rd Street pressing that looked to be in VG++ condition for both the record and the cover. It sold for $334.

Another Blue Note: Horace Parlan, Headin’ South, Blue Note 4062. This was

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A Diversion Into the World of 78s

Charlie Parker copyMy eBay watch list is overflowing and there are some interesting items we don’t often see here, including some 78-RPM records. Let’s start with Charlie Parker, The New Sounds in Modern Music, Savoy 510. This is a boxed set of Charlie Parker 78s. Unfortunately, the seller doesn’t say which ones, although if I were interested (as I may be) I would at least attempt to pose the question. The records — can’t call them vinyl — are in VG+ condition and the cover is probably VG or VG+, depending upon the condition. I am probably one of the few among us who still collects 78s. I’ve had the good fortune to run into a few inexpensive collections, and then I was very fortunate with the 78s I purchased in the infamous Baltimore collection. I probably have about 1,000 78s, with probably about 40 Parkers on Savoy, Dial and Mercury, but a Bird Savoy boxed set would make a nice addition to the collection. There is a big concern with buying 78s on eBay, because

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