New Ones For The Jazz Collector Price Guide

Here is some more jazz vinyl that will go into the Jazz Collector Price Guide:

When did this become a $100 record: Barney Kessel, The Poll Winners, Stereo 7010? This was an original pressing with the black label. The vinyl was in M- condition and the cover was VG++. The final price was $97, so it wasn’t officially a $100 record. Still, I had no idea that Kessel was this collectible. I’m not complaining about it, since I do have all of his records on Contemporary, just a bit surprised by this one. In any case, it will be making its first appearance in the Jazz Collector Price Guide.

Also premiering in the Jazz Collector Price Guide will be: Bill Jennings, Enough Said!, Prestige 7164. This was an original yellow label pressing with

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Jazz Vinyl Countdown: Kenny Clarke on Savoy

I was going through my records the other day and came up with this interesting discovery: This Savoy LP by Kenny Clarke featuring Cannonball Adderley was issued with two different covers. I discovered this accidentally because I had one filed under Cannonball and the other under Clarke. The one with the better cover — ‘better” in terms of a great picture on the front — is the one entitled Bohemia After Dark Featuring Cannonball. The other one is also titled Bohemia After Dark, but that’s just on the back cover: The front cover just lists it as The Jazz Corner of The Villiage, Cafe Bohemia, Featuring Kenny Clarke. Both are Savoy 12017 and both have the same tracks and liner notes. If I had to guess which was the first pressing, I would have said the second one, the one

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Sealed Records: To Bid Or Not To Bid?

Here is some more jazz vinyl we’re watching today and through the weekend:

Here’s one that may cause a dilemma: Introducing Lee Morgan, Savoy 12091. This is a sealed record. Is it an original pressing with the red label, or a later pressing with the maroon label? It seems like you’ll have to buy it to find out. The seller has a bunch of Savoys, all in their original shrink wraps, and he hasn’t opened them to determine their vintage. Is it worth the risk risk? This record is now at $50. If it turns out to be an original pressing, unplayed, with a mint cover, what would it be worth — $500, $800, even $1,000? Who knows? Here’s another interesting one from that batch: Mighty Mike Cuozzo, Savoy 12051. Do you think Savoy even issued this with a maroon label? It’s a sealed record, priced at $9, perhaps an original featuring Eddie Costa on vibes. Worth a risk? Perhaps it is.

This seller also has some nice records, including: Mal Waldron, Left Alone, Bethlehem 6045. This

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10-Inch Mania: Miles, Getz, Savoy, Serge, Prez

Let’s catch up on some 10-inch LPs we’ve been watching. It’s always interesting to keep an eye on the 10-inchers just to see if the market is holding up. So far, it is, based on these records.

Miles Davis, Young Man With a Horn, Blue Note 5013. The vinyl on this one was listed in VG++ condition and the cover was M-. The price was $510.01. This one was sold by the seller herschel78, who has been putting some nice items up over the past few weeks, including some other 10-inch LPs we’ve been  watching.

Miles Davis Volume 3, Blue Note 5040. The vinyl on this one was listed as VG+ and the cover was VG++. The price was $385.

Stan Getz Plays, Clef 137. This was an original pressing with a nice cover by David Stone Martin. The price was $68. This is a great record, one of Getz’s best.

Leo Parker, New Trends of Jazz Volume 5, Savoy 9018. This one was

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Tracking Some Nice 10-Inch Jazz Vinyl

Here are a few nice 10-inch LPs we’ve been watching.

Gigi Gryce and Clifford Brown Sextet, Blue Note 5048. This was a beautiful copy in M- condition for both the record and the cover. The price was $579.

The Amazing Bud Powell Volume 2, Blue Note 5041. This was listed as VG for the vinyl and VG+ for the cover. The price was $90.97. As someone said in one of the comments recently, the Bud Powells seem to be in less demand than some of the other Blue Notes.

Elmo Hope Quintet, Blue Note 5044. This was listed in VG++ condition for both the record and cover, which is a classic. The price was $305.

Art Blakey, A Night At Birdland Volume 2, Blue Note 5038. This one was also in nice condition — VG++ for the vinyl and M- for the cover. The price was $305. 03.

And yet another Blue Note:

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Catching Up: Dex & A Few For the $1,000 Bin

Time to catch up on a few more jazz vinyl collectibles, including a few more for the $1,000 bin:

Dexter Gordon Quintet, Dial 204. This was an original 10-inch pressing. The record and the cover were both listed in VG+ condition. The price was about $240. I love these original 10-inch Dials, and the price on this one seemed pretty fair. But, alas, I was not a bidder.  Also from Dexter was this: Dexter Gordon, Dexter Rides Again, Savoy 12130. This was an original pressing with the deep groove and the red labels. The seller listed it in M- condition for both the record and the cover. The price was $69.

For the $1,000 bin there were these:

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This Weekend on eBay: Dolphy, Dorham, Dex

Here are some of the interesting records we’re watching on eBay this weekend.

Eric Dolphy Live at the Five Spot, Volume 1, New Jazz 8260. This is an original pressing with the deep grooves and the purple label. The record is listed as mint and the cover is listed as “near mint minus,” which sounds a bit like a double negative, but we’ll assume it is either VG++ or M-. In any case, the record is selling later today and has a price in the $300 range.

Also from the great Prestige New Jazz label is this classic: Kenny Dorham, Quiet Kenny, New Jazz 8225. This is also an original pressing, with the purple labels and the deep grooves.  The seller has his own grading system, but this one looks to be at least VG++ and perhaps M-. The current price is about $800.

The seller Herschel78 is back with a few nice ones, including this beauty:

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Free Bird LP: The Winner Is . . .

OK, the summer is over, the living is no longer easy, and it’s time to give away our latest free record: Charlie Parker Memorial Volume 1, Blue Note 12000. This is an original pressing with the deep red label and the deep groove. It’s not in mint condition, but it is quite nice and quite listenable. As we have mentioned many times before, all you have to do to be eligible to win our record contests is to post a comment on the Jazz Collector site — anywhere on the site — from the time the contest begins until it ends. The idea is to encourage visitors to comment on the site. The concept seems to be catching on: This time we have our highest number of eligible contestants, and the amount of commenting on the site is clearly growing (as is the overall traffic, by the way). Anyway, those eligible to win this week’s grand prize are:

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Watching The Next Tier: The Bidding Continues

As I’m going through some of the items I’ve been watching on eBay, I’m actually finding less evidence than I expected of this supposed shift into a two-tier market. There is still a lot of high-priced bidding among the non-Blue Note labels and artists. Perhaps it’s just by comparison that the gap is widening because some of the Blue Note/Prestige prices have been skyrocketing lately. We’ll keep watching, but as you guys see evidence of a real drop-off in prices of second-tier labels, please post them on the site as a comment. Here are some items we’ve been watching that may give you an alternate view versus my comments and others of the past couple of days:

Red Mitchell, Bethlehem 38. This was an original red label pressing, deep groove. It was in M- condition for both the record and the cover. It sold for $190.93.

Lee Konitz with Marne Marsh, Atlantic 1217. This was an original black-label mono pressing. It looks to be generously graded at VG++. It sold for $149.99.

Here’s one that would support the theory of a developing two-tier market:

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Another Rare Bird, This Time For the $2,000 Bin

When we were updating the $1,000 bin yesterday, we came upon this quite rare collectible: Charlie Parker, The Bird Blows The Blues, Dial LP 1. The seller lists this as the “first 12-inch LP ever” and having been issued in 1948. We have heard before that this was the first 12-inch long-playing record, which we’ve never been able to confirm, but we think the original issue was in 1949. It was issued without a cover. The seller here claims there were only 50 copies originally issued, which, of course, sounds like one of those claims aimed at making the record seem rarer than it actually is, which is quite rare. This copy was listed in “VG to VG+” condition and sold for $2,250.

This also gives me another chance to remind you all that we are still running our contest to give away a free copy of

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