Bird 10-Inch Savoy Enters $1,000 Bin

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Here’s a record new to the $1,000 bin and it’s presence there is somewhat of a surprise to us: Charlie Parker, Savoy 9000. This is a 10-inch LP and I’ll assume it’s the original cover. I have this record with two different covers and was never sure which one came first. The high price tag leads me to believe this is the first cover, and I assume it is the first cover for the rest of the series. It’s also surprising to see a Bird record sell for such a high price, and a 10-inch LP to sell for such a high price, and a Savoy to sell for such a high price. But, all of that notwithstanding, it did sell for a high price: $1,335 to be precise. The record was in M- condition and the cover was VG+.

More 78s Anyone?

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In my last post, I’d mentioned the autographed Andy Warhol cover that may or may not still be available. Another inquiry that came into my email box came from a guy who has 17 Blue Note 78s: Nine of these are 10-inch and eight are 12-inch. No bebop among them, but there are a couple of Ike Quebec’s, plus Sidney Bechet, James P. Johnson, Art Hodes, T-Bone Walker, Albert Ammons and the Port of Harlem Seven. I get the sense he’d love to sell them all in one batch. If there are any Blue Note 78 collectors out there, just let me know and I’ll put you in touch with him.

Warhol Anyone?

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I had mentioned a few weeks ago how I’d been getting a few requests a week from people interested either in selling collections or in getting advice on what to do with their collections. I’ve seen some interesting items. Here’s one: A guy in Toronto goes into a store and buys the Count Basie record with the Andy Warhol cover (RCA 1112). It costs him 25 cents. He takes it home and notices that there’s a name written on the cover and figures, no big deal, it’s just the previous owner. Then he looks closer. The signature reads “Andy Warhol.” He goes online to look at other Warhol autographs. Sure enough, it’s a stone-cold match. So here he is, sitting with an original Warhol cover signed by Warhol. And he has no idea what it’s worth. He sent me a note looking for advice, and I told him I had no idea what it was worth either. I suggested he try Soetheby’s or Chistie’s or some other auction house. He was advised to start any auction with a price of $500. I haven’t heard back from him, but, if anyone is interested

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For the Price Guide: A Blue Note Batch & A Prestige

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Here are a few more big-ticket items we’ve been watching. All of these will be entered into the Jazz Collector Price Guide as soon as we get a chance.

Jackie McLean, Lights Out, Prestige 7035. This was an original pressing with the yellow label and New Jersey address. The record and cover both seemed to be in VG+ condition. The price was $599.95.

Walter Davis, Davis Cup, Blue Note 4018. This was an original West 63rd Street pressing in M- condition. It sold for $790.

Freddie Hubbard, Open Sesame, Blue Note 4040. This too was an original pressing and it was in M- condition, both the record and the cover. The price was $636.  This was actually surprisingly low — we’ve seen this record sell for more than $1,000 several times, and reach as high as $1,590 for a record that  was not in M- condition.

Paul Chambers, Bass on Top, Blue Note 1569. This was an original West 63rd Street pressing. The

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A Term New To Us: “Kakubushi Frames”

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Every so often I come upon an album or a term that is new to me. Here’s one on an item I’d been watching on eBay. The item was: Kenny Dorham, Round Midnight at the Cafe Bohemia, Blue Note 1524. The seller listed the album as having “kakubushi frames” in the cover. I pulled out my copy from my shelf (that’s the one pictured at right) and I still can’t figure out what the term “kakubushi frames” is referring to. I’m hoping someone out there can help. By the way, my copy is a nice original pressing with the flat edge and Lexington Avenue address. It’s only in VG condition, but sounds quite nice. I imagine it also has the “kakubshi frames” since it is an original. The one I was watching on eBay was in VG++ condition for the vinyl and VG for the cover. It sold for $695.

One For the $2,000 Bin & One For The $1,000 Bin

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We were watching a couple of new items that have crossed the four-figure plateau on eBay. They are:

Jutta Hipp, Blue Note 1530. This is the one featuring Zoot Sims. This was an original Lexington Avenue pressing. The seller did a very good job of presenting it, with nice, clear, close-up pictures. It was listed in VG++ condition, for both the record and the cover. It sold for $2,030.

Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing with the purple label and the deep groove. It looked to be in nice shape: The record was listed as M- and the cover looked like it was VG+, based on the pictures. The price was $1,225.

Blue Note Album Cover Art: The Winner Is . . . .

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Okay, it’s finally time to announce the winner of our most recent giveaway contest for the book: Blue Note The Album Cover Art. As previously mentioned, this is a 128-book of album cover art from the Blue Note catalogue, first published in 1991 by Chronicle Books. It features page after page of classic Blue Note covers from the 1950s and 1960s, featuring many of the great designs by Reid Miles and photos by Francis Wolff. The book also includes a foreward by Horace Silver. We announced a couple of weeks ago we would be giving away a free copy of this book to one lucky reader of Jazz Collector. The criteria for being eligible to win the book were simple: All you had to do was comment on a post on the site, any post. Since we announced the contest, there have been 12 different individuals who have commented on the site and are thus eligible to win the book. They are:

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Waltz For Debby Hits The $2,000 Bin

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Here’s one I somehow missed: Euclid Records had a sealed copy of Bill Evans, Waltz for Debby, Riverside 9399, which sold recently for $2,034, which is definitely a new high for this particular record. The question I have is this: What does a collector do with a sealed record? If you want to listen to it (presumably) you have to break the seal, and thereby it is no longer a sealed record. So do you just hang on to it and admire it and realize it’s still sealed and find another copy for listening? These are the things we think about here at Jazz Collector.

Soaring With an Alto Sax Legend (Not)

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Sometimes it’s fun to browse through eBay, just for an occasional chuckle. Here’s one I like, on a record that’s closing this evening. The record happens to be John Coltrane’s A Love Supreme, Impulse 77. In order to drum up interest, the seller decided to spend an extra 75 cents or so on a subhead for the item, which he used as follows: “Soar Through The Heavens With Alto Sax Legend.” Yes, we all appreciate Trane as an alto sax legend, as we appreciate Bird as a tenor sax legend, right? Anyway, if you find listings or mistakes that amuse you on eBay, feel free to share them here at Jazz Collector.

More Peak Prices, Plus Miles, Sonny, Trane For Sale

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In mentioning records reaching new price peaks, I inadvertently left out a couple of records among the ones I’ve sold recently. These aren’t records we’ve tracked often, but we haven’t seen higher prices for either of them:

Granchan Moncur III, Some Other Stuff, Blue Note 4177. This was a New York USA pressing. The record was M- and the cover was VG++. It sold for $223. 70.

Anthony Williams, Spring, Blue Note 4216. This was also a New York USA pressing in beautiful condition, M- for the record and VG++ for the cover. This one sold for $202.50.

We have a bunch of records up on eBay now, although none will fetch those kinds of prices. Here are a few of the records that are available:

John Coltrane (et al), Wheelin’ and Dealin’, Prestige 7131. This is an original pressing, with the New York

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