Two More For the $1,000 Bin

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Things may be slow on eBay this days, but there always seems to be a large appetite for some of the rarest records, and two of the ones we’ve been watching sold for more than $1,000 recently. We haven’t had quite such luck with our own sales although, admittedly, we haven’t been putting up gems. Still, we had more than 50 records up for auction this week and probably sold only about 50 percent. This is highly, highly unusual, since we tend to underprice the records and grade them conservatively. The other thing, and a few readers noted this, is that traffic on eBay seems to be down: Not only are fewer people bidding on the records, fewer people are looking at the records. I think it’s all a temporary lull — a reaction to the economy — and I’m planning to continue posting records on eBay. Whatever doesn’t sell I put into the store inventory, which you can view by clicking the Items For Sale link above, so you may find bargains if you take a look. In the meantime, we continue to track eBay pricing and here are the two records that recently sold for more than $1,000:

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Why Do We Collect?

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Ye ask, and ye shall receive. Bethellodge asks on another post that we start a conversation on the topic: “Why do we collect?” 

Here’s my story: I started out, probably like most of us, loving the music for the music’s sake. I remember the sound of jazz in my living room, from my father’s collection, and listening to John Coltrane in between classes at Queens College, and going back and discovering Bird and Dexter and Sonny and Clifford and Ella and so many of my heroes. The albums I found early in my searches are so often among my favorites and the albums I put on the turntable most often. Last night I had a half hour to kill and put on Oscar Peterson, West Side Story. It was like getting together with an old friend. In the beginning it was just about the music: Who cared if a pressing was original, as long as I could listen to the music? At some point, however, it became about more than the music, about finding the original pressing and building a collection. In my case, I know part of it is– and always has been — the thrill

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From The Vaults: Billy Eckstine Assaulted, Drugged

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Am I the only one who gets a charge out of these old Downbeats? Here’s an article I just have to share from Feb. 11, 1965:

Bill Eckstine Misses Opening; Claims He Was Assaulted

Singer Bill Eckstine missed his scheduled opening at the Royal Box of the Hotel Americana in New York City Jan. 4 and speculation of foul play ran high. Eckstine reappeared the following day, however, and said he had been assaulted on the street the night of Jan. 3, hauled into a car, robbed of about $600 and a watch, and then drugged.

Eckstine said he was trying to hail a taxi on 125th St. and Fifth Ave. on Jan. 3 when he was approached by three men, who pulled up in a car and asked for his autograph. While he complied with the request, Eckstine said, one of the men hit him on the back of the neck and

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Some High Tickets: Dexter, Helen Merrill, Jackie

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We were running out of the house yesterday and we had about 10 minutes to do a quick perusal of eBay, so we did a search of the records ending soonest with the highest prices. This is not a search we normally do, but it was interesting because most of the records that came up were records that could be purchased immediately for a Buy-It-Now price. Most of these were quite high-priced (after all, that was the search criteria), but it’s an interesting way to find something that might be at the top of your want list. In any case, we watched a few of the auction items, and were surprised to see some of the high prices, given what we’re seeing these days with our own auctions on eBay. 

This one was the biggest surprise: Dexter Gordon, One Flight Up, Blue Note 4176. This was a mono pressing, New York USA, with one side deep groove. It was listed in excellent condition, record and cover, which we generally translate to VG++ in our terms. The record sold for $415.90, quite a high price for this record. We have previously followed four copies of this record in the Jazz Collector Price Guide, and it’s never sold for more than $200 in the past. Anyone have any idea why this copy would sell for such a high price in this supposedly down market? I have a NY USA stereo pressing of this record in VG++ condition, and would happily take $200 for it if anyone is interested. Seriously.

Among the other high-ticket items from yesterday, there were:

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For the Price Guide: Webster Young, Trane, Hank

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We haven’t been keeping up with the Jazz Collector Price Guide as often as we’d like, but we have a few items we’ve been watching that we’ll enter this weekend. If we get moving, we could get up to 4,000 records into the database within the next couple of weeks, which would be something of a milestone. Anyway, here are a few we’ve been watching:

Webster Young, For Lady, Prestige 7106. I’ve always loved this record, some great tenor playing by Paul Quinichette. This one was in VG+ condition, both record and cover, and sold for $296.

John Coltrane, Ballads, Impulse 32. This was an original mono pressing with the orange label and the gatefold cover. It was in M- condition, both record and cover. It sold for $113.50.

Hank Mobley, Roll Call, Blue Note 4058. This was a nice original pressing with the West

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This Week on Ebay: Miles, Clifford, Trane

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We haven’t been very active selling on eBay lately: Just life getting in the way. However, this week we found some time to clean and post a bunch of items. It’s a mixed bag, but there are a few nice ones, including:

Miles Davis, Blue Haze, Prestige 7054. This is an original New York yellow label Prestige. It’s in VG+ condition, and sounds quite nice. We put a start price of $30 and it’s already received a bid, so we expect there to be some action.

We also put up a nice-sounding original copy of Clifford Brown, Jam Session, Emarcy 36002. This also has a start price of $30. It’s a great record, with a lot of positive energy. 

As you may have noticed on the Jazz Collector site, we’ve been going through some old Downbeat Magazines, looking for collectibles (we’re even giving one away). We’ve put a few up for sale in our eBay story, and we put a very interesting one up for auction yesterday. It is:

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Cole Porter’s Last Words

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I’ve been going through old Downbeat Magazines with the idea of getting rid of some of them, although I love to have these as collectibles because they are filled with interesting tidbits that you can’t find anywhere else. Here’s one from the Downbeat of November 19, 1964. It’s from a small article on the death of Cole Porter, who passed away on Oct. 15, 1964 at 71 years of age. The only people at his bedside when he died were two valets, who had worked for him for six years. His last words were spoken to a publicist about two hours before he died. They were, “Don’t leave me.” Sad. If you would like to purchase a copy of this magazine, I have one for sale at The Jazz Collector Store on eBay. You can just click the Items for Sale tab at the top of this page to find it.

Free Collectible: 1964 Downbeat Featuring Miles Davis Blindfold Test

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We’ve been looking through our collection for something interesting for our next give-away contest and this is what we’ve come up with: A copy of Downbeat Magazine from June 18, 1964, featuring a really interesting Blindfold Test with Miles Davis. I’ll give you a few teasers from the interview:

On Eric Dolphy, Mary Ann from Far Cry, New Jazz 8270: “That’s got to be Eric Dolpy — nobody else could sound that bad! The next time I see him I’m going to step on his foot. You print that. I think he’s ridiculous.” Sadly, Dolphy passed away just two months later.

On Cecil Taylor: “Take it off! That’s some sad shit, man.” (Although, of course, Downbeat did not print the word ‘shit’).

There was one track that Miles actually liked and rated with five stars. That was:

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The Resurgence of the Resurgence

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A few weeks ago we decided to try something new on the site: We put up a record for sale at what we thought was a fairly low price. The record was The Resurgence of Dexter Gordon, Jazzland 929S. This was (and still is) an original stereo pressing. The record and the cover are both in VG++ condition. We put a $25 tag on it, figuring someone would jump on it quickly. But no one did, and still no one has. Part of the reason we were doing this to see if our new e-commerce plug-in was working. We still don’t know. So here’s what we’re doing. We’re lowering the price of the record to $15. If you’re interested, click here and follow the link. We have just the one copy. Once it’s gone, that’s it. Hopefully someone will be interested in a bargain, and hopefully the system will work.

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