Oddballs and Ends

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I think CeeDee may be prodding me to post more. Yes, my friend? Anyway, he’s been sending me links with little notes. Here are the latest. This one is titled “another one from my ‘Greatest Misses’ list:” East Coasting by Charlie Mingus, Bethlehem 6019. This was an original red label pressing, featuring Bill Evans on piano. Is this the only recorded instance of Mingus and Evans together? The record and cover were in VG+ condition and the final price was about $286. Here’s one titled “This oddball LP has been fetching good bids for some years, so don’t pass it up the next time you’re browsing:” The Louvin Brothers, Satan is Real, Capital 1277. The record and cover were in VG+ condition and the price was $363.88. I have no idea what this record is and why CeeDee sent me this link. I have a feeling I am better off in my ignorant bliss, but I have a feeling someone, perhaps Mr. CeeDee, will provide an answer. Read more

Benson, Bird, Dex and More

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Last week I posted that video of the guy who bought George Benson’s record collection (In The Mailbox: Yikes, Yowzas & George Benson’s Collection). Now we are starting to see some records from the collection coming onto eBay, starting with Dexter Gordon, A Swingin’ Affair, Blue Note 4133. This is an original New York USA pressing featuring Sonny Clark on piano. The record is listed in VG condition and the cover looks to be about VG+. The bidding is in the $125 range with eight days left on the auction. There are already 16 bids and 83 watchers, which will surely increase with this post. It’s a great record and a nice collectible: Does the fact that it was probably owned by George Benson have an impact on the price? If you were considering buying this record, would it matter to you? Read more

Explorations in the Jazz Collector Stratosphere

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Time to clear out the watch list, starting with The Arrival of Kenny Dorham, Jaro, JAM 5007. This was an original mono pressing with the blue label and deep grooves. The record and cover were both listed in EX+ condition. The final price was about $1,248. From what I can see on Popsike, this is a new high for this record, beating the pervious top tag of $1,050. Speaking of new highs, I had to do a double-take on this one: Get Happy With Freddie Redd Trio With Guests, Nixa Jazz Today Series, NJL 19. We wrote about that a few weeks ago and the post received 59 comments (and counting). At the time of the writing the bidding was in the $460 range and there was some speculation that would end up in the $1,000 bin. How about the $4,000 bin, as in $4,377. Read more

In the Mailbox: Yikes, Yowzas & George Benson’s Collection

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Got a few emails from our friend CeeDee, starting with The Booker Ervin Quintette, Cookin’, Savoy 12154. This looks like a red label, but it’s not clear. Some of the photos look red, some look maroon. Not sure this record had deep grooves, but there are none in the picture. This copy was in Ex condition for the record and the cover and sold for about $558. The previous high for this record was $175, according to Popsike. Read more

Thelonious, Duke, Phil and Buckshot

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Let’s get back to the mundane business of watching prices of rare jazz vinyl soar on eBay, shall we. Let’s start with Thelonious Monk Plays the Music of Duke Ellington, Riverside 12-201. This is the original pressing of the first record in the 200 series of Riverside. It is an original white label pressing with the original cover, featuring photos of Monk, Oscar Pettiford and Kenny Clarke. The record looks to be in nice condition, although the description is pretty vague for a seller who does not offer returns. Cover also looks pretty nice, based on the pictures. The bidding starts at about $750 and so far there is no action, with the auction closing in about two days. I would love to own an original copy of this record and I came close about 20 years ago for what at the time was a reasonable price. I was at the Jazz Record Center in New York and had a copy in my hand in very nice condition and the price was $100. I thought long and hard, asked Fred what he thought and he said it was a bargain at that price, but I guess I didn’t have the money, or the balls, at the time, so I left it behind. Came back a few days later to get it, but it was gone. Read more

Ramblings, Records and Rancor, Oh My

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In my real life I’ve been writing what we call an “eBook” for a client. Basically, it’s a long term paper of about 5,000 words. The topic is climate change and, if you want to get really depressed, read the latest report from the United Nations. Anyway, I share this because being buried in work has left little time for the important things in life, like Jazz Collector and, lo and behold, in my absence there are 55 comments, and counting, on the latest post. Surely, they can’t all be about getting happy with Freddie Redd and Jazz Collector, so I am curious about what is going on to inspire such interest and, perhaps, inspiration. So, pardon me while I catch up. Hmmm, now I see that there was a personal, and in my view entirely unfounded attack on Clifford from a new commenter named Gohoos81, who has since apologized and rambled to the point where I am having trouble deciphering whether this was a real diatribe or an attempt to spam the site. Whatever. I see there has been enough pushback without me having to waste more time worrying about it. But Gohoos81, if you are still here, you may find that there are other sites where the community is more welcoming of your rancor and bluster, but you don’t seem to have a very welcoming audience here, including your usually amenable host. Read more

Get Happy with Freddie Redd and Jazz Collector

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You would think that someone collecting jazz records for more than 50 years, as I have, and who had been obsessed with finding a clean copy of Shades of Redd, as I have, would have known about the following record, as I have not (until now): Get Happy With Freddie Redd Trio With Guests, Nixa Jazz Today Series, NJL.19. Not only have I been unfamiliar with this title, I am also unfamiliar with the label. So, excuse me for a moment, while I look at the record and do a search. A quick perusal tells me this is a Metronome Recording, Made in England and, as described on the label, is an “unauthorized public performance.” The trio is Freddie Redd, Tommy Potter and Joe Harris and the guests are Rolf Ericson and Benny Bailey. Based on the liner notes I would place the record in the late 1950s, maybe 1958 or 1959? Now to Popsike, Google and beyond. Read more

Marketing, Language, Hyperbole and Collectible Jazz Vinyl

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Where was I? Oh, yeah, collectible jazz vinyl. The seller vinyl-house-uk has some interesting items for sale on eBay, including the Wardell Gray Memorial Album, Volume 2, Prestige 7009. This is an original New York yellow label listed in VG+ condition for the record and the cover. The bidding is already at about $775 with more than four days left on the auction. This is already the highest price ever for this record, according to Popsike.  In the same lot, the same seller is offering the Wardell Gray Memorial Album, Volume 1, Prestige 7008. This is also an original New York pressing in lesser condition than Volume 2, probably closer to VG all around. The bidding is at about $140. What I find interesting in these auctions is how the seller chose to list/market them. Volume 2 is promoted as “Wardell Gray/Sonny Criss/ Dexter Gordon.” Volume 1 is “Wardell Gray/Al Haig/Tommy Potter.” Do you think those headings make a difference? I absolutely do. Somehow, I’m more interested if Dexter Gordon is on a record versus Tommy Potter. Maybe it’s just me, but it seems to be leading to a record price for a record in just VG+ condition. Read more

Jazz Vinyl Alerts From The Field

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Let’s turn things over to a couple of readers for today’s post, starting with Andy, who sent the following:

“Hi Al, hope all is well. I’ve been doing some shopping over on Yahoo! Japan Auctions and found a couple interesting pieces I thought I’d share. First off is a sold listing: J.R. Monterose’s self-titled on Blue Note. According to the seller it only had the RVG and ear on side two. If I had to guess I’d assume it would be a later pressing because of this. It still fetched a nice sum though! Read more

Records and Record Setters

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To pick up here I left off yesterday, here is Freddie Redd Quartet with Jackie McLean, The Connection, Blue Note 4027. This was an original West 63rd Street pressing with the deep grooves, ears, etc. The record and cover were both listed in M- condition. The record sold for $1,525, which has to be a high for this record as I open a window to Popsike and . . . . it is, indeed, nearly doubling the previous high price for this record. Here’s another record that seems like it may have set a new record: Bennie Green, Soul Stirrin’, Blue Note 1599. This was listed in VG+ condition for both the record and the cover. The final price was $969. Indeed, according to Popsike, that is a new record high, quite a feat considering the condition. Surely, there have been M- copies of this record in the past. Read more

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