Sonny Rollins on Art

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Imagine my pleasant surprise, just a few seconds ago, reading The New York Times over a cup of coffee, wading through the distressing news about politics, coronavirus, voter suppression, et al, and then seeing headline “Art Never Dies” and the name “Sonny Rollins.” This is the first essay in a new series called “The Big Ideas: Why Does Art Matter.” It was written by Sonny as told to Ian Carlino. I love the piece and I love the simplicity of the byline, which is simply: “Mr. Rollins is a musician.” I would never normally just reprint an article from another publication, but I realize many of you may not have subscriptions to The Times and this is deserving for everyone here to read, so, if The Times wants to send a cease and desist for Jazz Collector’s 1,000 daily page views, be my guest. Also, the picture is not from the article, just something I chose from the many images available in the public domain. Read more

Autographed Jazz LPs, and Not Autographed Jazz LPs

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We’re watching some rare jazz vinyl on the current auction from The Jazz Record Center, starting with Duke Ellington & John Coltrane, Impulse A-30. This is an original promo mono copy with the white label. The record and the cover both look to be in mint or near mint condition. The start price is $200 and so far there are no bidders with two days left in the auction. Also, Charlie Rouse, Yeah!, Epic 16012. This is an original pressing with the yellow label and also looks to be in mint or near mint condition. The start price for this one is $300 and so far there is one bid. One more: Horace Parlan, Movin’ and Groovin’, Blue Note 4028. This is an original West 63rd Street pressing. The record looks to be M- and the cover maybe a notch below. There are six bids and the current price is in the $275 range. Read more

Catching Up (And We Mean Up!) on Rare Jazz Vinyl

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Here are a couple of nice $1,000 records we were watching on eBay: Dizzy Reece, Progress Report, Tempo TAP 9. This was an original U.K. pressing that was listed in excellent condition for the vinyl and great condition for the cover and, even though those terms are not precisely Goldmine-approved, you get the sense from the description and pictures that the record was in extremely nice condition. This one sold for about $1,025. Also, Lee Morgan, The Cooker, Blue Note 1578. This was an original West 63rd Street pressing listed in M- condition for the record and cover. We said “under normal circumstances” this record could set a new high water mark for the Cooker. What we meant was that we felt the pandemic would perhaps be dampening prices for high-end records. We were wrong. This record did set a new high at $1,625. So much for my theories and hypotheses—so far at least. Read more

Back on eBay: Vintage Blue Notes and a Coltrane Autograph

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I just spent a little time on eBay. There are a lot of nice rare vintage records from the Jazz Collector Era and I’m not noticing much of a drop in demand or prices since the pandemic. Here are some of the items I put into my watch list, starting with a few vintage Blue Notes: Lee Morgan, The Cooker, Blue Note 1578. This looks to be an original West 63rdStreet pressing listed in M- condition for both the record and the cover. The auction closes in three days and there are already 37 bids and 13 bidders. The price is in the $500 range. This record is a regular in the $1,000 bin, with a top price of about $1,600, according to Popsike. Under normal circumstances I would expect to see this record easily top $1,000 and perhaps set a new standard, given the condition of the record and cover. Let’s see what happens. Read more

The Complete Jazz Collector Red Carraro Collection

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Red in his natural habitat

I did the Irving Kalus Complete Collection yesterday and, in doing so I mentioned my old friend Red Carraro and remembered the articles I wrote about him after he died. Again, there was no link where I told the whole story. So here it is, with some of the comments from friends and fans of Red from 2010. One of these days I am going to compile all of my stories, and more, in a “Best of Jazz Collector” book, so think of these random updates as a bit of a teaser.

July 12, 2010

There was a time, before the Internet and eBay, when jazz record dealers would amass hundreds of collectible records and compile them in lists and send those lists all over the world so that collectors could bid on them, blindly, hoping they would make the top bid and receive a shipment of rare jazz vinyl several weeks later. One of the leading and last practitioners of this fading art was a gentleman, and I use that word purposefully, by the name of William Carraro, known to all as “Red.” I am sad to report that Red passed away in his sleep yesterday morning. Read more

The Complete Jazz Collector Irving Kalus Collection

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I was doing a search on Jazz Collector to refer to the Irving Kalus Collection I purchased in 2012 and realized I never put the entire story together in one post. In re-reading this for the first time in years, my own story-telling is fine and fun, but I must admit that Irving’s own article about Bird at the end is the real gem here. Without further ado:

Part 1, Posted July 20, 2012 

So I mentioned the other day that I recently purchased a record collection. Here is the story.

A few weeks ago a woman sent me the following e-mail: “I’m wondering if you can help me. My dad passed away suddenly in an accident. He left a huge jazz collection of approximately 2500+ vinyl albums. He died at 82 and was a jazz enthusiastic since his teens and his collection dates back to then. To his great disappointment I did not share his passion for jazz. I am interested in selling his collection. How can I go about finding its value? I’ve read some of the information on your blog and realize I need to consult an expert. Any guidance you can give would be greatly appreciated.” Read more

Another Sides

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Here are a couple more sides I’ve had recently on my turntable, starting with Donald Byrd, Fancy Free. We don’t typically review records here at Jazz Collector, primarily because it is not a personal interest of mine. I started my journalism career reviewing jazz records and concerts, but stopped fairly early on because, as a non-musician, I didn’t feel qualified or comfortable criticizing the work of real musicians. I’m not criticizing other reviewers, just explaining how a personal decision set me on a different, and ultimately more rewarding career path, IMHO. If any of you out there feel like doing reviews, I’d be open to posting them on Jazz Collector; I just don’t like writing them myself. Because of this posture, I rarely get any promotional records, even on re-issues of records from the Jazz Collector Era, and even though I have written some reviews focused on the quality of the reissue and the packaging. Mosaic was kind enough once to send me a promotional copy of The Rosemary Clooney CBS Radio Recordings 1955-61 at my request. I gave it a lukewarm review and Mosaic never replied to another email I sent them. C’est la vie. All of which is to say that the copy of Fancy Free I had on my turntable the other night is, indeed, a reissue and was, indeed, sent to me as a promo by the record company, in this case Vinyl Me, Please, Classics. I don’t closely follow today’s market and was unfamiliar with their work. They reached out to me, asked if I wanted a sample copy and I said “sure.” Read more

Mayhem, Music and Miscellany

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I’ve so far avoided writing about the impact that COVID-19 has had on the jazz community. At one point, I was keeping track of the deaths– Ellis Marsalis, Lee Konitz, Wallace Roney, Henry Grimes. But then my mailbox got flooded with new names, some of which I had never heard before, including local musicians and jazz people from Detroit, Philadelphia and other locales. It seemed that the jazz community was being disproportionately impacted, which was also noticed by the pop music critic in The Washington Post – “The coronavirus is devastating a uniquely American art form.” After Konitz died I had the following email/video exchange with my friend Dan: Read more

What Sides Are On Your Turntables?

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What’s everyone listening to in isolation? I can tell you what I’m doing. First off, I’m listening to my records more frequently than I have in a while. I guess being locked down with nowhere to go can be inspirational in that sense. I frequently go to records that I’ve loved but haven’t listened to in a while, or at least records that I haven’t listened to mindfully. Records, versus CDs or streams or anything digital, have sides. l still put on my “go to” sides for a lot of the records, listen to that side, and then move on to another record. Even with the infamous Shades of Redd my temptation was to just listen to Side One, which was my original preference. But, after all of the hoopla I made through the years about finding that record, I would have felt guilty not listening carefully to both sides and was pleased to have done so. Side Two is awesome, the equal of Side One. Read more

Will There Be A New Normal in Jazz Collecting?

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I haven’t really been on eBay since the pandemic started and I’m wondering: Could this be a seminal event for jazz collecting? With the world economy in collapse, will people still care about whether their copy of Sonny’s Crib has a New York 23 label or not? And, assuming some will care, will enough collectors care enough to keep laying out the big bucks for original copies, thus extending the rising market for certain collectibles that we have witnessed since we started writing this blog back in 2003? The other thing I’m wondering: Will collectors continue to trust shipments from overseas, wherever they live? If you are in England, say, will you have faith that a package from New York won’t be carrying the Covid-19 virus across the Atlantic? It may sound crazy, but crazy things are happening. I go food shopping, come home and The Lovely Mrs. JC wipes down every package with disinfectant and then asks me to strip before I take a step into the house. You’ve seen my picture in the last post: It is not my body she is after. Read more

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