And, On Rhythm Guitar . . . .

18 comments

In my haste to get the last post up on the site, I left out the part I really wanted to talk about. Geez, where is my mind? Anyway, I won my 20 records and made an appointment with Kendra to pick them up at her house. I got there and the records were organized and waiting for me. We chatted a bit and she told me how pleased she was with the auction and some of the top prices she was able to get, especially for the Bill Evans and Kenny Drew records. Casually, I asked if there were any records that hadn’t sold. I tell you I asked casually, but that is a bit of a fib. It was actually not casual. It was carefully prepared. Because on the auction there were two records that had $50 start prices that seemed to get no action. They were (1) the previously mentioned Let’s Have a Session on Ad Lib with Billy Bauer, Tony Aless, Arnold Fishkin and Don Lamond; and (2) Afro Cuban Jazz by Machito on Mercury, which features Charlie Parker. Read more

More Adventures, More Obsessions

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Sorry, I need to complete the story. Given that it was an online auction and many of the bidders probably never saw the condition of the records, I was pretty surprised at some of the prices. For example, Waltz for Debby sold for more than $1,000. Bill Evans Trio Sunday at the Village Vanguard seemed to sell for more than $500, if I recall. Kenny Drew 10-inch Blue Note was more than $300. When I went to pick up my records I asked Kendra, the woman responsible for the auction, if the buyers for those records had visited  the house and seen them on site. Nope, she said. They were bidding based just on the pictures from the auction. Very brave, I thought, but having seen the records myself, I figured the buyers would be pleased. The one record I would thought I could steal, the Art Farmer Quintet Featuring Gigi Gryce, Prestige 7017, just eluded me. Read more

Another Adventure in Jazz Collecting, 10-inch Edition

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After buying, curating and eventually selling the Ornette Collection from Dee, I felt myself gripped in that very old, very familiar, somewhat obsessive feeling of wanting more. Not necessarily more records because, Lord knows, I have enough records. No, it was all about wanting more action. So, I reached out to my friend here in The Berkshires who is planning to sell his collection at some point, but he said he isn’t quite ready yet to part with them. Then, out of the blue, another friend up here sent me a note with a link to an online auction of jazz records that was being conducted locally. The site was something called Caring Transitions, so I clicked the link and this is one of the pictures I saw:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Still Here

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I must admit it has been difficult to get motivated to write about jazz records at a time when the world seems to have flipped upside down and we are all worried about the health and safety of ourselves, families, friends and other loved ones. But, I also realize our love of music and passion for our records can be a comfort and escape at a time like this. Funny, I got a note from my daughter late last night. She had called me earlier in the day, feeling a lot of angst, just generalized and starting to get a little cabin fever because she’s not working and cooped up in her apartment. A few hours later this was the note she sent: “Spent the day in my office, listening to records and organizing them. Felt good.” Is that a chip off the old block, or what? Read more

Another Adventure, Part 4: Ornette, Monk, Dee and Me

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Bobby Bradford

Dee had already been in contact with a guy who has a record store in Maine. He was disappointed that I wound up with the records. He had no way to know and didn’t realize, I’m sure, I had no intention of keeping them all. Dee put him in touch with me and we arranged for him to come to The Berkshires and make an offer for whatever he wanted. We struck a deal and he took about  220 records, including many of the rock and blues records. There were probably about 400 jazz records left. I reached out to a friend who owns a record store around here and invited him to take a look and make an offer. He came, but didn’t take anything. He did, however, bring a friend who did buy a few choice items, including the two Monk Blue Notes, which, for the record, were not original pressings but early West 63rd labels. Read more

Another Adventure, Part 3: Ornette, Monk, Dee and Me

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Dizzy

It was a Thursday when I went to Dee’s, the week before the Thanksgiving holiday here in the States. Before I left Dee’s with my five records and four-hour drive, we had one last conversation as I was getting into my car. For a variety of reasons, Dee needed to sell the records by the Spring, hopefully in the May/June time frame. She was concerned that Spring would come and she would still have the records. I told her not to worry; if she still had the records in the Spring, I would drive back, pay her a fair price and take the records so she wouldn’t have to be concerned. She offered on the spot for me to take them all, sell them at my own pace and then pay her later. She was obviously comfortable placing a lot of trust in me, but I politely declined. I didn’t want that much responsibility, tempting as it may have been. Read more

Another Adventure, Part 2: Ornette, Monk, Dee and Me

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Gerry Mulligan

It was probably mid-November when I made my way north to Dee’s. She lives up, up, up a mountain and, with the early snow in that part of the world, I was fortunate to have a four-wheel drive vehicle, otherwise there may have been no story to tell at all. Dee has this fantastic house that she designed and helped build, with views overlooking the mountains, and everything in the home is bursting with creativity and creative energy, including furniture that she also designed. Not to mention the vinyl.

Dee and I got along right off the bat, as you can probably tell. We’re around the same age and we both love jazz, so that was a good start. She told me a bit of her life story, I told her a bit of mine, we chatted, I got a brief tour of the house and then we went to the room with the records. There were 5-6 long shelves with records, I guessed about 1,000 or 1,200 records in all. They were not all jazz records. There were classical, a little rare gospel and blues, and a big section of contemporary Latin and Brazilian – her own carefully curated collection. Read more

Another Adventure, Part 1: Ornette, Monk, Dee and Me

8 comments

I owe you all a story.

It started last Halloween. A new commenter on Jazz Collector, who identified herself as Dee Dee, submitted the following:“I am Ornette’s stepdaughter – raised with Monk in the house frequently. I’m needing now to part with his and my mother’s vinyl collection, AND my original silver gelatin art photography – an AUTOGRAPHED edition of one single print of these historic musicians:

Count Basie
Miles Davis
Dizzy Gillespie
Horace Silver
Art Blakey and Billy Higgins
Gil Evans
Gerry Mulligan
Cecil Taylor and Tony Williams
Abbey Lincoln
Gato Barbieri
Pharaoh Sanders
Charlie Haden
Ernie Andrews
Mal Waldron
Steve McCall
Charlie Rouse
Freddie Greene
Bobby Bradford
Bela Fleck
Buster Williams
Chico Freeman and Pacquito d’Rivera
Eddie Palmieri
Eddie Gomez
Milton Nascimento
Djavan
Joao Bosco
Ivan Lins
Airto Moreira
Jose “Cheo” Feliciano
Francisco Aguabella
Willie Colon
Yomo Toro
Dave Valentin
Papo Lucca
Yolanda Rivera” Read more

Rare Vinyl, eBay Complaints: An Email Grab Bag

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Somebody sent me this link: Sonny Rollins, Saxophone Colossus, Prestige 7079. This was an original New York yellow label in nice condition, VG++ for both the record and the cover. It sold for $2,028. Not sure why this particular link was sent to me, but I figured I’d share it nonetheless. Nothing seems out of whack to me, in terms of the eventual price or the provenance of the record as an original pressing. Maybe someone else can find something. You have all been more observant than I have been lately, it seems. Perhaps too many distractions at my end. Maybe I should just retire from work and devote myself full-time to Jazz Collector. 🙂

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Original Blue Notes? $1.57 Each? I’m a Dreamer, Aren’t We All?

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Back on eBay. This seller has a lot of nice records closing today, including: Paul Chambers, Whims of Chambers, Blue Note 1534. This is a West 63rd Street second pressing that looks to be in VG++ condition for the record and probably VG+ for the cover. The bidding is in the $465 range, fairly steep for a non-first pressing. One of the things that caught my eye was the shrink wrap still on the cover. A first pressing wouldn’t have had the shrink, but what struck me was the sticker on the shrink, which said “SPECIAL PRICE $1.57.” Imagine being able to buy this for $1.57. On further examination, the seller has a bunch of other original pressings with the same SPECIAL PRICE $1.57 sticker, including Dexter Gordon. A Swingin’ Affair, Blue Note 4133; Duke Pearson, Wahoo!, Blue Note 4191; and Donald Byrd, A New Perspective, Blue Note 4124, among others. I have a dream where I go back in time and walk into a record store and all of these records are sitting there at $1.57, sealed, and I buy them all, every last one. Read more

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