Search Results for: "the auction"

Bethlehem Beauties, Blue Note, Warhol (Again)

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Here’s some of the jazz vinyl we’re watching on eBay.

Let’s start with a couple from the Bethlehem label, which doesn’t always get a lot of attention here: Mal Waldron, Left Alone, Bethlehem 6045. This is an original pressing. The vinyl is VG++ and the cover is only VG. The current price is a little over $300 and there are still 10 hours to go on the auction. This next one is a little tough to figure: Charles Rouse and Paul Quinichette, the Chase is On, Bethlehem 6021. I love this record, but this is a stereo pressing with a blue label. Can’t imagine this was issued the same time as the mono pressing, so it much be a later pressing, right, even if it is the first stereo issue?  In any case this stereo pressing is listed in M- condition for the record and VG++ for the cover. It’s closing later today and is in the $150 price range so far.

Here’s a Stanley Turrentine Blue Note doing quite well:

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Andy Warhol Jazz Covers Keep Rising, But . . .

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Other than the Andy Warhol covers, which seem to be going out of sight, I’m sensing some softness in the market these days. Not sure if it’s because of what’s going on in Japan or just the usual ebbs and flows of prices, often dependent upon who is on eBay and who is not on eBay. In any case, let’s start with the Warhols. I’ve never seen this one at this price: Count Basie, RCA 1112. This is in VG++ to M- condition for the record, but only VG for the cover. Still, it is already close to $350 with several hours to go. This one looks quite familiar: Conte Candoli, Cool Gabriels, Groove 1003. Methinks this belongs, for now, to Rudolf, correct? If so, I think it will finally sell. There are five days left on the auction and it is already more than $1,000.

So why am I mentioning potential softness in the market? Here are a few examples, perhaps not a trend, but examples nonetheless. Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. This is an original West 63rd deep groove pressing in M-/VG++ condition for the record and M- for the cover. Hard to find this record is such nice shape and it has sold for more than $1,000 previously in the Jazz Collector Price Guide. This one has a start bid of $300, it closes tomorrow, and there are no bidders. Hmmm. I can use an upgraded copy for my collection.  Or perhaps there are many snipers lurking in the weeds for this.

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Rare Jazz Vinyl: Here Today, Gone Tomorrow

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Here are some items we’ve been watching on eBay, and then not watching on eBay.

What are we thinking with two recent auctions that were ended early? One was by the seller  yollie97, who doesn’t have a long history on eBay. He had a couple of nice records we were watching, including: Horace Parlan, Us Three, Blue Note 4037. When we were tracking this last week it was already at $1,000, but then the auction was ended with the explanation that the item is no longer available. The same thing happened with other records we were watching from this seller, including Hank Mobley Quintet, Blue Note 1550 and Hank Mobley Soul Station, Blue Note 4031. Sometimes a seller will end auctions early if he gets a high price from a potential buyer. Perhaps that’s what happened here, perhaps there was another reason. Perhaps yollie97 sees Jazz Collector and would like to offer an explanation. The other one that ended early was from the seller Amatti 1000 from Italy, a seller with only 19 feedbacks in the past year. He also had a few beauties for sale, including Hank Mobley and Lee Morgan, Peckin’Time, Blue Note 1574. This one was at $850

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Jazz Vinyl on eBay: Mobley, Clark, Trane, Pres, Chet

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Another day, another couple of thousand jazz records on eBay. Here are some of the ones we’re watching:

Hank Mobley, No Room For Squares, Blue Note 4149. This looks to be an original pressing, with the New York USA label and the ear, and it is listed in M- condition for the record and what looks to be VG++ for the cover. You may recall that a recent copy of this record sold for $1,009. I’m sure the seller here, Atomic Records, noticed as well. This one is currently in the $130 range but has yet to meet the seller’s reserve price.

Sonny Clark, Dial S For Sonny, Blue Note 1570. This is an original pressing with the West 63rd label, deep groove, etc., and it is listed in VG+ condition for both the record and the cover. The current price is around $425 and there is still one day left on the auction.

This one doesn’t usually go for a big price, but it is in nice condition and it is a promo copy (it’s also a fantastic record, musically): John Coltrane, Live at Birdland, Impulse 50. This has the white promo label and is listed in M- condition for both the record and the cover. It has one bid, but the price is $198.

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More Jazz Vinyl For the $2,000 Bin

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Here’s some jazz vinyl for the $2,000 bin:

Hank Mobley Quintet, Blue Note 1550. This was an original pressing and it was listed in M- condition for both the record and the cover. The price was $2,142. A few months ago, I catalogued all of my Blue Notes for insurance purposes. For each record, I put down the condition and assigned a value to it, based on current market conditions and historical trends from the Jazz Collector Price Guide. Well, based on price trends, I’m going to have to go back and reassess the values and make them higher in most cases. For example, I don’t have an original pressing of this record, but I have an original of Hank, Blue Note 1560. My copy is M- for the record and VG++ for the cover. When I did the spreadsheet earlier this year, the value I assigned to this record was just

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A Couple More For the $1,000 Bin

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Here are a couple for the $1,000 bin in the Jazz Collector Price Guide:

Lee Morgan, City Lights, Blue Note 1575. This was an interesting one. The seller had it on last week with a reserve and didn’t sell it despite a bid of more than $400. He put it back this week, the bidding accelerated way past the $400 mark and the record wound up selling for a buy-it-now price of $1,200 before the auction closed. The seller must be pretty happy he put a reserve price on this record the first time around. The vinyl was listed as M- and the cover seemed to be VG+.

Bent Axen-Bent Jaedig, Let’s Keep the Message, Debut 133. This was the original Danish

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Mobley 10-Inch For The $2,000 Bin

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I’ve been updating the Jazz Collector Price Guide and noticed that I somehow missed writing about the final price of this one: Hank Mobley Quartet, Blue Note 5066. This is a nice 10-inch LP and it was in M- condition for both the record and the cover. When I first wrote about it the price was in the $340 range and there were a few days left on the auction and I kind of put it aside and assumed it would sell for somewhere near $1,000, as did a copy of Kenny Dorham, Afro-Cuban, Blue Note 5065, its direct predecessor in the Blue Note catalogue. So now I am adding new items to the Price Guide and came back to the Mobley and was kind of surprised to see the final price, which was $2,251. Surprised, but not shocked, since all the Mobley Blue Notes are selling for top dollar these days. Still, this was the highest price we’ve seen so far for any 10-inch Blue Note. Congratulations to the seller, and to the buyer as well. As I said, I’ve been loading

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The Rise of the Second Pressing, Redux

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We’d been talking a few weeks back about how second presses — and even third presses — are starting to get some traction as collectibles. Or, to put it more aptly, how later presses are starting to sell more often at collectible prices. Here’s one we happened to notice yesterday on eBay: Jackie McLean, 4, 5 & 6, New Jazz 8279. In the listing, the seller lists this as an “original” purple label pressing, which is somewhat accurate, I guess. It is an original version of this pressing, but the issue itself is a reissue of the original Prestige, so it is a bit of a stretch to call this an original pressing. Nonetheless, I’m not sure whether the description has that big an impact on the bidding because you would think the people bidding into three figures on these records would have some knowledge of what they are doing. Except, of course, those

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Catching Up: Morgan, Blakey, Kenny Dorham

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Here are a few records we’ve been watching:

Lee Morgan, The Cooker, Blue Note 1578. This seemed to be an original pressing listed as being in near mint condition. The price was $741. It’s hard to think of a record selling for $741 as being a bargain but given Blue Note prices lately, this seems kind of low. I had expected it to break into the $1,000 bin.

Because of some of the chatter on the site, we’ve also decided to keep an eye on more second pressings, such as this one: Art Blakey and the Jazz Messengers, The Big Beat, Blue Note 4029. This was a New York USA pressing — not an original — and it was

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Catching Up: Miles, Ernie Henry, Brew Moore

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Time to catch up on a few items we’ve been watching. It’s a little scary when the auctions of bobdjukic, which are getting quite a lot of attention from some of our commentators, are fetching higher prices than those of Jazz Record Center or Euclid. But that’s life on eBay, which tends to be a great equalizer. Anyway, both JRC and Euclid had some auctions close yesterday, with some interesting items, including: Miles Davis, ‘Round About Midnight, Columbia 949. This was an original mono pressing with the white promo label from Jazz Record Center. The record was in M- condition and the cover was at least a VG++. This one sold for $291. This is another case where I believe the promo label actually helped to boost the sale price.

This beauty was sold by Euclid Records: Ernie Henry, 7 Standards and a Blues, Riverside, Riverside 248. This was an original blue label pressing in near mint condition for both the cover and the vinyl. The price was $564.32. I think that sets a record for this LP, but

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