Shorter Shilling?

I’m watching a couple of Wayne Shorter auctions on eBay now, starting with Wayne Shorter, JuJu, Blue Note 4182. This looks to be an original New York USA pressing with the Plastylite ear, RVG and deep groove on one side. The record is in VG condition with “surface marks and some scratches” and the cover is also listed as VG. The auction closes in a couple of days and there is a single bid at $300. The more interesting record, to me, is Wayne Shorter, Speak No Evil, Blue Note 84194. I put this one second in this post because I typically like to use a picture with the first record I mention and, for aesthetic purposes, the idea of putting this particular Speak No Evil cover violated my sense of good taste. Read more

Digging Deeper Into the Jazz Collector Collection

I was perusing eBay this morning and came upon: Sonny Rollins Plus Four, Prestige 7038. This is an original New York yellow label pressing with the first cover. The record is listed in VG++ condition and the cover is VG. The bidding is in the $315 range with more than a day left on the auction. One of the reasons I saved this record on my watch list was to remind myself that, prior to my recent road trip, I had planned to write a post talking about records I had recently been enjoying, and this was among the foremost – or should I say, Fourmost? – on the list. So here is that record, and here is that post. Read more

Miscellaneous Music and Musings

Back from a road trip that took me from The Berkshires to Chapel Hill to DC to New York and back. Didn’t stop in a single record store along the way and returned home to find that there are now two new record stores a few hundred feet apart in the little town of Great Barrington near my home. One of the record stores opens next week, the other opened this past weekend. I stopped by the one that has opened and it has the feeling of a guy clearing out his house, basement, garage and attic of a lot of stuff. But there were definitely records to view and buy, particularly if you are into vocals. I came upon a lot of Ella Fitzgerald and Sarah Vaughan, but I can’t vouch for the conditions. As of now, there is no organization to the store, everything seems to be thrown in at random. I did find three 10-inch records to buy: Lars Gullin on Vogue, James Moody on Emarcy and Frank Rosolino on Capital. They seemed in decent enough condition at the store, but when I took them out of the car I realized I would have to sneak them into the house because they smelled of mildew. I may go back to check out the store again, but I’ll be careful. Maybe next time I’ll take off the mask so I can make use of my sense of smell before buying anything. As for the other store, I’ll check it out when it opens and get back to you with a report.

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Jazz Collector In Box: Time Traveling in Jazz

Time to catch up with the old Jazz Collector in box. My friend Dan sends me cool pictures that he finds somewhere on the internet. This one came in the other day from March 20, 1963, the opportunity to see John Coltrane in New Orleans for an admission charge of $2. Ah, if we could go back in time. What would be your first choice? Bird on 52nd Street; Sonny, Max and Clifford; Blakey with Horace Silver and Clifford Brown; Blakey with Wayne Shorter and Freddie Hubbard; Lester with Basie; Billie Holiday; Miles with Trane, Bill Evans and Cannonball; Evans and LaFaro; Monk with Newk or Trane? Those would be some of my choices, off the top of my head, and certainly Coltrane with McCoy, Garrison and Elvin in 1963 would  be somewhere near the top of the list. If I had to choose one, it would be easy: Bird. Read more

The First Blue Note, Anyone?

Perusing eBay this morning and came upon this listing: “Ridiculously RARE Blue Note Number 1 Meade “Lux” Lewis Pink and Black label.” It stopped me in my browsing tracks because this is a record I have never had the opportunity to own or even to see in person, only as random and rare listings on eBay. It would be nice to own, the first Blue Note release, but the price tag is quite steep. This copy is listed in E+ condition, which is great for a 78. The start price is at $700 and so far there are no bidders, but I’m sure that will change over the course of the next six days until the auction closes. The seller says there were 200 copies pressed with this label. I don’t doubt him, just wondering where the information came from. Just a couple of weeks ago there was this article about this record on Discover Music, The First Blue Note Record is Released: Meade “Lux” Lewis ‘Melancholy Blues.’ Looking on Popsike, the high water mark for this record in the past was about $2,000, and there have been at least four other recorded instances of the record selling for more than $1,000. Pretty cool. Read more

Condition Still Counts (At Least For These Records)

Normally my eBay watch list is filled with records I am watching to fulfill my mission here at Jazz Collector. There are very few occasions when I actually bid on records and, if you’ve been keeping track, even fewer occasions when my bids are successful. One of the records in my watch list that was for both Jazz Collector and potential purchase purposes was this one: Joe Henderson, Page One, Blue Note 84140. Somehow in more than 50 years of jazz collecting, this record has never made it onto my shelves, and it is a classic, isn’t it, with Blue Bossa and Recorda-Me and Kenny Dorham and Joe Henderson? Anyway, this is an original stereo pressing and, I was thinking, perhaps because it was stereo and not mono, the price might be in line with my sensibilities. The record is in VG++ condition and the cover is M- and when I first spotted the record it was in the $200 range. We are now two hours from closing as I write this and the price is close to $600. I expect it to sell for a bit more than that, so I will just keep looking. I still don’t know why I don’t have a copy. I mean, back when I started collecting I probably could have gotten a Liberty pressing for $5 or so at any of the local record stores. Read more

Rare Jazz Vinyl, Pristine and Not

On my eBay watch list this week are some rare Gene Ammons records from our friend Rudolf, including Gene Ammons All Stars, Jammin’ With Gene, Prestige 7060. This is an original New York pressing that looks to be in pristine, nearly new condition. The bidding is at $106 with more than four days left on the auction. I don’t often listen to these jam session type records, but whenever I do, I am pleasantly surprised. Of course, it does help to have musicians like Ammons, Jackie Mclean, Art Farmer, Donald Byrd, Doug Watkins and Mal Waldron. Rudolf, if you are watching Jazz Collector my question is: Are you selling duplicates or are you digging deeper into your own collection, perhaps starting with the A’s? While we’re on the subject, here’s another: Gene Ammons, Funky Hi-Fi Jam Session, Prestige 7083. This is another original New York promo copy that also looks to be in pristine condition. Where can you possibly find records like these in that condition, like buying them new in a record store in the ’50s. Bidding on this is at about $102, also with more than four days left. Read more

Instagram????????

Glad to see the last post garnered so much interest and discussion. Not sure whether to thank Helen Merrill, the person who bought the Helen Merrill record, Strictlyheadies or Instagram itself. I realize I am missing a lot by not being active on Instagram. I actually have two accounts, AJDoctor, which is also my eBay account, mostly inactive, and Jazz.collector. I just don’t go to Instagram very often. Nor do I go to Facebook or other social media. Maybe I’m just old, but I’ve never thought of myself as a moldy fig and I have been active online since the early days of the net. In fact, I started a newspaper in 1994 called Inter@ctiveWeek, which was the first print and online publication focused on the internet and bore the tagline “The Internet’s Newspaper,” which, by  the way, I came up with. Anyway, maybe this discussion will help inspire me to participate. One of these days, when people don’t want to pay me good money to write about technology and business anymore, I will have more time to get back to selling records, and perhaps then I will be ready to expand both my horizons and my community. Until then, it’s back to watching records on eBay, starting with: Read more

Jazz Vinyl From Europe, U.S., and a Wish List

Another day, another batch of rare jazz vinyl from eBay. Let’s start in Europe with Barney Wilen, Tilt, Swing LDM 30.058. This looks to be an original pressing in VG++ condition for the record and the cover. The bidding is in the $300 range and there are four days left on the auction. This has been a high-end collectible since I began watching eBay many years ago and has sold for more than $1,000 several times, including a high of $2,700, according to Popsike. I’ve never owned this record, nor have I heard the music. In fact, if it weren’t for eBay, I probably wouldn’t know about it. I’ve always been impressed whenever I’ve listened to Wilen, so I imagine it is collectible not just because it is rare, but because the music is also first rate. Oui? Read more

Four for Jazz Vinyl

Back to the grind of watching rare jazz vinyl on eBay. It’s a tough job, but someone’s got to do it. Here are items sitting in my current watch list, starting with Curtis Fuller, The Opener, Blue Note 1567. This is an original West 63rd Street pressing listed in EX condition for both the record and the cover. The bidding starts at $500 and there is already one bidder with more than two days left on the auction. In the past, this record has made it into the $3,000 bin one time and into the $2,000 bin twice, according to Popsike. In this condition, we wouldn’t expect it to reach those lofty heights. As for my own copy, I just reorganized my records the other day and re-affirmed that I do not have an original pressing of The Opener, but rather a United Artists pressing that I purchased more than 40 years ago and probably haven’t listened to since I first brought it into my home. Perhaps I will listen today or tomorrow, if I have the opportunity. I have been doing that recently, pulling random records out of the collection and putting them on the turntable. I am preparing posts both on the reorganizations efforts as well as these random listening sessions, so stay tuned. Read more

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