I was perusing eBay this morning and came upon: Sonny Rollins Plus Four, Prestige 7038. This is an original New York yellow label pressing with the first cover. The record is listed in VG++ condition and the cover is VG. The bidding is in the $315 range with more than a day left on the auction. One of the reasons I saved this record on my watch list was to remind myself that, prior to my recent road trip, I had planned to write a post talking about records I had recently been enjoying, and this was among the foremost – or should I say, Fourmost? – on the list. So here is that record, and here is that post. Read more
Tag: Cannonball Adderley
Highlights from a (sold) Estate Sale
A reader sent me a link to this estate sale with a note that it was being sold as a complete collection: The Estate of Alan J. Javorcky: Noted Trombone and Jazz Musician. I received the note around 3 p.m. yesterday and went immediately to the site. First thing I saw was a note that the jazz collection had been sold and was no longer available. I decided to look anyway, and I suggest that you do the same before they take the pictures away.Go all the way down to lot #212. First you’ll see a batch of EPs. At first blush, I thought these were 10-inch LPs erroneously listed as EPs, but I’m pretty sure they are EPs. Maybe someone can confirm. The picture is from that group of EPs It’s a challenge because the EPs and 10-inch LPs often used the same covers. Move down to 310 and you start with LPs of the 10- and 12-inch kind. Read more
Listening to Random Jazz Vinyl for Fun and Inspiration
Recently I’ve been pulling random records off the shelf and listening either to a side or the whole album. The impetus has been to just play records I haven’t listened to for a while or because something or someone piqued an interest. For example, as I write this the album I have on the turntable is Cannonball Adderley and the Poll Winners, Riverside 355. My impetus was purchasing a second copy to upgrade the condition, not of the record but of the cover. It turned out that the copy I owned was in pristine condition, but it could use a better cover so I went back to Spike’s Record Rack in Catskill to pick up the copy I had left behind. This 1960 album features Cannonball with Wes Montgomery, Ray Brown, Vic Feldman and Louis Hayes. As if I really needed confirmation, this is quite a great record, with great playing and a nice selection of originals, standards and the Charlie Parker composition Au Privave. Read more
Another Visit to A Record Store, Pandemic Edition
One of the things I have missed during the pandemic has been going to record stores. I love going to record stores. It’s a life-long habit, and pleasure, one which I have never wanted to give up, even in the dark days of the recent past when vinyl was an endangered species and brick-and-mortar record stores seemed to be going the way of the 8-track. Even then, I would regularly visit the surviving stores and always buy something, it seemed, because, fundamentally, I like buying records. Anyway, I couldn’t remember the last time I physically walked into a record store, even though there are several decent, recently opened stores in a reasonable driving distance from my home in The Berkshires, where The Lovely Mrs. JC and I have permanently relocated since the pandemic began. I decided this was an itch that just had to be scratched and the other day I grabbed my son’s dog, Gordon, who is visiting for a few weeks, and got in the car and took a ride over to Catskill, New York, a little more than an hour away, to visit my favorite of the record stores in the area, Spike’s Record Rack, of which I have written several times in the past. Spike and I have gotten to be quite friendly during our brief interactions, so I sent him a heads-up in advance that I would be making a visit. Read more
Back to Business, Back to Blue Note
I’ve been off eBay for a while, tending to other business, so to get reacclimated and grab a quick look at what’s going on, I did a search of some of the highest priced jazz records now up for auction. Naturally, all of the top listings came up Blue Note. Here are a few, starting with Freddie Hubbard, Open Sesame, Blue Note 4040. This is an original pressing with the West 63rd Street address. The record is listed in VG+ condition and the cover is VG++. It looks like a nice solid copy. The bidding is now in the $475 with more than two days left on the auction. Given today’s market, I would expect this one to break into the $1,000 bin.
This one is already headed for the $1,000 bin, and might wind up all the way into the $3,000 bin, if, indeed, such a bin actually exists: Kenny Dorham, Round Midnight at the Cafe Bohemia, Blue Note 1524. This is an original Lexington Avenue pressing that looks absolutely pristine from the photos, as if it had been preserved in laminate from 1956. The seller lists it as M- for both the record and the cover. The bidding has already exceeded $1,500 and there are more than five days left on the auction.
Another Stupid List: Favorite Blue Note Tracks
This will be fun. Last night I had another one of those very pleasant listening sessions up in The Berkshires, fueled by a few beers, a few vapes and the knowledge that I could play my music as loud and late as I pleased with no neighbors or anyone else to complain. I was watching politics on television as I do so often these days, taking particular delight in the latest polls showing that the blowhard, maniac, crazy man at the top of the Republic ticket is in steep decline and, IMHO, may not even make it to election day without having some kind of collapse/mental breakdown, if, indeed, we could even tell the difference between a nervous breakdown and the behavior he exhibits every single day on the campaign trail. After a couple of hours of this I had enough and decided to enjoy some music. Read more
Another Adventure in Jazz Collecting: A Bronx Tale, Part Two
So, back in the Bronx, I had a pile of about 50 records. Of the records in that pile there were probably about 10 that I really wanted. But I sensed that the woman wanted to get rid of records and taking more seemed like the right approach. So I made an offer that I thought was fair, considering the condition of the records and the reality that many of the records in the pile were relatively worthless. The offer came out of my mouth and the words were still just hanging in the air when I could see the woman physically recoil as if she had just swallowed a platter full of insects. She repeated the number I had just said and gasped: “The Jackie McLean record alone is worth more than that!” Which, to be fair, would have been true if the Jackie McLean record was in excellent condition. But it wasn’t. Then she started going through a list that she had compiled with values for some of the key records. But there was clearly a disconnect. All of the values she had compiled were for records in M- condition. The records in the pile were not in M- condition. None of them.
Another Adventure in Jazz Collecting: A Bronx Tale, Part One
OK, I have another story. This one starts, as usual, with an e-mail. The first e-mail came back in April 2015. I replied, but nothing ever came of it. Then, just a few weeks ago, there was another e-mail from the same person, totally of the blue. This was the text, verbatim:
“Top jazz artist’s
Cotrane , gerald wilson ,st you’d, ray brown, jimmy smith, felonious monk, Eddie Harris , carmen macrae, jazz laboratorylaboratory, gene Simmons, Dexter gordon , stan gets ext.
Give me good price I’ll sell.
‘Miles Davis,chico hamilton about 80 or more.”
I wrote back, asking for more detail and perhaps some pictures. The first photo came back and it didn’t show much at all. No valuable Coltrane, Stan Gets, or Felonious Monk in the picture. Instead there were a lot of records by Gloria Lynne. I wrote back asking for more details and pictures of the Coltrane or Dexter Gordon or Miles Davis. A few more pictures came back. This was the first one:
Obviously, my correspondent had done a little homework between the first few emails and this one. So, of course it is Jackie McLean, The New Tradition on Ad Lib, and yes my interest was piqued. Who would have thought, one of the rarest of the rare jazz LPs among a collection previously highlighted by titles such as Gloria Lynne Intimate Moments and Miss Lorraine Ellison Heart And Soul?
Milestones and More
I don’t want to interrupt the discussion on the previous post, so please keep it going. With all of the action the past few days, we’ve reached somewhat of a milestone here at Jazz Collector. According to the statistics compiled by WordPress, yesterday we went over 2 million page views since we began tracking such things back in the fall of 2008. Our first month we had 296 page views and last month we had about 40,000.We are now averaging more than 1,350 page views every day. In all we’ve had 1,557 total posts, of which I have written all but seven (although, to be fair, we’ve had several guest columns in which I have been the poster, but it’s been someone else’s words). Anyway, I feel pretty good about all this, how we’ve been able to build the community organically all these years and how we’ve been able to keep the site independent and fun and still just a hobby. No plans for any major changes from my end.
Now, back to jazz vinyl. I see that our friends at the Jazz Record Center have a new auction with a few nice items, including:
What is On Your Turntable? Here’s What’s on Mine
I’m back from a brief respite. Went to an old mining town in southwestern Colorado called Creede, where my son directed a wonderful production of Our Town. A theater in an old mining town? Indeed. The story is that when the mining business began declining, town leaders put out a call for help asking for ideas on how to keep the town alive and attract residents year-round. A group of theater students from the University of Kansas decided to open a theater there. That was 50 years ago and the theater is still alive and kicking. They had done a production of Our Town back in their first season and had Michael come and do a new production this year.
April is Jazz Month
