Tag: Cannonball Adderley

Updating the $1,000 Bin

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What have we been watching lately on eBay? Let’s look at some records for the $1,000 bin:

Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing sold by Atomic Records. The record looked to be VG+ or VG++ and the cover was listed as VG+. The pictures were nice and clear, so perhaps that helped in getting a high bid. This one sold for $2,280.55.

Hank Mobley, Blue Note 1568. This was an original pressing sold by my friend Steve at Round Again records in Providence. The record was in M- condition and the cover was VG. The price was $1,936.88.

John Coltrane, Coltrane, Prestige 7105. This was an original yellow label New York pressing sold by our other friends at Music Matters. It was in M- condition and sold for $1,280.55, definitely a high-water mark for this LP on Jazz Collector.

This one was from our friends at the Jazz Record Center:

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Guest Column: More Adderley/Evans

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Here’s a guest column from Ceedee, a regular commenter here at Jazz Collector, based on the item I wrote yesterday about the Cannonball Adderley/Bill Evans LP Know What I Mean? on Riverside.

“Greetings! The Cannonball/Evans LP is a favorite of mine, just beautiful. Thought you would like this review I wrote some time back for a Martin Logan owner Website under my other alter ego, Miles Ahead. – ceedee

The month of February, 1961 was a busy one for Bill Evans. It saw him finish a recording session with his critically acclaimed trio – that with Scott LaFaro and Paul Motian – which was issued as Explorations (Feb. 2)), bolster a date rightfully called a classic by any measure, Oliver Nelson’s Blues And The Abstract Truth (Feb. 23) and also find the time to accompany his old bandmate from the Miles Davis Sextet, Cannonball Adderley. Cut on Feb.21, this was one of three sessions that would eventually yield Know What I Mean? for Riverside. It does not match up to the other dates mentioned (how many records could?), but proves itself worthy of a listen and not just for the Bill Evans fan (not that there’s anything wrong with that!)

Cannonball and Bill were ‘simpatico’ while with Miles — the seminal Kind Of Blue was not yet two years behind them – and their musical bond continues here. Evans’ Waltz For Debby leads off the date, an interesting choice. Nearly six months before

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More Updates: A $1,600 Cannon, Rare Ornette

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Someone had mentioned this record joining the $1,000 bin: Cannonball Adderley, Something Else, Blue Note 1595. It’s a great record, but we’ve tracked it many times in the Jazz Collector Price Guide and it had never passed $500 before. This one was in near mint condition for both the record and the vinyl and sold for $1,624.99. Wow.

Here’s a record I’ve never seen before: Ornette Coleman at Town Hall 1962, ESP 1006. I have a copy of this record with a different cover. This one has a silk screen cover with handwritten labels. It is also a review copy.  The record was listed in M- condition and the cover looked like a VG++. The price was $987.

Jazz Vinyl Countdown: Kenny Clarke on Savoy

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I was going through my records the other day and came up with this interesting discovery: This Savoy LP by Kenny Clarke featuring Cannonball Adderley was issued with two different covers. I discovered this accidentally because I had one filed under Cannonball and the other under Clarke. The one with the better cover — ‘better” in terms of a great picture on the front — is the one entitled Bohemia After Dark Featuring Cannonball. The other one is also titled Bohemia After Dark, but that’s just on the back cover: The front cover just lists it as The Jazz Corner of The Villiage, Cafe Bohemia, Featuring Kenny Clarke. Both are Savoy 12017 and both have the same tracks and liner notes. If I had to guess which was the first pressing, I would have said the second one, the one

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Catching Up: Miles, Cannon — What’s Going On?

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Back on eBay after a couple of days’ break. Those auctions we were watching from the seller bobdjukic closed and, while we’re not looking to give this seller any undue publicity, we are quite fascinated with the prices he is somehow able to obtain — even higher than top dealers such as The Jazz Record Center and Euclid Records. We will give a few examples: This one we noted before: Miles Davis, Birth of the Cool, Capitol 762. This is an original British pressing, not even an original U.S. issue. It was listed in M- condition for both the record and the cover and sold for an astounding $812.15. I recently sold a beautiful mint U.S. pressing of this record and was happy to get close to $100 for it. Is there something about the British pressing we’re not aware of? Doubt it, but somebody out there in the Jazz Collector world will know if there is. The other thing is, look at this quote from the seller’s description of Birth of the Cool:

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This Weekend on eBay: Clark, Cannon, Miles, Brubeck

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Here is some of the jazz vinyl we’ll be watching this weekend on eBay.

Sonny Clark, Sonny’s Crib, Blue Note 1576. This is an original pressing. The record is listed in VG+ condition and the cover is listed as VG++. Seems to be a nice copy. The current price is $385 with one more day to go.

The seller bobdjukic is back with a few items this weekend. I don’t know this seller, but he seems to be a bit unpopular among some of the visitors to Jazz Collector. I’ve censored a few comments about him because, as I’ve said, I don’t really want this site to be a forum to air complaints about individual buyers and sellers. But, having said that, there have been a few complaints. In any case, he seems to have some kind of magic system for getting great prices on his records and in getting high viewership. Here’s one of his records this weekend: The Cannonball Adderley Sextet In New York, Riverside 404. This is a

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More Jazz Vinyl on eBay: Cannon, Young, Mobley

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We promised a few more items to watch this weekend, so here goes:

Cannonball Adderley, Sophisticated Swing, Emarcy 36110. There was a lot of discussion on the site the other day after we posted the Jazz Collector “Essential” Cannonball Adderley. Generally the Cannonball LPs don’t get collector prices, so we were surprised to see this one the other day at $75. The price hasn’t budged since then, so perhaps it won’t go much higher, which is still beyond what we normally see for this album. The record is in M- condition and the cover is VG or VG+.

Webster Young, For Lady, Prestige 7106. This is quite a nice record, with some beautiful tenor sax by Paul Quinichette, playing (as always) as close to Pres as Pres himself.  This is an original New York pressing that is listed in M- condition for both the record and the cover. It is being sold by herschel78, who has been posting some nice items the past few weeks, and has some more nice items on eBay now, so it’s worth taking a look. This one is currently at $300 with about nine hours to go.

Here’s one that’s a bit of a surprise:

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Jazz Collector’s Essential Cannonball Adderley

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Blipp asks on an earlier post if we can make any recommendations on Cannonball Adderley’s earlier material, in particular the Mercury records. We can certainly do that, and we’re sure others in the audience will be happy to weigh in as well. First, we will give our own Jazz Collector version of our top five Cannonball LPs altogether. Blipp has been listening mostly to the Capitol stuff, he says, and we don’t think any of those records is going to make our list. Here goes:
1. Cannonball Adderley, Know What I Mean with Bill Evans, Riverside 433. Evans and Adderley obviously had a great rapport from their days with Miles and the addition of Percy Heath and Connie Kay made for a more lyrical setting that suited both Evans and Adderley quite well. And, as one might expect, within that lyrical setting they both swing like crazy.
2.  Cannonball Adderley Quintet in San Francisco, Recorded at the Jazz Workshop, Riverside 311. The ground-breaking early quintet with Bobby Timmons and the great tracks of “This Here” (with Cannonball’s engaging introduction) and “Hi-Fly,” plus a very swinging “Spontaneous Combustion.” This LP captured the energy of the group

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Happy Birthday, Cannonball

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Thank you to Don-Lucky for pointing out that this would have been Cannonball Adderley’s 81st birthday. I’ll never forget where I was when Cannonball died back in August 1975. I was driving my car in Auburn, N.Y., where I was just breaking in as a newspaper reporter. I had to pull over to compose myself. Cannonball was always a big figure for me because he was a favorite of my father’s and I saw him a few times as a kid and also because the album Live At The Lighthouse was the first or second record that really set me on the path to becoming a jazz fan and, eventually, a jazz collector. For my money, after Bird there was Cannon on alto and then a big gap to whoever would be next. I’ve been putting records on eBay lately, a lot of duplicates, and I listen to parts of them before I post them. Every time I put on a Cannonball record, particularly the early ones on Mercury, I am surprised and amazed once again at just how much he had under his fingers and how naturally he swung and how everything he did was just great. So, Happy Birthday, indeed. By the way,

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The Incredible Rise of the $1,000 Jazz Record

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The $1,000 bin truly doth runneth over  days. It’s quite an interesting phenomenon.

Paul Chambers, Whims of Chambers, Blue Note 1534. This was an original pressing in VG++ condition for both the record and the cover. A few years ago, I bought a copy of this on eBay in similar condition for about $300. At the time, I thought I was overpaying. A few weeks ago I sold a separate copy on eBay for about $325. It was in nice condition, with a VG+ cover. This was not a record I ever expected to see in the $1,000 bin. This copy sold for $1,313.

Here’s another one I never expected to see sell for more than $1,000: Cannonball Adderley, Somethin’s Else, Blue Note 1595. This is a nice record, but has never been among the higher-priced Blue Notes. The highest price we had previously recorded for this in the Jazz Collector Price Guide was around $400. This copy was in mice M- condition for both the record and the cover. It sold for $1,475.

This one almost entered the $2,000 bin:

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