Time to clear out the watch list, starting with The Arrival of Kenny Dorham, Jaro, JAM 5007. This was an original mono pressing with the blue label and deep grooves. The record and cover were both listed in EX+ condition. The final price was about $1,248. From what I can see on Popsike, this is a new high for this record, beating the pervious top tag of $1,050. Speaking of new highs, I had to do a double-take on this one: Get Happy With Freddie Redd Trio With Guests, Nixa Jazz Today Series, NJL 19. We wrote about that a few weeks ago and the post received 59 comments (and counting). At the time of the writing the bidding was in the $460 range and there was some speculation that would end up in the $1,000 bin. How about the $4,000 bin, as in $4,377. Read more
Tag: Freddie Redd
Get Happy with Freddie Redd and Jazz Collector
You would think that someone collecting jazz records for more than 50 years, as I have, and who had been obsessed with finding a clean copy of Shades of Redd, as I have, would have known about the following record, as I have not (until now): Get Happy With Freddie Redd Trio With Guests, Nixa Jazz Today Series, NJL.19. Not only have I been unfamiliar with this title, I am also unfamiliar with the label. So, excuse me for a moment, while I look at the record and do a search. A quick perusal tells me this is a Metronome Recording, Made in England and, as described on the label, is an “unauthorized public performance.” The trio is Freddie Redd, Tommy Potter and Joe Harris and the guests are Rolf Ericson and Benny Bailey. Based on the liner notes I would place the record in the late 1950s, maybe 1958 or 1959? Now to Popsike, Google and beyond. Read more
Records and Record Setters
To pick up here I left off yesterday, here is Freddie Redd Quartet with Jackie McLean, The Connection, Blue Note 4027. This was an original West 63rd Street pressing with the deep grooves, ears, etc. The record and cover were both listed in M- condition. The record sold for $1,525, which has to be a high for this record as I open a window to Popsike and . . . . it is, indeed, nearly doubling the previous high price for this record. Here’s another record that seems like it may have set a new record: Bennie Green, Soul Stirrin’, Blue Note 1599. This was listed in VG+ condition for both the record and the cover. The final price was $969. Indeed, according to Popsike, that is a new record high, quite a feat considering the condition. Surely, there have been M- copies of this record in the past. Read more
$hade$ Of Redd
Well, whaddya know: Freddie Redd, Shades of Redd, Blue Note 4045. This was the one we mentioned the other day from our friend Rudolf. Mint condition, original pressing. The speculation was that this would be the one to break the $2,000 barrier. Indeed. It sold for $3,551.50. Guess I got my copy just in time. Rudolf, could you ever have imagined that your jazz records would bring this kind of annuity? How about this one: Joe Henderson, Page One, Blue Note 4140. This was an original mono New York USA label. The record was listed in EX+ condition and the cover was EX. The final price was $941. Read more
Outward Bound, I Wish I Was
Today we have some random jazz vinyl we are watching on eBay, starting with a pair of Dolphy New Jazz LPs: Eric Dolphy, Outward Bound, New Jazz 8236. This looks to be an original purple label pressing with the deep grooves. The record is in VG condition and the cover is VG+. The auction closes in a few hours from when I am posting this, with a start price of about $300 and no bidders. The seller does mention “surface sound” during some soft passages, so that may be scaring away potential bidders. Great album with a great cover. The same seller has Eric Dolphy, Out There, New Jazz 8252. This also looks to be a deep groove purple label original. Same condition as the other, VG with surface sound for the record and VG+ for the cover. This one has bids and is currently in the $200 range. Read more
Jazz Collector In Box: Time Traveling in Jazz
Time to catch up with the old Jazz Collector in box. My friend Dan sends me cool pictures that he finds somewhere on the internet. This one came in the other day from March 20, 1963, the opportunity to see John Coltrane in New Orleans for an admission charge of $2. Ah, if we could go back in time. What would be your first choice? Bird on 52nd Street; Sonny, Max and Clifford; Blakey with Horace Silver and Clifford Brown; Blakey with Wayne Shorter and Freddie Hubbard; Lester with Basie; Billie Holiday; Miles with Trane, Bill Evans and Cannonball; Evans and LaFaro; Monk with Newk or Trane? Those would be some of my choices, off the top of my head, and certainly Coltrane with McCoy, Garrison and Elvin in 1963 would be somewhere near the top of the list. If I had to choose one, it would be easy: Bird. Read more
Back To Blue Note, Prestige and Fond Memories
Just logged onto eBay for the first time in a couple of weeks and my searches led me very quickly to a wide range of Blue Notes and Prestiges currently up for auction, almost all of which seem destined to sell for pretty high prices, indicative that the demand is continuing to be as strong as ever for rare and vintage jazz LPs, particularly for records on these iconic labels. Here are a few that I’ve put into my watch list, starting with Jackie McLean, New Soil, Blue Note 4013. This is an original deep-groove West 63rd Street pressing. The record and cover both look to be in M- condition and that cover looks particularly nice, with an important caveat (see the Lee Morgan record below). The bidding is currently at $350 and the auction closes about two hours from the time I am typing this. There are 10 bidders and 24 watchers and I wouldn’t be surprised at all to see this record enter or approach the $1,000 bin. But what about that cover?
Shades Of . . . . .
Well, as you can see, the long and painful (for you) wait has finally ended. Somehow, in the middle of a pandemic, I have been able to procure an original copy of the infamous Shades of Redd, by Freddie Redd, Blue Note 4045. It was no simple twist of fate, but a result of the constant hocking by me on Jazz Collector and a very generous and thoughtful reader who perhaps took pity on me, or perhaps was just sick of my whining, or, simply, was happy to parlay his own two copies of Shades of Redd into one really good copy of Shades of Redd and another vaunted Blue Note gem to satisfy a need from his own want list. Let me tell the story that led to the pictures accompanying this article, taken in my lovely home in The Berkshires by The Lovely Mrs. JC.
More Adventures, More Obsessions
Sorry, I need to complete the story. Given that it was an online auction and many of the bidders probably never saw the condition of the records, I was pretty surprised at some of the prices. For example, Waltz for Debby sold for more than $1,000. Bill Evans Trio Sunday at the Village Vanguard seemed to sell for more than $500, if I recall. Kenny Drew 10-inch Blue Note was more than $300. When I went to pick up my records I asked Kendra, the woman responsible for the auction, if the buyers for those records had visited the house and seen them on site. Nope, she said. They were bidding based just on the pictures from the auction. Very brave, I thought, but having seen the records myself, I figured the buyers would be pleased. The one record I would thought I could steal, the Art Farmer Quintet Featuring Gigi Gryce, Prestige 7017, just eluded me. Read more
Jazz Vinyl on a Summer’s Day
Where did I leave off before I was so rudely interrupted by the summer? Oh yeah, Freddie Redd, Shades of Redd, Blue Note 4045. Ex-plus record, some questions about the cover, overall consensus that this was not the copy to purchase after waiting for 45-plus years. Reality would have bitten anyway, because the final price was $1,624, which would have exceeded any reasonable price I would have been willing to pay. Of course, what is reasonable to me seems to be pretty far out of whack with what is reasonable in today’s overall market. I think I’ll solace myself with listening to my lovely Japanese pressing this evening. In the end, it’s about the music anyway, isn’t it? Or is it? This is another one on my so-called want list, meaning it is an original pressing I don’t own: Here Comes Louis Smith, Blue Note 1584. This one is listed as VG++ for both the record and the cover and it has a start price of about $1,600. There are more than four days left on the auction and so far there are no bidders. Read more
April is Jazz Month
