Pandemic, Prestige, Impulse, Blue Note

How are you all doing out there in the midst of a global pandemic? I’m doing well, despite the fact that I haven’t posted here at Jazz Collector since August 3, which is one of  the longest inactive stretches for me since I started doing this as a blog site nearly 12 years ago. These are crazy times. I’m home more than ever, which would seem to be an opportunity to listen to my records more frequently. But that hasn’t been the case. I’m still working full time. My son was here for nine weeks. My wife, The Lovely Mrs. JC, is now working from home, so she is around all the time. My daughter and son-in-law just moved into a new house right near mine up here in The Berkshires. Frankly, while the music, the record collection and the blog have often served as an escape in the past, I haven’t turned to them as frequently as I would have expected throughout the course of this pandemic. Read more

This is New; And So Is That

Pardon the interruption. Since I last posted, I’ve driven back and forth to Chapel Hill, written about a dozen papers for work and even tested positive for COVID-19 antibodies. It’s been busy here and I haven’t been able to spend a lot of time on my records or on Jazz Collector. Having said that, I plugged back into eBay this morning and pulled a few records to share with you, starting with Kenny Drew, This is New, Riverside 236. This is an original white label pressing and it looks to be in VG+ condition for both the record and the cover. This is a nice quartet/quintet record featuring Donald Byrd and Hank Mobley. Put it on Blue Note with this personnel from this era and you have a record that would be a regular in the $1,000 bin. On Riverside, the bidding is in the $275 range with the auction closing later today. Read more

New Year’s Vinyl

Happy New Year everyone. I hope all of your vinyl dreams come true. Perhaps you can find some on eBay, where we are, per usual, watching jazz records from our perch here far above Manhattan (well, actually, just seven stories), including the album Tenor Conclave, Prestige 7074. This is one of those jam session records featuring Hank Mobley, John Coltrane, Al Cohn and Zoot Sims, not to mention a pretty good rhythm section in Red Garland, Paul Chambers and Art Taylor. This is an original New York yellow label pressing that looks to be in VG+ or better condition for the record and Ex for the cover. The auction closes in more than three days and so far there are no bidders at a start price of $175. Read more

Blue Notes Galore, For a Price

Catching up on a recent interesting Blue Note auction from the Jazz Record Center. Lots of items for the $1,000, $2,000 and even the $3,000 bin, starting with Lee Morgan Volume 3, Blue Note 1557. This was an original New York 23 pressing that looked to be in M- condition for both the record and the cover. The final price was $3,248. This was not the highest price ever for this record, but it’s close. A couple of years ago a similar copy sold for $4,177, according to Popsike. We’ll keep going on these for a bit, continuing with Curtis Fuller, The Opener, Blue Note 1567. This was an original West 63rdStreet pressing that was listed in Mint condition for the record and “virtually new: condition for the cover. This one sold for $2,638, also close to a record high, but not quite reaching the $3,051 for a copy in 2015.

Sonny Clark Trio, Blue Note 1579. Original West 63rdStreet pressing, Mint condition for the record and the cover, $2,425.

Walter Davis Jr., Davis Cup, Blue Note 4018. Original West 63rdStreet pressing. Mint condition for the record and the cover, $2,413.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. Original West 63rdStreet pressing, Mint condition, $2,137.

Sabu Martinez, Palo Congo, Blue Note 1561. Original West 63rdStreet pressing, promo copy, Mint condition, $1,580.

Kenny Burrell, Blue Lights Volume 1, Blue Note 1596. Original West 63rdStreet pressing with the Andy Warhol cover. Mint condition for the record, perhaps slightly less for the cover, $1,221.

Lou Donaldson, Wailing With Lou, Blue Note 1545. Original New York 23 pressing, probably VG++ condition for both the record and the cover, $1,225.

That’s it for now. I could go on, but my fingers have gotten sore from typing in all of those numbers.

 

 

 

 

Jazz Vinyling on eBay

Time once again to clear out the eBay watch list, starting with a few from that Jazz Record Center auction from a couple of weeks ago: Sonny Clark, Sonny’s Crib, Blue Note 1576. This was an original pressing with the New York 23 labels. The record looked to be in M- condition and the cover was probably the same. The final price was $2,276. For the record, there have been copies of Sonny’s Crib that have sold for more than $3,000 in the past, according to Popsike. There was also a copy of Sonny Clark, Cool Struttin’, Blue Note 1588. This was also an original pressing, probably in VG++ condition for the record and maybe VG+ or slightly better for the cover. The final price was $2,025.

Read more

Classic Blue Notes from Jazz Record Center

Our friends at the Jazz Record Center have quite an auction closing this week, including several of the rarest of the rare Blue Notes, starting with Hank Mobley, Blue Note 1568. This is a deep-groove West 63rdStreet pressing, no New York 23 label, but it is still considered an original. This one looks to be in VG++ condition for the record and probably VG+ or VG++ for the cover, depending upon how the buyer might feel about a “professional restoration” and a “lightly audible scratch.” This bidding on this one has already surpassed $2,000 with three days of bidding to go.

Here’s another one already in the $2,000 bin: Read more

Four From The Jazz Collector Want List

I had my eye on a couple of lesser-condition Blue Notes from my want list, starting with Cliff Jordan, Blue Note 1565. This was an original New York 23 West 63rd Street pressing. The record was VG- and the cover was VG++. I’m always afraid of VG- because it often means I wouldn’t be comfortable putting the record on my turntable. This one sold for $687.54. I still have my 1970s UA copy to listen to. The same seller was offering Cliff Jordan and John Gilmore, Blowing in From Chicago, Blue Note 1549. This was also an original New York 23 pressing. The record was also VG- and the cover was VG+. The final price was $408. Thank goodness for those UA pressings. Read more

The Rise and Rise of Blue Note Reissues

I sometimes keep an eye out for the United Artists Blue Notes from the early/mid 1970s. I bought most of these releases when they first came out and my friend Red Carraro stocked them in his basement in Malverne, NY. I recall paying $10 each and I loved having them because they were able to fill in major gaps in my collection that I didn’t have the money to fill in with original pressings. I must have bought 20 or 30 of these pressings. I never thought they would be worth much money, being reissues, but I loved the music and they sounded fine, particularly on the inexpensive equipment I had at the time. It opened up a lot of music to me that I had never heard before, including the Thad Jones, Cliff Jordan, Johnny Griffin and Duke Jordan Blue Notes of the 1950s. Read more

Potpourri: Rare Jazz Vinyl, Bill Evans Tributes

Time to catch up on a few items from our watch list on eBay, starting with John Coltrane, Soultrane, Prestige 7142. This was an original New Jersey yellow label that looked to be in M- condition for both the record and the cover. When first first looked at this on Jazz Collector, it had a start price of $200 with no bidders. In the end, it wound up selling for $618, which is pretty near the top price was Soultrane. I was pleased to see Rudolf’s comment on the last post because I wholeheartedly agree that this is my favorite of the Coltrane’s on Prestige. If we watch this space long enough, I’m pretty sure we’ll see the day when a mint copy of Soultrane ends up in the $1,000 bin.

The Sonny Clark record, Sonny Clark, Cool Struttin’, Blue Note 1588, which turns out not to have been an original pressing Read more

A Misadventure in Jazz Collecting, Part 1

I feel guilty for being away so long, so I return to regale you with a story. It will probably be in two or three parts, but I promise it will all be posted this week, no more lengthy gaps. I’m actually on vacation from my real work.

Like most of the stories here, this one starts with an email.

May 10, 2018. Email to Al. Subject: Old original jazz collection

Hello. Was wondering if you know anyone interested in buying a pretty great collection of old (pretty sure collectible) jazz records? My hub amassed a big collection over the years and many are blue notes verve prestige and other unique labels. We r in Rochester, NY. Have been looking through many and have only gone through half prob near four thousand records at least. Looked some up on the Goldmine most recent book. Thank you 🙂 Debbie.

May 11, 2018. Email from Al to Debbie: Subject: Re: Old original jazz collection

Hi, Debbie. I know of several dealers who may be interested, and I may be interested myself as a collector. Sounds like you are interested in selling the collection as a whole? Do you have a list or any pictures? Condition is very important. Have you talked to any dealers yet? I’m happy to help you. – Al

May 11, 2018. Email from Debby to Al. Subject: Re: Old original jazz collection

Hi Al, Will send a few pics off to you! Yes Tom Cohen here in Rochester (bop shop) was supposed to call waited for a while then did last nite. Don’t think he’s interested in whole collection and really want someone who would love them and pay a fair price. Records are pretty mint but a few covers have dingy from the 50’s and some sellers marked prices on the, way back when! Hope to be in touch and maybe call . . . Debbie Read more

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