Tag: Hank Mobley

M&M&M: Monterose, Mobley, Miles

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Here’s a cool one from our friends at funkyousounds: JR Monterose, the Message, Jaro Jas-8004. This is an original pressing in VG+ condition for both the record and the cover. What makes it cool is the personalized autograph from JR on the back, which looks legitimate to these eyes, although I am certainly no expert. If its a fake, someone went to a lot of trouble. Anyway, this one closes in two days and is now in the $405 price range.

For a record that is considered the rarest of the rare, Hank Mobley, Blue Note 1568, seems to come up quite often on eBay. Now we have a copy from the seller bobjdukic, so we can only imagine what this will sell for, since he seems to have a strong following of devoted buyers willing to pay top dollar. This one is probably VG+ or even VG++ for the record and the cover. It has the West 63rd Street address on the labels, not the New York 23 on one side, which is the version coveted by the most serious of Blue Note collectors, even though it has been argued often here at Jazz Collector that they are likely of the same vintage and provenance. This one is now at $2,000 with eight days to go on the auction, so we will expect it to sell for a much higher price, all things considered.

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Back To Blue Note

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Where were we? Oh, yes, eBay. Tina Brooks, True Blue, Blue Note 4041. This was an original West 63rd Street pressing from the Jazz Record Center, part of a nice auction that closed last week. Based on the description I would count this as M- for both the record and the cover. The final price was $2,275. Before eBay was around to show us what the market really looks like, I used to think that True Blue was the ultimate Blue Note collectible, and for a while that did seem to be the case. But it has since been surpassed in desirability — and price — but at least a couple of other records, to wit: Hank Mobley, Blue Note 1568. This was an original pressing with the New York 23 label on side two, which makes it uber-original in the eyes of many collectors. Perhaps of equal excitement, this was a promo copy. The record was listed in M- condition and the cover was listed as EX+. The final price was $7,970, which may be a record for any jazz record, depending upon how you view these things. Quite incredible, don’t you agree.

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Heavy Hitters, Day Two

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Let’s get right to it: The Hank Mobley Blue Note 1568 from the Jazz Record Center sold for $7,600. Is that a record for a jazz vinyl record? I think it is. There was an earlier copy of Blue Note 1568 that sold for $11,000, but we later ascertained that was a bogus bid and the sale didn’t actually go through as described. Unless I get better information from someone in the Jazz Collector universe, I’ll assume this is now our apex. Not a surprise, although I had the record pegged more in the $6,000 range. I actually placed a rare bid on the auction, not for the Mobley record, since I knew that would be WAY out of my price range, and it was. No, after seeing Joe L’s comment on the previous post I became somewhat enamored with the idea of owning that test pressing of Horace Silver, Finger Poppin’, Blue Note 4008. Test pressings have never been my thing, but

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Heavy Hitter Day

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Lots of heavy hitters on eBay this week, including a high-end Blue Note auction from the Jazz Record Center that includes this beauty: Hank Mobley, Blue Note 1568. This is an original original pressing, meaning side two has the New York 23 address, which makes it the one most prized by the most avid collectors. The record is probably in VG+++ condition and the cover looks to be M-. The auction closes tomorrow and the bidding is now in the $4,000 range with 18 bids and eight bidders. Anyone want to take a guess on the final price for this baby? We’ve seen $9,000 in the past, but my memory is that was not a legitimate bid or sale. I’m guessing this one sells for somewhere in the $6,000 range. Here are a couple more from the same auction:

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A Jazz Vinyl Post-Xmas Post

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Merry day after Christmas everyone. It is good to be back. Let’s catch up on a few jazz records we were watching on eBay, starting with an old standby: Miles Davis, Kind of Blue, Columbia 1355. This an original white label promo copy. The record looked to be in VG++ condition and the cover was VG+. The final price was $496, which isn’t bad for a promo copy. We’ve seen them sell for more than $1,000 fairly consistently in nice shape, and one even broke the $2,000 barrier, according to Popsike. To me, this is a record where the condition of the cover would be important, since the black cover tends to fade and, for a promo copy, a nice, sharp, minty cover would be nice. Perhaps other potential bidders felt the same way, which kept the bidding at a reasonable level? I have a couple of original pressings of Kind of Blue, both in nice shape, but I’ve never owned a promo copy. Still don’t.

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Blue Note 1568: Bah, Humbug

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Buy it now, just $1,200. There’s a copy of Hank Mobley, Blue Note 1568 sitting on eBay now with a start price of $4,500 and a Buy it Now price of $12,000. It is an original West 63rd Street pressing and the obsessive collectors among us would argue that it is an original original, meaning it sports the inscrutable New York 23 label on side two. The seller starts off by saying he is not qualified to grade jazz records but he just lucked out and found a collection that included the likes of Hank Mobley Blue Note 1568. Funny, I’ve been collecting jazz records for nearly 50 years now and this particular little bit of luck has never befallen me. In any case, he offers some audio clips of the record that he recorded on a (gasp) Ion USB turntable, which is enough to scare some of you off right there. Read more

A Fine Array From Blue Note and Prestige

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We were watching a bunch of items from the Jazz Record Center auction that closed yesterday and here are some of the results, staring with Clifford Jordan and John Gilmore, Blowing in From Chicago, Blue Note 1549. This was an original pressing. It was probably in VG++ condition for the record. The JRC doesn’t use our normal grades, just a description. This one had a single mark that is audible seven times. I know that precludes it from M-. Does it preclude it from VG++? Otherwise, the record sounds immaculate. The cover was probably VG+ or VG++, depending upon how you feel about a “professionally repaired” spine and bottom seam. Also, the picture looks more VG+ to me than VG++. The final price was $1,247. My sense is that a different seller would have been less meticulous in his description and received a higher price. In any case, I still don’t own an original copy of this record for any of you out there who may be interested in a trade.

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The Best of Hank Mobley?????

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Our friends at the Jazz Record Center have a very nice auction underway now, including: Hank Mobley, Soul Station, Blue Note 4031. This looks to be an original West 63rd Street pressing, probably in M- condition for the record and VG++ for the cover. The bidding is in the $700 range as I type this, and I would expect the final price to be quite a bit higher, much closer to the $2,000 bin. This is a record that I never owned in original condition until i was fortunate enough to get a copy in the Bruce M. West Baltimore collection four years ago (has it really been four years?). Anyway, like a lot of the records in that collection, I put them on the shelves and promised myself I would get around to listening to them one day. And, a few nights ago, I finally kept my promise with Hank Mobley Soul Station. And it was quite a revelation. Read more

Here Comes Louis Smith — Coltrane and Rollins, Too

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Geez, did you see the final price on that Here Comes Louis Smith record we were watching the other day? It was an original pressing in VG++ condition for the record and VG+ for the cover. We predicted it might make it to the $1,000 bin, but didn’t expect it to get into the $2,000 bin, which it did at $2,027. That would make it the highest price we’ve seen for this record, according to Popsike, which, interestingly, already has it posted on their site. So, with a VG+ cover this copy received a price that was more than $500 higher than the previous top price. Not bad.

Meanwhile, I was watching this record and it didn’t sell at all: John Coltrane (et al), Tenor Conclave, Prestige 7074. This was an original New York yellow label pressing, listed in VG+ condition for the record and VG for the cover. The start price was about $400 and there were no bidders.

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A Prestige-eous Day at Jazz Collector

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Let’s look at a few from Prestige and related labels today, starting with Hank Mobley, Mobley’s Message, Prestige 7061. This was an original New York yellow label pressing listed as being in “pristine” condition from a reliable seller. The final price was $715.99, which strikes me as quite a bargain for this record in this condition. Or at least as much as any record for $715 can be a bargain. With this personnel — Mobley, McLean, Byrd, Barry Harris, Doug Watkins and Art Taylor — what would this record go for if it was on the Blue Note Label. I think we’d probably be looking in our metaphorical $2,000 bin.

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