Tag: Jazz Record Center

eBay Auctions from Chick Corea’s Collection (And More)

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Back on eBay after a slight delay to spend some family time in New York City (and celebrating my birthday). First thing that popped up when I hit my search the other day was Lee Morgan, Candy, Blue Note 1590. This is an original West 63rd Street pressing listed in VG+ condition for both the record and the cover. The sellers are my friends at Carolina Soul and, based on my experience, they tend to grade very conservatively. Not only that, but this record comes from the personal collection of Chick Corea, the auction for which is being conducted by Carolina Soul. Congratulations to them. The bidding on this record is already at $3,050 with more than a day left on the auction. Some readers may recall that I once owned a mint copy of Lee Morgan, which I sold 35 years ago to buy a boat. Yada, yada, yada . . . the boat sank, and I haven’t ever replaced my original pressing of Lee Morgan Candy. Read more

Back on eBay and Ain’t it Grand

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Now that I’m back in the business of watching rare jazz vinyl here at Jazz Collector, and doing more writing about it, I’ve become interested in expanded my experiences. Not necessarily ready to start selling records on eBay again, which is how the whole Jazz Collector thing began more than 20 years ago, but buying records on eBay? Well, that, of course, is another story. Buying records is easy, fun, and not typically harmful to one’s health, tat least not physical health, and while it does damage to one’s pocketbook, some things are just worth taking a plunge. Besides, I can always say I’m making sacrifices for my lovely audience here by testing the waters and using tools such as the GIXEN free eBay auction sniper. You may recall a few weeks ago, I bid on a record on eBay for the first time in years. I was too gun shy to use GIXEN for the first time, so I sat down at my computer, and waited for 15 minutes, watched the countdown and put in a bid with six seconds left for the record of my desire, The Unique Thelonious Monk, Riverside 12-209 from the Jazz Record Center. I bid $411 and lost. The winning bid was $416. I was disappointed, but no disheartened. I decided I would try again, this time using the GIXEN app to see if it really worked. And I did. And it did. Read more

Lots of Cool Stuff in this Post

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My watch list runneth over. Let’s look at some new items and then catch up on some of the gems I had been watching. Let’s start with Miles Davis Volume 2, Blue Note 5022. This is an original 10-inch Lexington Avenue pressing listed in VG+ condition for both the record and the cover. Bidding starts at about $320 and so far there are no bidders with the auction closing in about four days. One of the things that caught my eye about this listing is the  presence of an inserted  booklet called “the blue note story.” Of all the Blue Notes I’ve purchased over the years, and there have been many, I have only seen this insert in one other record, a Sidney Bechet 12-inch LP. the blue note story was written by Leonard Feather and dates back to 1955, as Blue Note was transitioning from the 10-inch vinyl format to the 12-inch vinyl format. Fortunately, I have not only written about it before, I recorded the entire text, all in this post from January 27, 2009 titled, of course, The Blue Note Story. You’re welcome. Read more

Catching Up: Sonny Clark, Kenny Dorham +

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I just logged in to eBay and, lo and behold, what do I see: Another primo auction from The Jazz Record Center, including a Sonny Clark cornucopia. Perhaps we will see some new price records set in the next week. Here are a few to watch: Sonny Clark, Dial S for Sonny, Blue Note 1570. This is an original deep-groove, West 63rd Street pressing. The record and cover both look to be in M- condition. As you’ve probably noticed with The Jazz Record Center, they seem to eschew putting condition labels on their listings and instead rely on fairly detailed descriptions, such as the one for this record: “The playing surface is in near-new condition with a beautiful luster and just a single inaudible ¼” scuff; one tic on the second track of Side 2.” To me, that describes a record I would label as M-. The start price is $2,000 and the auction closes in about four days. So far, there are 86 watchers but no bidders. The previous high for this record is about $3,500. Let the bidding begin. Read more

What’s Happening With Jazz Vinyl?

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So, I lost the auction for The Unique Thelonious Monk. No big deal. The bigger revelation was the prices on some of the other records on the Jazz  Record Center auction. Having been off eBay for a few months dealing with other things in life, I wasn’t prepared for what I considered to be a fairly drastic change in the market. Or perhaps this has been going on for a while and I hadn’t noticed? Or perhaps this is just an aberration based on the reputation of the Jazz Record Center? Or just one or two sellers with lots of money to spend?  Let me share with you some of the biggest surprises that I encountered, starting with The Incredible Jazz Guitar of Wes Montgomery, Riverside 1169. This was an original stereo pressing that looked to be in M- condition for both the record and the cover. The final price was $787.22. Per Popsike, this is the highest price ever recorded for any copy of this record. But a stereo copy? Read more

A New Mini Adventure in Jazz Collecting

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I decided to bid on that Monk record from the Jazz Record Center auction: The Unique Thelonious Monk, Riverside 12-209. The main reason was that I really wanted the record. As you can see from the accompanying photo, the record I own is a blue label and the cover has ugly taped seams both on the top and on the bottom. Plus, the record plays with a lot of surface noise, not anything you would really want to put on your turntable. But that wasn’t the only reason for my interest in bidding. I probably haven’t bought or sold a record on eBay in at least 10 years. I wanted to go through the experience again, see if anything had changed, see if the old adrenaline rush would still be there. I also wanted to write about the experience to share with the dwindling Jazz Collector audience, which is what I am doing now. Read more

Back in Action??????? Really????????

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Well, what do you know? I felt like going on eBay today. It’s kind of a bleak, rainy day here in the beautiful Berkshire Mountains of Massachusetts, I’m caught up on my work, taped my radio show yesterday (Roy Haynes, Memorial, Part 2), and I’m sitting at my computer and thinking to myself, man, you haven’t been on eBay in a long, long time. Months, I would guess. If any of you regular readers are still out there, what have I been missing? Here’s what I’m seeing today

Not a good start as I pore through some of the higher priced jazz vinyl. The first is Walter Davis Jr., Davis Cup, Blue Note 4018. This is an original pressing with the West 63rd Street address. Great record. I, for one, have never owned an original pressing of this record, but I did purchase a United Artists copy from my old friend Red Carraro for $10 back in the 1970s or 1980s. I still have it. This copy on eBay looks totally beat. The seller didn’t have the nerve to describe the condition. But he did have the nerve to put a price of $1,500 on the record. Read more

Catching Up on Some Rare Jazz Vinyl

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Here are a few jazz vinyl auctions we are watching from The Jazz Record Center. All of these auctions close later today. Clifford Brown Memorial Album, Blue Note 1526. This is an original Lexington Avenue pressing with the frame cover. Record is listed as in “near new” condition and the cover is probably M- or VG++, depending how you feel about superficial “dings.” Bidding is at $500.  On one of my Horace Silver radio shows/podcasts I tell the story of how Alfred Lion and Art Blakey drove down to Wilmington, Del., to hear Clifford Brown for the first time and brought him back to New York to record those legendary Blue Note records at Birdland. Great stuff. Read more

Another Jazz Vinyl Perusal

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As you can probably tell, I no longer peruse eBay with the same vigor and excitement as I have done in the past, particularly when I was buying or selling jazz vinyl with any regularity, which I have not done for a quite a long time. But I still like to peruse and write about my perusals, so here we go with another live edition of Al perusing rare jazz vinyl on eBay. My normal course of action involves looking at current auctions, starting with highest prices first. Right at the top are three records I have seen before doing this, none of which has sold at the prices asked by the dealers. These are: Lee Morgan, Candy, Blue Note 1590. This is an original pressing listed in “excellent” condition for the record and the cover. The start price is $3,500. Chet Baker Sings, Pacific Jazz 11. There is no condition listed for this 10-inch record. Cover looks to be about VG+. Starting price is $1,800. Not a serious seller, IMHO. And from the same seller as Lee Morgan Candy, we have Introducing Lee Morgan, Savoy 12091. This looks to be an original red label pressing, also listed in “excellent” condition for the record and the cover. The start price is $1,500. I’ve been watching these records for a long time on eBay and the fact that there are no bidders at the starting price doesn’t seem to dissuade or discourage the sellers. Read more

Rare Records; The Loss of Michael Cuscuna

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I said I would continue perusing the recent auctions from The Jazz Record Center, so here is Part II, starting with Elvin Jones and Richard Davis, Heavy Sounds, Impulse AS-9160. This was ana original white label stereo promo copy with the white label. The record was in M- condition and the cover seemed to be probably VG++. This is not a record you see very often, particularly a promo copy. One of the interesting things about this album is a track called Elvin’s Guitar Blues, featuring Elvin Jones’ first recording on a new instrument, the acoustic guitar. I happen to have an original pressing of this record, so I’m putting Elvin’s Guitar Blues on the turntable now. The verdict: Well, I’m sure it was fun for Elvin to record a track on guitar, but he’s a little bit better as a drummer. Frank Foster takes a nice, short blues solo on the track. The record sold for $339. Read more

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