Let’s start by looking in the Jazz Collector inbox to see what treasures and wisdom might be awaiting us. I see that our old friend CeeDee has a few links for us, starting with another WOW: Sonny Stitt Plays, Royal Roost 2208. This was an original deep groove mono pressing listed in VG++ condition for both the record and the cover. The cover pictures could indicate some optimistic grading. The final price was $760. It went from $219, which is pretty high for this record, to the final price in the last few seconds of the auction. There were 12 bidders altogether. This has to be the highest price ever for a Stitt on Roost record. So, let’s swing over to Popsike and . . . . Indeed, it is not just the highest price for a Stitt on Roost, it is the highest price for any Stitt. Hey, it’s a great record and he was a great player. Read more
Tag: Jazz Record Center
More Love (And Higher Bids) For Blue Note 4200 Records
I was watching the latest auction from the Jazz Record Center, so let’s get into another Blue Note day, starting with Sam Rivers, Contours, Blue Note 4206. This was an original New York USA pressing with the Van Gelder stamp and “Audition Copy” stamped on the back. The record looked to be in M- condition and the cover was probably VG++. The final price was $754. From what I can see on Popsike, this is the second highest price for this record, or any Sam Rivers record. Several years ago, a copy of Contours sold for $810. Read more
In the Mailbox: Yikes, Yowzas & George Benson’s Collection
Got a few emails from our friend CeeDee, starting with The Booker Ervin Quintette, Cookin’, Savoy 12154. This looks like a red label, but it’s not clear. Some of the photos look red, some look maroon. Not sure this record had deep grooves, but there are none in the picture. This copy was in Ex condition for the record and the cover and sold for about $558. The previous high for this record was $175, according to Popsike. Read more
As the Records Turn
Time to catch up on some rare jazz vinyl we’ve been watching on eBay, starting with Phil Woods Septet, Pairing Off, Prestige 7046. This was an original New York Yellow label pressing that looked to be in M- condition for both the record and the cover. When we wrote about the record last week at Jazz Collector, the bidding was in the $300 range. The record sold for $1,225. According to Popsike, that’s the highest price we’ve seen for that record. I’ve been saying that so often lately, I’m beginning to sound like (fill in the blank, I’m too embarrassed to write it). Anyway, this one was sold by the Jazz Record Center and here are some additional items from the same auction: Read more
Condition Still Counts (At Least For These Records)
Normally my eBay watch list is filled with records I am watching to fulfill my mission here at Jazz Collector. There are very few occasions when I actually bid on records and, if you’ve been keeping track, even fewer occasions when my bids are successful. One of the records in my watch list that was for both Jazz Collector and potential purchase purposes was this one: Joe Henderson, Page One, Blue Note 84140. Somehow in more than 50 years of jazz collecting, this record has never made it onto my shelves, and it is a classic, isn’t it, with Blue Bossa and Recorda-Me and Kenny Dorham and Joe Henderson? Anyway, this is an original stereo pressing and, I was thinking, perhaps because it was stereo and not mono, the price might be in line with my sensibilities. The record is in VG++ condition and the cover is M- and when I first spotted the record it was in the $200 range. We are now two hours from closing as I write this and the price is close to $600. I expect it to sell for a bit more than that, so I will just keep looking. I still don’t know why I don’t have a copy. I mean, back when I started collecting I probably could have gotten a Liberty pressing for $5 or so at any of the local record stores. Read more
A New Year’s Jazz Vinyl Treasure Trove
Merry Christmas, Happy New Year. It’s been a while. I will spend the next couple of days catching up on eBay, starting today with some items we missed while we were hibernating over the holidays. First up is one of our all-time favorites: John Coltrane, Soultrane, Prestige 7142. This was an original yellow label pressing with the New Jersey label. The seller was the Jazz Record Center and the record and cover were both listed in M-, near-new condition. The final price was $902. This was the highest price we’ve ever seen for Soultrane, confirmed by a quick link over to Popsike. Only a matter of time before we see this record in the $1,000 bin. Why not? I mean, it’s Coltrane and, IMHO, the best of all his Prestige records. Read more
The Musings of Me
Just yesterday morning I finished writing a book that I have been co-ghost writing along with my business partner, Mike. It is nothing too exciting and has nothing to do with jazz, unless you could somehow make a connection between cybersecurity and jazz, which I could not do, nor would I ever want to do. I was thinking, perhaps, that working somewhat diligently on the book was both a reason and an excuse for my recent absence from Jazz Collector and my paucity of posts over the past couple of months. Perhaps that is partly true but, of course, it is not the whole story. Sometimes when you are writing intently and intensely for work, the idea of writing for fun becomes less appealing.
Pandemic, Prestige, Impulse, Blue Note
How are you all doing out there in the midst of a global pandemic? I’m doing well, despite the fact that I haven’t posted here at Jazz Collector since August 3, which is one of the longest inactive stretches for me since I started doing this as a blog site nearly 12 years ago. These are crazy times. I’m home more than ever, which would seem to be an opportunity to listen to my records more frequently. But that hasn’t been the case. I’m still working full time. My son was here for nine weeks. My wife, The Lovely Mrs. JC, is now working from home, so she is around all the time. My daughter and son-in-law just moved into a new house right near mine up here in The Berkshires. Frankly, while the music, the record collection and the blog have often served as an escape in the past, I haven’t turned to them as frequently as I would have expected throughout the course of this pandemic. Read more
Another Jazz Vinyl Potpourri
Time once again to clean out many of the older items sitting in my watch list. Let’s start with this nice 10-inch French Vogue LP: Henri Renaud Quintet with Gigi Gryce and Bobby Jaspar, Vogue 174. This was an original pressing in Ex condition for the record and near mint for the cover was sold by the seller fiftiesjazz, better known among Jazz Collector aficionados as Rudolf, who is an expert on the French Vogue label, as evidenced by this article from our archives of about 10 years ago, “A Comprehensive Guide to French Vogue.” This copy sold for about $202. From the same auction was Thad Jones, Mad Thad, Period 1208. This was an original pressing listed in M- condition for the record and the cover. The final price was $1,569.44. One more: I have to admit, I have never seen this record: Bill Hardman Quintet, Saying Something, Savoy 12170. This was an original pressing with the blood red label. This copy looked to be in M- condition for both the record and the cover. The final price was $362. Read more
Collectible Jazz Vinyl on a Summer’s Day
Here’s a pretty cool jazz collectible that is closing today on eBay: J. R. Monterose, Blue Note 1536. This looks to be an original Lexington Avenue pressing. The record is in VG+ condition, or perhaps even better. The cover has an autograph by J. R. that looks authentic to these eyes, but I am no expert. The cover is probably in VG or VG+ condition. This is a nice collectible with or without the autograph, which, to me, enhances the appeal, although some collectors differ on that account. Anyway, the bidding is in the $950 range with about 10 hours left on the auction. Read more
April is Jazz Month
