Tag: Lee Morgan

A New Batch of Jazz Vinyl For The New Year

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Happy New Year to everyone. Here are a few more items going into the Jazz Collector Price Guide. No links on these.

Jimmy Raney Quartet, New Jazz 1101. I like this one because of the maroon and white label, which you rarely see. There were just a few 10-inch New Jazz LPs, so they are pretty cool, and pretty rare. This one was probably in VG or VG+ condition for the record and the vinyl. It sold for $157.50.

Now a bunch of Blue Notes:

Lee Morgan, Lee-Way, Blue Note 4034. This was in M- condition for both the record and the cover. It sold for $600.

Lou Donaldson, Wailing With Lou, Blue Note 1545. This was an original West 63rd pressing in M- condition for the record and VG+ for the cover. It sold for $688.

Lee Morgan, Candy, Blue Note 1590. Also an original pressing, of course, this one in VG+ condition for the record and the cover. It sold for $1,343.

Dexter Gordon, One Flight Up, Blue Note 4176. This one was in M- condition for the record and VG for the cover. It sold for $200.

Hank Mobley, Soul Station, Blue Note 4031. Record was M- and cover was M-. Price was $1,465.

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Updating the Jazz Vinyl Price Guide

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I’ve been spending the entire morning catching up on the Jazz Collector Price Guide and, if time allows, this weekend I will make a lot of additions and finally take the database to more than 5,000 records. Quite impressive, if you ask me, since I’ve logged every one of those by myself, by hand, typing in each entry one by one. Here are some of the recent items that will be added and I hope to do another post before the end of the year with some of the older items I may have missed during the past few months.

Brew Moore in Europe, Debut 127. This is the original Danish pressing, quite hard to find. The record was in VG++ condition and the cover was M-. The price was $373.

Here Comes Louis Smith, Blue Note 1584. This is one of those where you had to look carefully at the listing. The record is listed in Ex+/N- condition and the cover as Ex. The picture shows that the cover has tape all around it, so if I were grading the best I’d give it is a VG-. It would also make me wary about the condition of the vinyl, if the seller considers this cover as excellent. Potential buyers had some of  the same concerns, it seems. The record sold for $495.

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Jazz Vinyl Watch: Setting Some New Records

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Here’s some of the jazz vinyl we’ve been watching on eBay:

Art Tatum/Ben Webster Quartet, Verve 8220. This is an original pressing with the trumpeter logo. The record was in M- condition and the cover was VG++. There were four bidders, 15 bids and the ultimate price was $290. My sense is most of the readers here at Jazz Collector tend to prefer post-bop era jazz — I generally do as well — but this is one of those must-have records, in my opinion, that always sounds beautiful and fresh when you put it on the turntable.

Haven’t seen this one sell for such a high price before: Sheila Jordan, Portrait of Sheila, Blue Note 9002. This was described as an original U.S. pressing in “superb” condition. It sold for $405. Our previous high for this record in the Jazz Collector Price Guide was just $123, so that’s quite a leap. Great record, though.

Here’s a perennial for the ever-more-crowded $1,000 bin:

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Live From Las Vegas: Jazz Vinyl

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Sorry I’ve been delinquent in posting. I’ve been in Vegas on a work assignment and haven’t had as much time on my hands to peruse the jazz vinyl bins on eBay. So here’s a little bit of what I missed.

I’ve never owned this version of this record, just a reissue. I love the cover: Sonny Clark Trio, Time 70010. The record looked to be in M- condition based on the description, and the cover was probably VG++. This one sold for $845.

Once again I let a copy of this record pass me by: Freddie Redd, Shades of Redd, Blue Note 4045. This was an original pressing that looked to be in VG++ condition for both the record and the cover. This one sold for $749. I watch this record often, because I’d love an original pressing. Are there others out there who share my belief that this is one of the all-time best Blue Notes?

Speaking of all time Blue Notes there was this: Lee Morgan, Candy, Blue Note 1590. This was an original pressing that looked to be in VG++ condition for both the record and the cover. If you get a chance click on the link and look at the listing. It looks eerily similar to those of bobjdukic. Perhaps he’s moved to The Netherlands? Don’t think so. Just someone trying to us his methodology of attracting big bids, I would guess. This one sold for $1,505.

 

 

Watching Some High-Priced Vinyl on eBay

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Before we get into some of the records we’re watching on eBay, be aware that we’ve been having some minor glitches on the site with people posting comments. Not all of the comments are getting posted immediately, and sometimes I have to go in manually and approve them. If this happens to you, don’t take it personally. It’s a technical problem, not a change in philosophy. We’re working to fix it and hope it will be resolved soon. In the meantime, back to watching jazz vinyl:

Hank Mobley Quintet, Blue Note 1550. This looks like an original pressing with the West 63rd address, deep grooves and all of the other original attributes. It is described as being in M- condition for both the record and the cover and it is accompanied by a nice clear picture, as can be seen here. This one has more than five days to go and already has nine bids and is already priced at about $800. It will sell for a lot of money.

From the same seller comes Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This is also an original pressing and it is also described as being in M- condition. This one is currently at $405. And, while we’re at it, Kenny Dorham, Quiet Kenny, New Jazz 8225. This one also looks to be in beautiful condition. It is also in the $400 price range. It will also probably sell for more than $2,000.

Jazz Vinyl Today: 2 Prestiges, 2 For the $1,000 Bin

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Here’s some jazz vinyl we’ve been watching on eBay this way, starting with this beauty: Webster Young, For Lady, Prestige 7106. This was an original pressing with the yellow label and New York address and it looked to be in almost pristine condition, with a promo stamp on the back cover and the original rice paper inner sleeve. This one sold for $648.80. I remember once having a duplicate of this record and offering it to a dealer, who offered me $35 for the copy and was insulted when I refused to sell it to him. That was pre-eBay, of course.

The other nice Prestige we were watching wound up not selling: Elmo Hope, Informal Jazz, Prestige 7043. This was an original New York pressing in at least VG++ condition for both the record and the cover. The top bid was $477, which failed to meet the dealer’s reserve price.

This one broke into the $1,000 bin, again: Lee Morgan, Indeed, Blue Note 1538. This was an original Lexington Avenue pressing and it was listed in VG+ condition for both the record and the cover. It sold for $1,358.77. Also entering the $1,000 bin, again, was:

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Catching Up: Blue Notes, Prestige, Clef

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Let’s catch up on some odds and ends jazz vinyl we were watching last week:

First one of the heavyweights: Lee Morgan, Indeed, Blue Note 1538. As noted this was an original Lexington Avenue pressing. This one looked to be in M- condition for both the record and the cover and was described by the seller as “museum quality,” which is an interesting term we don’t see very often. We predicted that this one would make the $2,000 bin and speculated that it would perhaps even hit the $3,000 bin. It sold for $2,450.

Another really nice one that fetched top dollar: Lou Donaldson, Lou Takes Off, Blue Note 1591. This was also an original pressing, also in M- condition for the record and the cover, also described as a “museum copy.” It sold for $766.99, which is the top price we’ve seen for this one in the Jazz Collector Price Guide.

I’ve never seen this cover on this record:

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Jazz Vinyl Watch: Morgan, Mobley, Dinah

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Here’s some interesting jazz vinyl we’re watching on eBay:

This one is heading for the $2,000 bin, or perhaps even the tough-to-crack $3,000 bin: Lee Morgan, Indeed, Blue Note 1538. his is an original Lexington Avenue pressing. The record is described as close to mint and the cover looks to be in beautiful condition as well. The bidding has already topped $1,500 for this fine LP and there is still more than a day to go.

Here’s another nice one that will sell for quite a bit less, based on condition: Hank Mobley Quintet, Blue Note 1550. This looks to be an original pressing with the New York 23 and it is listed in VG+ condition for both the record and the cover. The current price is a bit more than $300 and there’s still another day to go.

Is it possible this next one won’t sell at all: Dinah Washington, Dinah Jams, Emarcy 36000? This is a great LP, featuring Clifford Brown, among others, and it has sold for relatively high collectible prices in this past. We’ve clocked it in at more than $130 on the Jazz Collector Price Guide. This copy is an original pressing with the blue back cover and it is listed in M- condition. The start price is $100 and there are no bidders with a few hours to go.

A Couple For the $1,000 Bin, and More

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Here’s some heavy-duty jazz vinyl that sold recently on eBay.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was an original West 63rd pressing with the deep grooves. It was in VG++ condition for the record and VG+ for the cover. It sold for $1,315. So, if you have this record, where do you file it, under Morgan or under Mobley? Mine, a Japanese pressing, is under Mobley.

From the same seller came: Cliff Jordan and John Gilmore, Blowin’ In From Chicago, Blue Note 1549. Love the cover. This was a promo copy in VG++ condition for the record and VG+ for the cover, although the picture looks like it might be a little less so. It sold for $1,155.

Also from the same seller: Sonny Clark, Dial S for Sonny, Blue Note 1570. Same for this one: An original pressing, vinyl in VG++ condition, cover in VG+ condition. The price was $896.

How about something that’s not Blue Note:

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Labor Day Blues: Kind of Blue, Candy, Monk & Sonny

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Here’s some jazz vinyl we’ve been watching over this Labor Day weekend here in the U.S., the nominal end of summer:

Miles Davis, Kind of Blue, Columbia 1355. This was an original promo pressing with the white and red label and six eyes. For the most part, promo copies of jazz records don’t necessarily add to the value. With Kind of Blue, however, that is not the case: We usually see the promo copies selling for a premium. I can understand why: It looks way cool and has the smell of authenticity of an original pressing. This copy was in M- condition for both the record and the cover, with a very nice picture, and it sold for $555. There were 31 bids. quite a high number.

There’s been a lot of chatter on the Jazz Collector site about the auction last week by the seller bobdjukic, who always seems to generate a lot of interest, partly because of his extensive use of hyperbole but moreso, methinks, because of his ability to generate high prices. Here are a couple of his auctions we were watching:

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