Tag: Miles Davis

Today on eBay: Tadd, Zoot, Fuller, Miles, et al

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We’re back from The Berkshires after our successful gig in the Monterey General Store and it’s time to get back to the ever-lasting grind that is eBay. We took a look at listings over the next couple of days, and it’s actually pretty quiet out there, although our friends at Euclid Records have a few nice items closing today. Here’s some of what we’re watching:

Tadd Dameron, Fontainebleau, Prestige 7037. This is an original New York pressing that is in M- condition for both the record and the cover. This one is not usually among the higher-priced early Prestiges, but the bidding is already at $162, which is nice to see for a nice record.

Zoot Sims and Joe Newman, Locking Horns, Rama 1003. This is a rare record on a rare label. The vinyl is listed as M- and the cover is VG++. The price is nearly $300, with more than an hour left.

Miles Davis, Miles, The New Miles Davis Quintet, Prestige 7014. This is the album that introduced John Coltrane to

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Miles, Introducing Trane, On eBay, In Metronome

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I was perusing eBay early this morning and came across this beautiful item: Miles, The New Miles Davis Quintet, Prestige 7014. I’ve always loved this LP, not just for the music and the great cover, but for the historic value as well: The introduction of the great Miles Quintet of the ’50s and, in particular, the introduction of John Coltrane. So, I put this item on my watch list and took a further look and it turns out to be a listing from Rudolf, our faithful friend and commentator. So we are happy to help Rudolf publicize this listing on the Jazz Collector site, but we also noticed a nice teaser in the listing, which notes that they album will be offered with a copy of Metronome’s July 1956 review of the album. Furthermore, the listing notes that the Metronome review is

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More Peak Prices, Plus Miles, Sonny, Trane For Sale

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In mentioning records reaching new price peaks, I inadvertently left out a couple of records among the ones I’ve sold recently. These aren’t records we’ve tracked often, but we haven’t seen higher prices for either of them:

Granchan Moncur III, Some Other Stuff, Blue Note 4177. This was a New York USA pressing. The record was M- and the cover was VG++. It sold for $223. 70.

Anthony Williams, Spring, Blue Note 4216. This was also a New York USA pressing in beautiful condition, M- for the record and VG++ for the cover. This one sold for $202.50.

We have a bunch of records up on eBay now, although none will fetch those kinds of prices. Here are a few of the records that are available:

John Coltrane (et al), Wheelin’ and Dealin’, Prestige 7131. This is an original pressing, with the New York

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The Rise of the Second Pressing?

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There was a time, and perhaps that time will come again, when jazz collectors seemed only interested in original pressings of original LPs. That seems to be changing somewhat, at least with the Blue Notes and Prestiges. I noticed that with a couple of items I was selling, and with another item that caught my eye as I was watching other records on eBay. Last week, I put up the record Miles Davis Volume 2, Blue Note 1502. This was a nice old copy of the record with heavy vinyl, but it was a West 63rd Street pressing, as opposed to an original Lexington Avenue pressing. The record was in nice condition: I graded it conservatively at VG++ for the vinyl and VG+ for the cover. It sold for $140.50. The other record I was watching was also a Miles Davis LP: 

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Adventures in Jazz Collecting, Part 4

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So I finally got home on Monday after my trip to Trenton and massive traffic on the Belt Parkway through Brooklyn and Queens. I started unloading the records, My nosy neighbor was watching. I smiled. “Records,” I said. I’m not sure she knew what I was talking about. The records filled the front foyer of my house. There were seven crates altogether. I had decided to just take everything that Rob had. This included Christmas records, and Aretha Franklin, and some pretty well damaged jazz records. The first two crates I looked through had nothing. Was it all an illusion? In my rush of adrenaline and musk and mold and dust, did I imagine that there were collectible jazz records in this batch? I went searching for the Tina Brooks record. This I knew was a collectible. I grabbed it. The moldy flakes from the cover fell off in my hands. I grabbed the vinyl, went upstairs and put it on my VPI record cleaner. The dust and dirt and grime and mold came off, but the record was in only VG condition. And the cover? It was pretty bad, and it reeked of mold and musk. I threw it in the garbage. Not a good start.

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Miles 1964 Downbeat: The Winner Is . . .

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It’s been two weeks since we posted our latest contest to give away a free collectible, so it is now time to put the eligible names into a hat and round up Mrs. Jazz Collector for our drawing. The traffic has been quite high on the site the past two weeks, and there have been quite a bit of comments, but fewer individuals commenting than we’ve had in the past. Perhaps there’s less interest in this collectible because it is not a record. However, I think these Downbeats are great, and this one, with the Miles Davis Blindfold Test from 1964, is a classic. The eligible names this week are Bethellodge, Dave Sockel, Michel, Rudolf, John, Erich Schultz, Luke and Chris Mitchell. And the names are in the hat (actually they are, as always, strewn across my desk) and Mrs. JC is selecting, and the winner is . . . . .

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Watching A Miles 10-Inch Not Sell

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Here’s one we’ve been watching with some degree of interest:

Miles Davis All Stars Volume 1, Prestige 196. There’s been a lot of discussion on the site about the level of interest in 10-inch LPs and how it may be waning, even among the most devout collectors. I noticed this one a few weeks ago because it’s a great record with a great cover and the vinyl was in M- condition, perhaps unplayed. The cover looked like something we would rate as VG+, with a partial seam split.

This was first up for auction a couple of weeks ago and received a top bid of $107.50, which failed to reach the seller’s reserve price. The seller put it up again this week and got a top bid of $91.03, also failing to reach the reserve price. So, could we conclude, in today’s market this is now a $100 record?

This Week on Ebay: Miles, Clifford, Trane

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We haven’t been very active selling on eBay lately: Just life getting in the way. However, this week we found some time to clean and post a bunch of items. It’s a mixed bag, but there are a few nice ones, including:

Miles Davis, Blue Haze, Prestige 7054. This is an original New York yellow label Prestige. It’s in VG+ condition, and sounds quite nice. We put a start price of $30 and it’s already received a bid, so we expect there to be some action.

We also put up a nice-sounding original copy of Clifford Brown, Jam Session, Emarcy 36002. This also has a start price of $30. It’s a great record, with a lot of positive energy. 

As you may have noticed on the Jazz Collector site, we’ve been going through some old Downbeat Magazines, looking for collectibles (we’re even giving one away). We’ve put a few up for sale in our eBay story, and we put a very interesting one up for auction yesterday. It is:

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Free Collectible: 1964 Downbeat Featuring Miles Davis Blindfold Test

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We’ve been looking through our collection for something interesting for our next give-away contest and this is what we’ve come up with: A copy of Downbeat Magazine from June 18, 1964, featuring a really interesting Blindfold Test with Miles Davis. I’ll give you a few teasers from the interview:

On Eric Dolphy, Mary Ann from Far Cry, New Jazz 8270: “That’s got to be Eric Dolpy — nobody else could sound that bad! The next time I see him I’m going to step on his foot. You print that. I think he’s ridiculous.” Sadly, Dolphy passed away just two months later.

On Cecil Taylor: “Take it off! That’s some sad shit, man.” (Although, of course, Downbeat did not print the word ‘shit’).

There was one track that Miles actually liked and rated with five stars. That was:

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Price Updates: Sonny Rollins, Bill Evans, Duke Pearson

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Some more for the Jazz Collector Price Guide:

Sonny Rollins Plays, Period 1204. This was an original pressing in M- condition, both record and cover. The price was $610.

Phil Woods, Pairing Off, Prestige 7046. This was an original pressing with the New York label. The record and cover were M-. The price was $338.

Bill Evans, Moonbeams, Riverside 428. This was an original pressing with the blue label.

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