A Visit to A Record Store, Part 3

So many comments to follow up on, but first let me finish my little trilogy about my visit to Infinity Records. Given the market conditions for music the days, it’s easy to assume that the days of the brick and mortar record store are numbered. In the mainstream music market, CDs are collapsing as the medium shifts to an online digital model. In the collectibles market, eBay has become the dominant sales medium. But, for now at least, it seems there is still room for a few places where people can physically walk into a store and purchase music. I happened to be in lower Manhattan a few weeks ago with time to kill and I popped in to J&R Music. It was jam-packed with people. And I was amazed to see the rows and rows and rows of CDs. They even had four bins of new vinyl — lots of recent Blue Note pressings — as well as a wall full of collectible vinyl that featured autographed covers, including Billie Holiday, Dexter Gordon and others.  The key was that they were comprehensive: You got the sense that if there was a jazz CD you wanted, you’d be able to find it there — as opposed to walking into a Border’s or Barnes and Noble, where the music is clearly secondary. There is also room, I think, for good record stores that understand the collectibles market. I spoke to Joe Ostermeier at Infinity — that’s Joe in the picture, standing in front of his wall of records — and he said business is still solid, no major let up as the music world has

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More Updates: A $1,600 Cannon, Rare Ornette

Someone had mentioned this record joining the $1,000 bin: Cannonball Adderley, Something Else, Blue Note 1595. It’s a great record, but we’ve tracked it many times in the Jazz Collector Price Guide and it had never passed $500 before. This one was in near mint condition for both the record and the vinyl and sold for $1,624.99. Wow.

Here’s a record I’ve never seen before: Ornette Coleman at Town Hall 1962, ESP 1006. I have a copy of this record with a different cover. This one has a silk screen cover with handwritten labels. It is also a review copy.  The record was listed in M- condition and the cover looked like a VG++. The price was $987.

This Week on Ebay: Miles, Clifford, Trane

We haven’t been very active selling on eBay lately: Just life getting in the way. However, this week we found some time to clean and post a bunch of items. It’s a mixed bag, but there are a few nice ones, including:

Miles Davis, Blue Haze, Prestige 7054. This is an original New York yellow label Prestige. It’s in VG+ condition, and sounds quite nice. We put a start price of $30 and it’s already received a bid, so we expect there to be some action.

We also put up a nice-sounding original copy of Clifford Brown, Jam Session, Emarcy 36002. This also has a start price of $30. It’s a great record, with a lot of positive energy. 

As you may have noticed on the Jazz Collector site, we’ve been going through some old Downbeat Magazines, looking for collectibles (we’re even giving one away). We’ve put a few up for sale in our eBay story, and we put a very interesting one up for auction yesterday. It is:

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Latest Additions to Price Guide

Here are updates on some of the records we’ve mentioned here in the past few days. We’re not using links with these, since there are links on these elsewhere on the site. You can just do a search if you want to look at the original. Nothing too crazy here as far as prices, but nothing at all that would lead you to believe there’s any kind of slowdown. These will also be added to the Price Guide, as soon as I finish this post. Here goes: 

Ben Webster, The Consummate Artistry, Norgran 1001. When we first spotted this, it was at about $30 with just a few hours to go. It sold for $203.51. It was an original pressing in M-/VG++ condition.

Ornette Coleman, The Shape of Jazz to Come, Atlantic 1317. This was with the bulls-eye label in VG++/VG++ condition. It sold for $72.60

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Today on EBAY, October 15, 2008

I asked the other day why things are slow on eBay. Nobody replied, so I assume it’s just one of those things. Today is still slow although, as always, there are some interesting items to watch. Here goes:

Ornette Coleman, The Shape of Jazz To Come, Atlantic 1317. This pressing has the bulls-eye label. It’s closing soon and is at $73. One of the reasons I’m watching this is because I’ve seen this record often and rarely have I seen it fetch collectible prices. But, even at $73, that’s already evidence that it is becoming more of a collectible, at least the version with this label. 

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