Tag: Sonny Rollins

Back to the Bridge and a Rare Blue Note

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This thing with the Sonny Rollins Bridge is actually picking up a lot of momentum. I am back in Manhattan and I went into my elevator today where there is a television that is always tuned to a local news station and the next thing I know there’s a black and white clip of Sonny as part of a very lengthy feature story about the campaign to rename the Williamsburg Bridge in his honor. Then I got back upstairs and did a Google search and three days ago there was an article in Slate advocating “Why the Williamsburg Bridge Should be Renamed After Sonny Rollins.” I must admit, when I first wrote about this back in June (“The Sonny Rollins Bridge: Why Didn’t We Think of That?”) I thought this was really a pipe dream and not a potential reality. Now, I’ve come full circle into believing that this can actually happen. Hats off to Jeff Caltabiano for coming up with an inspired idea and actually pursuing it. I will reach out to Jeff this week and find out what we can do to help.

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Sonny Rollins, UK Pressing, Williamsburg Bridge

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Back on eBay and here’s another one of those cool UK Esquire covers: Sonny Rollins, Worktime, Esquire 32-038. This is an original UK pressing listed in Ex condition for the record and VG+ for the cover. The bidding is now in the $150 range with more than five days left on the auction. One thing that is striking me now for the first time in examining these UK listings: The seller is listing this as a 1958 pressing. Is that accurate? If so, that would be two years after the original release date in the U.S. Did our friends in the UK really have two wait two years for Worktime and/or other original Prestige recordings? Another thing; while I find the cover to be pretty cool looking, there’s something a bit off about it. I guess the illustration implies getting back to work, but it does look a bit like Sonny is strung out, at least to me, which may not be the most appropriate illustration since, in my recollection, Worktime was recorded just after Sonny reportedly kicked the habit.

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Time For Bigger Bins?

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I know others have commented on the previous post, but I can’t let this one pass without at least one more word: Jackie McLean, The New Tradition, Ad Lib 6601. This was an original pressing in some kind of condition, perhaps VG+ or a little better. Hard to tell, because the seller used a stock photo as the main picture and then supplemented it, I suppose, with pictures of the actual record, which shows some obvious wear on the front cover, although the overall condition looks OK. You would think the lack of clarity on the description would cause bidders to be hesitant. And perhaps they were. Nevertheless, there were 16 bidders and 27 bids and a whopping final price of $5,035.75.

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Happy Holy Grail Day

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Catching up on my watch list after a few days off eBay, starting with Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was an original West 63rd Street pressing listed in M- condition and Ex for the cover. Looks like there was a three-way bidding war for this LP and it wound up selling for $2,700.

Here’s one for those of you who like to use the term “Holy Grail,” although it is a term I normally avoid, except for a few seconds ago: Jackie McLean, The New Tradition, Ad Lib 6601. This one is listed in Ex condition by the seller and, based on his key, that seems like it would be a very strong VG+ using standard Goldmine grading. This one is already in the $1,360 range with more than a day left on the auction. It will at least join Peckin’ Time in the $2,000 bin and will probably sell for quite a bit more, based on past history with this record.  Read more

Some Jazz Vinyl for Our Files

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Just looking at some random items from my watch list, starting with Clifford Brown and Max Roach, Study in Brown, Emarcy 36037. This was described as an original pressing, but clearly it isn’t, with the black writing on the back cover instead of the blue. Also, the cover was graded at M-, but it’s not that either, with both a sticker and writing on the back. So perhaps it was not surprising that the record did not sell at a start price of $300. But it’s back again. I just wanted an excuse to run a picture of the cover. And pose a quick question: I keep all of my Brown and Roach records filed under Brown, and I assume those that file by artist do the same. Does anyone file these under Roach? Drummers, anyone?

This one did sell:

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Covering A Couple of Classics

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Let’s catch up with a few more from our watch list, starting with a pair of Newks: Sonny Rollins, Tenor Madness, Esquire 32-058. This was an original U.K. pressing listed in VG+ condition, although there was surface noise mentioned in the description, so there was some risk involved by the buyer. I guess it depends on your tolerance for noise. The cover was listed in Ex- condition. The final price was about $266. Seller describes the cover artwork as much better than the U.S. edition, which is certainly in the eye of the beholder, but I do tend to like the cover art on these U.K. Esquires as well. As for these two covers, I don’t have a strong preference one way or the other, although, if forced to choose, I’d probably opt for the U.K. version. Along the same vein there was:

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Stuffing the $1,000 and $2,000 Bins

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Welcome, Mr. President

My goodness, the $1,000 bin is overloaded, including all four of the records I was watching last week (A New Crowd For the $1,000 Bin?). They were:

Sonny Rollins Plays, Period 1204. Final price:$1,300

Kenny Dorham, Cafe Bohemia, Blue Note 1524.  Final price: $1,482

John Jenkins and Kenny Burrell, Blue Note 1573. Final price: $2,025.01 (wow!)

Paul Chambers, Bass on Top, Blue Note 1569. Final price: $1,126

And then there were:

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A New Crowd For the $1,000 Bin?

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Just a reminder, that auction we wrote about last week (An Old Fashioned Jazz Vinyl Auction) is taking place tomorrow. I spent some time looking through the list and I didn’t see that much of interest to me, although there were a few lots. I may place a few bids just for the experience of doing it. If any of you do participate, please share the experience with us here at Jazz Collector.

Now back to the “normal” eBay auctions that we watch, starting with a record that is near the top of my own want list, since it is the only rare Sonny Rollins records missing from my collection: Sonny Rollins Plays, Period 1204. This is an original pressing that looks to be in about VG++ condition for both the record and the cover. Looks like a nice copy but, alas, it will not be mine. The bidding on this has already exceeded $900 with more than a day left. So it seems pretty safe to say this one will reach the $1,000 bin and perhaps even higher.

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The Sonny Rollins Bridge: Why Didn’t We think of That?

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It felt so good clearing out portions of my inbox yesterday, I’m going to the same today, starting with a couple of items about one of my heroes, Sonny Rollins. The first comes from an article by Amanda Petrusich in the New Yorker from April 5. (I told you I was way behind on my email). It is about a movement, now in its early stages, to rename the Williamsburg Bridge in honor of Sonny. The Sonny Rollins Bridge: Now this is an idea we can all get behind. The idea is the brainchild of a guy named Jeff Caltabiano, who has established something called The Sonny Rollins Bridge Project. When we get a chance we will reach out and find out if he has made any progress. Read more

Blue Note Vinyl, Continued

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Just back from a brief holiday in San Francisco and lovely Creede, Colorado, where my son directed a play. I seem to be picking up exactly where I left off, with another note from Ceedee bemoaning, in a jocular way, the latest adventures in Blue Note prices. Let’s start with Miles Davis, Volume One, Blue Note 1501. This was an original Lexington Avenue pressing listed in M- condition for the record and Ex for the cover. The final price was $1,125. No surprise there. I have to admit to you all that I recently passed on a lovely collection that contained a copy of this record in even better condition. The records in the collection were in beautiful condition but, unfortunately for me, there weren’t enough records that I didn’t already own to make it worth my while. I would have had to spend months on eBay to get back the return on my investment and I would have added some gems to the collection but, as you can probably surmise, I am just too busy with my regular work to devote my energies to selling records these days.

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