Tag: Sonny Rollins

Dolphy Vinyl, Autograph Updates

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Here are a few odds and ends we’ve been watching on eBay, starting with some Dolphy: Eric Dolphy at the Five Spot Volume One, New Jazz 8260. This was an original purple label, deep groove pressing. The record and cover were both listed in V++ condition, although the picture of the back cover would be more VG+ in my eyes. It’s always tempting when the front cover is so nice to try to ignore other blemishes. In my eyes, VG++ is reserved for covers that would otherwise be M- but have a single minor flaw, such as the original owner writing the date on the back, which was the case with all of the records I purchased in the Bruce M. West collection in Baltimore. A cover such as this, with blemishes and tape stains doesn’t quite say VG++ to these eyes, but I’m sure the buyer will be pleased, otherwise, he wouldn’t have bid $612.50.

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All Star Autographs?

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We are going to need the expertise of our friend Don-Lucky for this one: Sonny Rollins, Blue Note 1542. This is an original Lexington Avenue pressing with a signature on the front that purports to be a Sonny Rollins autograph. I actually have an authentic Sonny Rollins autograph in my collection and, to my eyes, this one definitely looks legitimate. But this is Don-Lucky’s area of expertise, so I will refer to him, assuming he’s paying attention to Jazz Collector these days. The record looks to be in about VG condition and the cover is graded as good, but it does potentially have Sonny’s signature. The price is around $90 and the auction still has four days left. I find this of particular interest, not only because it would be cool to own an original pressing of this record with Sonny’s autograph, but because the seller has several other cool records with purported autographs, including this very special one:

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A Rare 10-Inch Trio and $3K For Saxophone Colossus

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Been offline for a few days, but back in business. Here are a few records that sold on eBay whilst I was away, starting with Jack Sheldon Quartet, Get Out of Town, Jazz:West 1. This was an original 10-inch pressing. To be honest, this is a record I’ve never seen before and I wasn’t even aware of any 10-inch records on the Jazz:West label. Apparently, there were two, both by Jack Sheldon. This one was in VG+ condition for the record and G for the cover. It sold for $450.45. And the same seller had the second Jazz:West 10-inch LP as well: Jack Sheldon Quintet with Zoot Sims, Jazz:West 2. This one was in much better condition, listed as M- for both the record and the cover. It sold for $560. You would think, based on the condition, there would have been a bigger discrepancy between the prices.

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Review, Sonny Rollins, Way Out West, Deluxe Boxed Set, As Good as It Gets

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I went to my mailbox the other day and there was a record box. This was strange because I hadn’t remembered ordering any records. But there it was and I opened it. Surprise! A brand new boxed set of Sonny Rollins Way Out West. A promo copy. Understand, I’ve gotten about three promo copies in the 15-plus years I’ve been doing Jazz Collector. I don’t typically do reviews, so nobody puts me on the list. I did make the list on this one and, man, am I pleased. This is a really fantastic set, just what a reissue should be all about. Two LPs, including material that was never released at all and some material that was only issued on CD. New liner notes, including quotes from a 2017 interview with Sonny conducted specifically for the release of this set. Great Bill Claxton photographs and high-end packaging all the way around. Congratulations to Craft Recordings for doing justice to a great album on the occasion of the 60th anniversary of its original release. A couple of bonuses on the album are Read more

Hardee Bop

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Let’s catch up on some jazz records from our eBay watch list, starting with that John Hardee 78 album, Blue Note 101. When we last looked at this the start price was around $100 and there were no bidders. As noted, the condition leaved a lot to be desired and, alas, no one was willing to bid the $100 it would have taken to purchase it. The item is relisted at the same price, so maybe someone will see this and get the urge. One of the reasons I’m writing about it again is because I wanted to include the picture of the cover, which is quite cool, IMHO. Is it worth $100 just for that? Probably not, but close.

I’m always intrigued by records I’ve never seen before in my nearly 50 years of collecting jazz. This was one of them: Slide Hampton, Exodus, Phillips, B 77.915L. This was an original French issue from 1962. It was listed in at least VG++ condition for the record and M- for the cover. Looks like a good record, given the personnel (George Coleman, Richard Williams, Butch Warren, et al) and the tracks (Moment’s Notice, I Remember Clifford, Confirmation, Straight No Chaster, et al). Anyone have a copy and want to share some insight?

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Newk, Gigi And Some Rarely Seen Blue Notes

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Here are some of the records we’re watching now on eBay, although nothing as exciting or expensive as the ones in our last two posts: Sonny Rollins, Tenor Madness, Prestige 7047. This looks to be an original New York yellow label pressing. Condition is not clear from the seller’s description, but if I were bidding I would be thinking VG+ for the record and the cover. The auction closes in four days and there is a start price of $150, but so far there are no bidders. This one also has zero bids so far: Gigi Gryce and the Jazz Lab Quintet, Riverside 229. This is an original white label pressing that looks to be in VG++ condition for the record and VG+ for the cover. The start price is $250 and there are more than four days left on the auction. I’m guessing both of these records sell.

Here are a few Blue Notes you rarely see — in fact, I don’t recall ever seeing them on eBay, and I’ve looked at eBay a lot through the years, although Popsike tells me they’ve been there, I just missed them.

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A Fine Array From Blue Note and Prestige

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We were watching a bunch of items from the Jazz Record Center auction that closed yesterday and here are some of the results, staring with Clifford Jordan and John Gilmore, Blowing in From Chicago, Blue Note 1549. This was an original pressing. It was probably in VG++ condition for the record. The JRC doesn’t use our normal grades, just a description. This one had a single mark that is audible seven times. I know that precludes it from M-. Does it preclude it from VG++? Otherwise, the record sounds immaculate. The cover was probably VG+ or VG++, depending upon how you feel about a “professionally repaired” spine and bottom seam. Also, the picture looks more VG+ to me than VG++. The final price was $1,247. My sense is that a different seller would have been less meticulous in his description and received a higher price. In any case, I still don’t own an original copy of this record for any of you out there who may be interested in a trade.

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Here Comes Louis Smith — Coltrane and Rollins, Too

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Geez, did you see the final price on that Here Comes Louis Smith record we were watching the other day? It was an original pressing in VG++ condition for the record and VG+ for the cover. We predicted it might make it to the $1,000 bin, but didn’t expect it to get into the $2,000 bin, which it did at $2,027. That would make it the highest price we’ve seen for this record, according to Popsike, which, interestingly, already has it posted on their site. So, with a VG+ cover this copy received a price that was more than $500 higher than the previous top price. Not bad.

Meanwhile, I was watching this record and it didn’t sell at all: John Coltrane (et al), Tenor Conclave, Prestige 7074. This was an original New York yellow label pressing, listed in VG+ condition for the record and VG for the cover. The start price was about $400 and there were no bidders.

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A Prestige-eous Day at Jazz Collector

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Let’s look at a few from Prestige and related labels today, starting with Hank Mobley, Mobley’s Message, Prestige 7061. This was an original New York yellow label pressing listed as being in “pristine” condition from a reliable seller. The final price was $715.99, which strikes me as quite a bargain for this record in this condition. Or at least as much as any record for $715 can be a bargain. With this personnel — Mobley, McLean, Byrd, Barry Harris, Doug Watkins and Art Taylor — what would this record go for if it was on the Blue Note Label. I think we’d probably be looking in our metaphorical $2,000 bin.

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Back to the Bridge and a Rare Blue Note

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This thing with the Sonny Rollins Bridge is actually picking up a lot of momentum. I am back in Manhattan and I went into my elevator today where there is a television that is always tuned to a local news station and the next thing I know there’s a black and white clip of Sonny as part of a very lengthy feature story about the campaign to rename the Williamsburg Bridge in his honor. Then I got back upstairs and did a Google search and three days ago there was an article in Slate advocating “Why the Williamsburg Bridge Should be Renamed After Sonny Rollins.” I must admit, when I first wrote about this back in June (“The Sonny Rollins Bridge: Why Didn’t We Think of That?”) I thought this was really a pipe dream and not a potential reality. Now, I’ve come full circle into believing that this can actually happen. Hats off to Jeff Caltabiano for coming up with an inspired idea and actually pursuing it. I will reach out to Jeff this week and find out what we can do to help.

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