Rare Records; The Loss of Michael Cuscuna

I said I would continue perusing the recent auctions from The Jazz Record Center, so here is Part II, starting with Elvin Jones and Richard Davis, Heavy Sounds, Impulse AS-9160. This was ana original white label stereo promo copy with the white label. The record was in M- condition and the cover seemed to be probably VG++. This is not a record you see very often, particularly a promo copy. One of the interesting things about this album is a track called Elvin’s Guitar Blues, featuring Elvin Jones’ first recording on a new instrument, the acoustic guitar. I happen to have an original pressing of this record, so I’m putting Elvin’s Guitar Blues on the turntable now. The verdict: Well, I’m sure it was fun for Elvin to record a track on guitar, but he’s a little bit better as a drummer. Frank Foster takes a nice, short blues solo on the track. The record sold for $339.

John Jenkins, Cliff Jordan and Bobby Timmons, Jenkins, Jordan and Timmons, Prestige New Jazz 8232. This was an original purple label preview copy, that looked to be in M- condition for the record and VG++ or M- for the cover. The final price was $1,713.88 and, yes, that is a new record price for that particular record, according to the records kept by Popsike.

Freddie Hubbard, The Artistry of Freddie Hubbard, Impulse A-27. This was an original mono pressing with the white promo labels. The record and cover both looked to be in M- condition. The final price was $520, another record high.

Many of you may have seen that Michael Cuscuna passed away the other day at the age of 75. Michael was co-founder of Mosaic Records and one of the icons of the record collecting community, unearthing hundreds (thousands?) of treasures from the Blue Note and other catalogues.  I did not know him personally, but I offer sincere condolences to his family and many friends. If you do a Google search you can find more information about his life and contributions to the jazz world. I copied the following from an email message I received.

Michael Cuscuna
1948 – 2024

Michael Cuscuna, a titan in the world of jazz, passed away on April 20, 2024, leaving behind a legacy that will resonate for generations.

Michael is survived by his wife Lisa, his children, Max and his wife Jackie, and Lauren, and two grandchildren, Nicolas and Penelope Cuscuna. His passing leaves a void in the hearts of all who knew him. May he rest in peace, and forever be remembered as he will be deeply missed.

Throughout his career, Michael possessed a curiosity for unearthing unissued jazz recordings, delving into the vaults of record labels looking for hidden gems. In 1975 his search led him to the great Blue Note vaults – unlocking a treasure of unissued material by the great jazz legends.

This experience would later be the impetus for co-founding Mosaic Records Inc, a boutique label specializing in complete sets of some of the most influential jazz artists. Mosaic Records, co-founded with Charles Lourie, produced hundreds of editions including works by Thelonious Monk, Sidney Bechet, Hank Mobley, John Coltrane, Lee Morgan, Dexter Gordon, Art Blakey, Tina Brooks, The Nat King Cole Trio and Miles Davis.

Michael recently received a Lifetime Achievement Award from Downbeat and here is an excerpt of one of Michael’s last interviews this past January. (full interview here).

Born in Stamford, Connecticut, in 1948, Cuscuna first got into music at the age of 9 or 10. “It was contemporary R&B on the radio at first,” he recalled recently. “But I played drums on a little starter kit and got into drum records like Gene Krupa and Buddy Rich on Verve, then Max Roach and Art Blakey. When I started to hear the music around the drums, that’s when I got completely hooked. I went through Benny Goodman, Dave Brubeck and the MJQ, until I caught up to what was going on around me around 1960.

“By age 14, I was going to Birdland, which had a peanut gallery. That’s when I heard Blakey and the Messengers, the Coltrane Quartet and Miles. They became my passion and still are. It’s the stuff that gets to you between about 12 and 25 that stays with you for life. You never absorb music in quite the same way after that.”

Many years ago, Woody Shaw said of Cuscuna, “No matter what you produce or do in your life, the thing you’ll be remembered for is rescuing all that Blue Note material.”

“Looking back all these years,” Cuscuna says today, “I’m content with that.”

I’ve known Michael for 25+ years since having the privilege of joining Mosaic Records. While many are aware of the legacy of riches he has catalogued for one of the greatest art forms, all of us who work or have worked at Mosaic also know him as a hard worker, generous and dedicated to his family.

Michael possessed an energetic spirit and drive that was infectious. When I look at the list of 200 sets for Mosaic plus all the Blue Note, Impulse and other recordings that Michael was instrumental in bringing to the public, it’s clear his passion for music drove his life-long ambitions. He was proud of his achievements while at the same time being very appreciative and grateful that he was working with many of the greatest jazz musicians and their body of work.

It’s very hard for me to convey my feelings about someone I worked closely with every day, had many lunches with and was treated to innumerable special musical memories. I’ll miss a partner, a lunch-mate, and a special friend.

– Fred Pustay

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I can’t think of any better way to describe Michael than as my mentor. His guidance was immeasurable – filled with direction, leadership, knowledge, understanding, and of course, toss in some of that incredibly sarcastic wit and sense of humor. Michael knew, like his partner and close friend Charlie Lourie, how to run the business of a jazz re-issue label when there were few and far between such companies.

He also was a true family man. I saw and heard the love he unconditionally gave to his family. It was not uncommon to hear a heartfelt “I love you” at the end of a conversation to his wife Lisa, or to see and hear the love and dedication to his children, and then, in the past few years, the stories of his grandchildren who gave him immeasurable pleasure.

Michael embraced my passion for jazz record collecting and after about a dozen years of managing the Mosaic warehouse he and Charlie gave me a job of producer, expanding the Mosaic catalog to include more pre-tape era boxed sets. I am ever in debt to the both of them.

And there are so many other Mosaic journeys in the past 36 years that I could impart to you, as I’m sure there are many others who knew him even better than I that could spin countless tales of this unique man.  Seek them out. Keep Michael in your heart and on your turntables, CD players or however else you listen to the music. And be grateful and thankful he was here on this planet.

– Scott Wenzel

“Jazz is still, for me, the greatest music ever – it just ate its way into my soul, and it became a part of every fabric of my body…

I remember once I was doing a record with Dexter Gordon at 30th Street called Gotham City, and Art Blakey was on drums. During the session Art looked at me and said, ‘Man, you remind me of [Blue Note Records co-founder] Alfred Lion.’ That was the greatest line I ever heard, you know?” –Michael Cuscuna, JerryJazzMusician.com

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Funeral arrangements are in process and will be held at the Bozak Funeral Home https://www.bosakfuneralhome.com/ in Stamford, CT.

Please check their site at end of day Monday when information should be available. There will also be a web page on their site where you can post on their tribute wall.

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9 comments

  • I only had peripheral contact with Michael but he was an amazing person and discographer.

  • Aloha Al, thank you for these articles and tidbits of information. Forgive for being a little green on this topic of Cuscuna. When it’s said he rescued all the unpublished, not released material from Blue Note, was some of that sold, ended up in Japan and thus many Sonny Clark, Grant Green Tina Brooks Japan BN only releases? Meaning exclusive out of Japan. How about the BN LT series from the late 70’s early 80’s, was Cuscuna also responsible for those? I have some Mosaic sets now but right out of college in the 90’s and learning about this great music, I admit trying to get originals as I wanted to “hear” how the music sounded playback wise, even if there was a little snap/crackle/pop! I am happy to have the Brooks mosaic set as I’d have to win the lottery to get the BN original! Mahalo!

  • Anders Wallinder

    Kyle, what Cuscuna did was to get access to the Blue Note vault and create some order of the mess down there. To categorize and listen to unissued material and to get that material released in Mosaic Sets. So “rescued” means that he put a lot of detective work to identify recorded music. “Who’s playing on this tape” etc. and produce all those wonderful Mosaic sets gettin the linear notes and session notes done and distribute. He did not do it by himself of course but without him we would not be where we are today. We owe him a great deal.

  • Aloha Anders, Arigatou Gozaimasu thank you very much for that explanation. I was trying to understand his connection to the music, I know he was in the industry for years. The Mosaic sets were pricy at the time I came out of college in the 1990’s. I remember folks talking about them, very nice sets. I was trying to get my hands on originals or early pressings. As I mentioned, not being able to own the original Tina Brooks BN album, I was happy to get his unissued material on the Japanese Blue Notes and later getting the Mosaic set to fill in any “holes” I had for him. I’m sure I’ll get a few more sets! Take care now. Mahalo!

  • I have several Mosaic sets and, just before lockdown, bought a Francis Wolff print of Grant Green from Mosaic (from the Feelin’ the Spirit session). When it was ready to be sent, a kind email came from Michael Cuscuna, which made my day (several days, actually). What an amazing man.

  • “Heavy Sounds” has one of my favorite record jackets of all time. That, along with Blakey’s “Buhaina’s Delight”, Miles’ “Steamin’ “, Monk’s “Monk” on Columbia, Hartman’s “I Just Dropped By…”, “Coltrane Time” and several others made a nice display after I quit smoking 30 years ago. (Yes, I know it’s naughty to smoke).

  • Somethin’ about “smoky jazz”. It’s a mood, a club-scene now nostalgic. I quit smoking in 1986. Love the mid-century Covers.

  • Clifford Allen

    Richard Davis at one point said he didn’t actually smoke and just had to hold the damn cigarette for the shoot. That may be the case, though I feel like I’ve seen a couple of other Richard Davis smoking images. Regardless, it’s a neat cover and the record is good (though I cannot imagine paying collector prices for it).

  • ALBERT BALDERAS

    He truly did so much for the music. The Mosaic collections are priceless. I hope the work will continue. May he rest in peace.

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