Month: February 2010

On eBay: Morgan, Zoot, Chambers & Rare Mobley

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Here are some nice items coming up soon on eBay:

Lee Morgan Sextet, Blue Note 1541. This is an original Lexington Avenue pressing being sold by Euclid Records. The vinyl is listed as VG++ and the cover is listed as M-. The current price is a little more than $300, but it’s hard to believe that this one won’t sell for more than $1,000, perhaps considerably more, given the way prices on Blue Notes have been going.

The Great Zoot Sims, Down Home, Bethlehem 60. This is an original red label pressing. The record and vinyl seem to be in what we would grade as VG++ condition, based on the seller’s description. The current price is about $150.

This one is already close to $800 and it hasn’t yet reached the seller’s reserve price:

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Jazz Vinyl Give-Away: Dexter Gordon on Blue Note

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Time to complete our latest give-away contest. It’s been so long perhaps some of you, like me, had forgotten what we are giving away. Here it is: Dexter Gordon, Blue Note LA393-H2. This is part of the Blue Note Re-Issue Series from 1975. It is a double LP and it is still in its original factory seal. The record is a compilation of some of Dexter’s best work on Blue Note, starting with selections from Dexter Calling in 1961 and extending to Gettin’ Around in 1965. As always, the rules to be eligible for the give-away are simple: All you have to do is comment on the Jazz Collector site during the course of the contest and you are put in the pool of names. That’s it. I am also pleased to report that the number of comments and commenters on the site has reached record-high numbers and we have

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Another Tail of Two Covers

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So I was at a record store recently and on the shelves saw a copy of the record 3 Degrees East –3 Degrees West on World Pacific. It had a cover I hadn’t recalled seeing. Even though I was pretty sure the cover I had at home was the original, the price was cheap enough so I purchased it. It was interesting when I got home and compared the two covers. The cover on the left in the picture is the original. This is the one I had in my collection. It has a copyright date of 1956 on the back and is on Pacific Jazz Records, PJ-1217. It also has the “kakubushi” framed cover. The record I purchased at the store, with the cover on the right, is copyrighted from 1957 and is on World Pacific Records, also number PJ-1217. The liner notes and pictures on the back are the same. Not sure why the company would re-release the record with different packaging just a year later: You’d think if

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Taking A Chance on Junk Vinyl

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I will let you in on one of my dirty little collecting secrets. Sometimes I will take a flyer and bid on a box or collection of records on eBay from a seller who may not know what he’s doing. The goal is to find one or two gems. I do this for a few reasons: 1. I’m a gambler at heart, so I’m always one to take risks.  2. The first time I ever did this I bought a box of records for about $60 and, when they arrived, they were loaded with original Verves and Prestiges that I estimated to be worth at least $3,000. So I was a bit hooked.  3. The cost of shipping these boxes overseas is often prohibitive so, generally, the competition for these items is not so steep, just U.S. buyers. Which brings me to my most recent purchase, shown in the picture. It was clear when I looked at the picture that just about every record here was virtually worthless. Except for one. Can you identify it? Look at the

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More Blue Notes, More Record Price Tags

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Prices for Blue Notes — at least those in near mint condition — are continuing to rise, based on some of the latest eBay sales. Take a look at these:

A Date With Jimmy Smith, Volume 2, Blue Note 1548. This was in near mint condition and it was sold by the same seller who sold those pristine JJ Johnson records the other day. This one sold for $792. The record features Hank Mobley, Lou Donaldson and Donald Byrd, but this is still a new high price tag for it, at least for the time we’ve been watching it.

This one was from Euclid Records: The Fabulous Fats Navarro, Volume 1, Blue Note 1531. This was an original Lexington Avenue pressing. It was listed as M- condition for both

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For the $1,000 Bin: Griffin, JJ, Hubbard

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It’s been a while since we’ve updated the $1,000, and there are, as expected, a few new entries. Here goes:

Introducing Johnny Griffin, Blue Note 1533. This was an original Lexington Avenue pressing and it was listed in M-, pristine condition. The price: $2,651.01.

Also from the same seller were these: The Eminent Jay Jay Johnson, Volume 1, Blue Note 1505. This was also an original Lexington Avenue pressing and it was also in pristine condition. It sold for $1,507, which is way more than we’ve ever recorded in the Jazz Collector Price Guide. In fact, our previous high price for any JJ Johnson record was less than $400. There there was: The Eminent Jay Jay Johnson Volume 2, Blue Note 1506. This was

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Jazz Vinyl Countdown: Jackie, Bluesnik

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So I went through this whole process of cataloguing my Blue Notes a few weeks ago. It was quite interesting and, if you’ve been following my adventures, you will recall that it led to (yet another) existential crisis. More on that later. For now: In going through my Blue Notes I came to the realization that some records I thought I owned as original pressings were not originals. This is fine, except for the ones that are blue label late pressing Blue Notes, of which, unfortunately, Jackie McClean, Bluesnik, Blue Note 4067, was one. This, I thought, was a record that needed to be replaced by a better copy — i.e., an earlier pressing that wouldn’t cause me to hang my head in disgust every time I looked at it.  With a blue label Blue Note, no matter how good the record, I was never going to listen to it, period. The problem, however,  is that Bluesnik is now selling

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Kind of Blue for $5,000?

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Our friend CeeDee sent us this link the other day for this record: Miles Davis, Kind of Blue, Columbia 1355. This is an original promo copy with the white label, 6-eye logo. You can click the link and look at the item and go to the bottom of the listing for a laugh, or you can simply continue reading here for the punchline.

The seller has this listed for a buy-it-now price of $5,000 and in his listing he states that this is the only promo copy of this record he has ever seen. A reader is indignant at such an absurd price and preposterous claim and mentions a near mint copy that sold the other for for $355. He refers the seller to popsike where there is a history of these sold and at one point asks the seller: “Listen, are you on drugs?”

To which the seller replies simply: “yes.”

And there it is. A refreshingly honest exchange on eBay.

Watching Some More Second Pressings

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Here are a few items we’ve been watching, none of them an original pressing, each of them selling for a pretty hefty price tag. What I find interesting is that these second pressings of highly collectible records seem to be selling a lot better than original pressings of more moderately collectible records. It seems that certain records are just in demand and second pressings are becoming acceptable to collectors.

Paul Chambers, Whims of Chambers, Blue Note 1534. This was a West 63rd Street pressing. It was listed in VG+ condition for both the cover and the vinyl. The price was $222.50.

Jackie McLean Quintet, Jubilee 1064. This is a reissue of The New Tradition on Ad Lib, although it’s probable not all of the bidders knew this. In any case, this copy was in M- condition for both the record and the cover and it sold for $182.50.

This next one didn’t get a huge price, but still not bad for a second pressing:

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On eBay: Some Blue Notes, Curtis Fuller Savoy

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I’m sitting here hanging out with the lovely Mrs. JC and whilst she’s chatting on the phone I’ve spent the last hour going through two full days of jazz records on eBay. Here are some of the items I found — far fewer collectibles than I would have expected to encounter over 48 hours, by the way:

Johnny Griffin, The Congregation, Blue Note 1580. This is an odd one: It has the original vinyl, but the cover does not seem to be an original. Does anyone know the vintage of the cover — it has no address on it? The cover is by Andy Warhol, so that has always added to the value of this particular Blue Note. The record and cover are both listed in M- condition. Despite the cover the bidding has already reached more than $240 and the record has yet to reach the seller’s reserve price.

The Eminent Jay Jay Johnson Volume 1, Blue Note 1505. This is an original Lexington

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