Another Jazz Vinyl Potpourri

Time once again to clean out many of the older items sitting in my watch list. Let’s start with this nice 10-inch French Vogue LP: Henri Renaud Quintet with Gigi Gryce and Bobby Jaspar, Vogue 174. This was an original pressing in Ex condition for the record and near mint for the cover was sold by the seller fiftiesjazz, better known among Jazz Collector aficionados as Rudolf, who is an expert on the French Vogue label, as evidenced by this article from our archives of about 10 years ago, “A Comprehensive Guide to French Vogue.” This copy sold for about $202. From the same auction was Thad Jones, Mad Thad, Period 1208. This was an original pressing listed in M- condition for the record and the cover. The final price was $1,569.44. One more: I have to admit, I have never seen this record: Bill Hardman Quintet, Saying Something, Savoy 12170. This was an original pressing with the blood red label. This copy looked to be in M- condition for both the record and the cover. The final price was $362. Read more

Collectible Jazz Vinyl on a Summer’s Day

Here’s a pretty cool jazz collectible that is closing today on eBay: J. R. Monterose, Blue Note 1536. This looks to be an original Lexington Avenue pressing. The record is in VG+ condition, or perhaps even better. The cover has an autograph by J. R. that looks authentic to these eyes, but I am no expert. The cover is probably in VG or VG+ condition. This is a nice collectible with or without the autograph, which, to me, enhances the appeal, although some collectors differ on that account. Anyway, the bidding is in the $950 range with about 10 hours left on the auction. Read more

For Lady (and Everyone Else)

Time to get back to eBay, starting with Webster Young, For Lady, Prestige 7106. This is an original New York yellow label pressing listed in Ex condition for the record and VG+ for the cover. I’ve always had a soft spot for this record because it was one of the first yellow label Prestige originals I ever owned and because it was, and is, quite a lovely record. It was, I presume, also my introduction to Webster Young and Paul Quinichette, two very fine, very underrated players, IMHO. Writing this post, I just talked myself into putting this on the turntable next time I have time to listen mindfully. The bidding for this one closes in more than for days from this writing, with a top bid now of about $245. Read more

Catching Up (And We Mean Up!) on Rare Jazz Vinyl

Here are a couple of nice $1,000 records we were watching on eBay: Dizzy Reece, Progress Report, Tempo TAP 9. This was an original U.K. pressing that was listed in excellent condition for the vinyl and great condition for the cover and, even though those terms are not precisely Goldmine-approved, you get the sense from the description and pictures that the record was in extremely nice condition. This one sold for about $1,025. Also, Lee Morgan, The Cooker, Blue Note 1578. This was an original West 63rd Street pressing listed in M- condition for the record and cover. We said “under normal circumstances” this record could set a new high water mark for the Cooker. What we meant was that we felt the pandemic would perhaps be dampening prices for high-end records. We were wrong. This record did set a new high at $1,625. So much for my theories and hypotheses—so far at least. Read more

More Adventures, More Obsessions

Sorry, I need to complete the story. Given that it was an online auction and many of the bidders probably never saw the condition of the records, I was pretty surprised at some of the prices. For example, Waltz for Debby sold for more than $1,000. Bill Evans Trio Sunday at the Village Vanguard seemed to sell for more than $500, if I recall. Kenny Drew 10-inch Blue Note was more than $300. When I went to pick up my records I asked Kendra, the woman responsible for the auction, if the buyers for those records had visited  the house and seen them on site. Nope, she said. They were bidding based just on the pictures from the auction. Very brave, I thought, but having seen the records myself, I figured the buyers would be pleased. The one record I would thought I could steal, the Art Farmer Quintet Featuring Gigi Gryce, Prestige 7017, just eluded me. Read more

Another Adventure in Jazz Collecting, 10-inch Edition

After buying, curating and eventually selling the Ornette Collection from Dee, I felt myself gripped in that very old, very familiar, somewhat obsessive feeling of wanting more. Not necessarily more records because, Lord knows, I have enough records. No, it was all about wanting more action. So, I reached out to my friend here in The Berkshires who is planning to sell his collection at some point, but he said he isn’t quite ready yet to part with them. Then, out of the blue, another friend up here sent me a note with a link to an online auction of jazz records that was being conducted locally. The site was something called Caring Transitions, so I clicked the link and this is one of the pictures I saw:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Miles, Morgan, Monk and More

Today we will view some random jazz vinyl from my eBay watch list, starting with Miles Davis, Volume 2, Blue Note 5022. This is an original 10-inch Lexington Avenue pressing. The record and cover are both listed in VG+ condition. Bidding starts at around $100 and so far there is no auction action. The auction closes in about three days. This record caught my eye, even though I already own it, because it is such an awesome cover and because I recently view a collection loaded with 10-inch records. At this point I have passed on purchasing the collection because the seller has it over-priced, but I am hoping he comes back to me when he realizes I made a fair offer. Will keep you posted. Read more

Back At Our Post, Watching, Lamenting and Celebrating Jazz Vinyl

I don’t know what to say about my extended gap(s) between posts, so I will just apologize and hope to do better. I have somewhat of an excuse for the latest gap, sort of, in that part of that time has been in pursuit of a small record collection that has resulted in success, sort of, in that I am in possession of the records. Whether I want to be is another story, and what I will do with the records is also another story, and, sorry to do this to you, but I am not in a position to tell any of the stories yet, because we are still in progress. But all the stories bill be told in time, when they are complete. In the meantime, let’s get back to basic business, i.e,. looking at records on eBay.

Here’s a nice 10-inch Blue Note that caught my eye: Introducing the Kenny Drew Trio, Blue Note 5023. This is an original 10-inch Lexington Avenue pressing, in what looks to be M- condition for the record and VG+ for the cover. The bidding is at $250 with more than three days left on the auction. The record is from the Jazz Record Center, so, naturally, I clicked over to their other listings, and these are some of the items I saw: Read more

Prez to Rollins to Trane and More

Thanks for all the great comments and discussion on Saxophone Colossus. I think the consensus is blue cover, GEM, AB hand engraved, all of which I have on both of my copies. JLike our friend Lennib and other commenters, I love these discussions and get a lot out of them. Now, on to more records. Join me while I clear out some of the older items on my eBay watch list, starting with one I’d threated to bid on, but somehow lost track of along the way: Cliff Jordan and John Gilmore, Blowing in From Chicago, Blue Note 1549. This was an original New York 23 pressing. This was one I thought had been under-graded based on the seller’s description. Read more

Blue Notes and Beyond

The Jazz Record Center has a veritable Blue Note Jazz Festival on eBay now, with several beauties, including a couple that are already sitting in the $3,000 bin, including: Kenny Dorham, Afro-Cuban, Blue Note 1535. This is an original 12-inch pressing with the Lexington Avenue address, flat rim playing surface and frame cover. This looks to be in M- condition for both the record and the cover. The auction closes in a bit more than one day and the bidding is already at $3,015. Then there is the Lee Morgan Sextet, Blue Note 1541. This is also an original Lexington Avenue, frame cover pressing, and this one has promo stamps on the labels. The record looks to be in M- condition and the cover is probably M- or, at worse, VG++ for sticklers. The bidding is at $3,000. Read more

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