I’m sure many of you are way ahead of me, but please let me catch up on some of the interesting auctions we were watching, starting with Bill Evans, Waltz for Debby, Riverside 399. This was an original white label promo copy. The record was listed in VG++ condition and the cover looked to be about VG+ because a previous owner had stamped his name and address on both the front and the back. When I first wrote about the record, there were several hours left in the auction and the bidding was in the $265 range and I guessed that the final price would probably surpass $1,000. To my surprise, and probably to the surprise of many of you here, the final price was $2,248. And that’s not even counting the Global Shipping Program charge of nearly $475, which is discussed in the comments on the earlier post. I’d be curious as to who is spending this kind of money on these records, and why? Is it for listening? Is it for investment? Is it just for collecting and owning the history?
Please allow me to dwell one more day on that Jazz Record Revival auction because there are a few more things to point out, as many readers have already done, particularly with that copy of Herbie Hancock, Maiden Voyage, Blue Note 4195 selling for a quite amazing $1,580.
How about this one, with the second cover: Art Blakey, A Night at Birdland Volume 2,Blue Note 1522. This was an odd one in that it had a Lexington Avenue address on one side and a West 63rd Street address on the other. It was clearly not a first pressing, particularly with that cover. But it sold for $236.50.
Someone on the previous post also mentioned this one:
I thought I’d have more to say about the death or Ornette Coleman, but I really don’t. I am not an expert on his music and was never really a fan, although I typically liked what I heard, at least from his early years. So I’m going to go back to what I normally do here, which is watch records on eBay, starting with a pair of French records from a French seller: Barney Wilen, Tilt, Swing 30.058. This is an original pressing from 1957. It is listed in VG+ condition for the record and M- for the cover. The price is in the $400 range with less than two days left, but it has not yet reached the seller’s reserve price. Nice cover, but don’t know the record. Readers? Another one that is quite rare, but unfamiliar to my ears:
I know I haven’t posted in a while when every item in my eBay watch list is no longer active. Here are some of the highlights that I’ve missed, starting with Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing with the West 63rd address, deep grooves, etc. The seller listed the vinyl in VG++ condition and the cover as VG+/VG++, but the picture clearly shows that it’s not VG++, so that might cause some concern about the vinyl grading as well. It would concern me, that’s for sure, particularly at that price, which was $2,524. Not that I would ever pay that price anyway, nor would I pass judgment on anyone that would
Here’s another Blue Note that ended up in the $1,000 bin: Lee Morgan, City Lights, Blue Note 1575. This was also an original West 63rd Street pressing. The vinyl was listed in M- condition and the cover was VG++. The final price was $1,081.
Another day, another batch of records to watch on eBay. Today let’s start with Introducing Lee Morgan, Savoy 12091. This is an original pressing with the red label. All in all it looks to be in M- condition for both the record and the cover. We’ve seen this record sell for more than $500 previous in the Jazz Collector Price Guide and it looks like this copy will set a new high point. The bidding is already more than $560 and there are still four more days left on the auction. This seller often has nice items and his listings wind up making our posts fairly frequently, although we’ve never dealt with him directly. Here’s another one of his nice records on eBay this week:
Forgive me for my lack of familiarity with this record and this artist: Fats Sadi, The Swinging Fats Sadi Combo, Blue Note 5061. I guess I must have seen this record somewhere on a discography or on The Blue Note Story, but, honestly, seeing this record on eBay, I thought it was a mistake. Then I did a Google search and Fats Sadi was a Belgian vibist who played with a wide range of artists, including Django Reinhardt, Don Byas and, later on, the Kenny Clarke-Francy Boland Big Band. I don’t know anything about this 10-inch record or how it came about that Fats Sadi recorded for Blue Note in the early 1950s. I do know that this copy of the record is listed in VG+ condition for the record and Ex for the cover and has a start price of about $80. With more two days left on the auction there are no bidders.
This one went for a pretty steep price:
I’m actually cleaning out my eBay watch list in preparation for finally doing a modest updating of the Jazz Collector Price Guide. So, as I clear out records, I will just post some random results for the next couple of days, starting with one for the $1,000 bin: Paul Chambers Quintet, Blue Note 1564. This was an original pressing with the West 63rd Street address. The record looked to be in VG++ condition and the cover was probably VG. It sold for $1,203. This came from the same seller: Kenny Burrell at the Five Spot, Blue Note 4021. This was an original West. 63rd Street pressing that looked to be in VG++ condition for both the record and the cover. It sold for $334.
Another Blue Note: Horace Parlan, Headin’ South, Blue Note 4062. This was
My eBay watch list is overflowing and there are some interesting items we don’t often see here, including some 78-RPM records. Let’s start with Charlie Parker, The New Sounds in Modern Music, Savoy 510. This is a boxed set of Charlie Parker 78s. Unfortunately, the seller doesn’t say which ones, although if I were interested (as I may be) I would at least attempt to pose the question. The records — can’t call them vinyl — are in VG+ condition and the cover is probably VG or VG+, depending upon the condition. I am probably one of the few among us who still collects 78s. I’ve had the good fortune to run into a few inexpensive collections, and then I was very fortunate with the 78s I purchased in the infamous Baltimore collection. I probably have about 1,000 78s, with probably about 40 Parkers on Savoy, Dial and Mercury, but a Bird Savoy boxed set would make a nice addition to the collection. There is a big concern with buying 78s on eBay, because
Here are a few more items from our watch list on eBay, starting with Lee Morgan, Candy, Blue Note 1590. This is an original pressing that looks to be in VG++ condition for both the record and the cover. As a bidder I would be careful of the “light background noise” part of the description because the cleanest copies of Blue Notes don’t typically have background noise, at least not the original 12-inch pressings. Other bidders seem to be more sanguine about the description. The bidding is now in the $1,800 range with two days left.
Dizzy Gillespie Volume 1, Atlantic 138. This looks to be an original 10-inch pressing signed on the front by Dizzy Gillespie. I’m sure Don-Lucky or one of our other readers will weigh in on the authenticity of the autograph. The cover looks to be in VG+ condition and the record is described as VG+ as well. Bidding is in the range of $110 and there’s more than a day left on the auction.
Speaking of 10-inch records, we also had our eyes on these: Read more
Wait a second. How did I miss this one: Bill Evans, Waltz for Debby, Riverside 399. This was an original white label promo copy. The vinyl was listed in M- condition and the cover was VG+. The price was, get ready, $3,050.
Here are a few we’re watching on eBay now, starting with Introducing Lee Morgan, Savoy 12091. This is an original red label pressing listed in VG condition for the record and VG+ for the cover. The price is about $190 and the auction closes later today.
Art Blakey, The Jazz Messengers at the Cafe Bohemia, Volume 2, Blue Note 1508. This is an original Lexington Avenue pressing. The record is in VG+ condition and the cover is VG++. The auction closes today and the bidding is in the $280 range.