An Evening With Herbie Hancock

hancock copySo yesterday afternoon I was walking my dog Marty, the one who has accompanied me on my recent record scores, and we passed Barnes & Noble two blocks away and there in the window was a notice that Herbie Hancock would be appearing in the evening at 7 p.m. to discuss his new biography in conversation with Larry Blumenfeld who, I subsequently found out, is a jazz writer for, among others, The Wall Street Journal. Of course, this was of great interest to me so I left my house at 6:40 or so to venture the two blocks to Barnes & Noble and I took the escalator to the area where the discussion would be and, to my great surprise, the room was completely filled and overflowing, to the point where I actually had to stand outside the main area to hear and see the discussion. There must have been between 200 and 300 people in attendance. I don’t know why, but I expected a much smaller crowd. I never entertained the idea of leaving, because I wanted to hear what Herbie had to say and because I had also brought two of my rare Blue Notes for him to sign, which, as you can see in the picture, was a successful outcome. I was pleased that a good portion of the conversation was around Hancock’s time with Miles and, especially, his time with Blue Note. I will share one of the interesting Blue Note stories he told.

Read more

Podcast: A Jazz Collector Playlist to Welcome in 2024

This week’s theme. Welcoming in 2024, with 24-related jazz vinyl. Hint, Swing, Swang, Swinging’ and A New Perspective on Blue Note. Featured artists include Jackie McLean, Donald Bird, Herbie Hancock, Hank Mobley, Al Sears, Duke Ellington, Frank Sinatra, Ella Fitzgerald, Sonny Stitt, Bud Powell, John Coltrane, Oscar Pettiford, Oliver Nelson, Kenny Dorham.

Who Did You See?

Dexter Gordon in the ’70s. When he played the Vanguard, I would go every night.

This will be fun (for me, at least). It’s a new thing: Who Did I See? And the flip side: Who Did I Not See? I’m 68, born in 1953. I got into jazz at age 17 in 1970. I’ve told that story: Song for My Father. I was born too late to have seen Bird or Fats or Clifford or Pres or Billie or Art Tatum. I grew up in New York and have spent most of my life in New York. When I was a kid, my dad used to drag us to afternoon jazz shows in Manhattan. There was an organization called Jazz Interactions and they used to do Sunday concerts at the Village Gate and other venues. I remember going to the Five Spot on St. Marks as a kid. So I have two lists of Who Did I See. One is Who Did I See before I had any appreciation for who I was seeing. The second list is Who Did I See after I got into jazz and was making my own decisions and spending my own money. BTW, this is jazz only. I did see Cream and I did not see Hendrix, but that’s another list and another web site. These lists are not complete. I don’t remember every drummer or bass player or pianist. I don’t remember everyone I saw. It’s just a list of highlights off the top of my head. The nice thing about Jazz Collector is I can add to, subtract from or amend in my own time and at my own discretion. Here goes: Read more

Four For Blue Note

Random Blue Note jazz vinyl from our eBay watch list, starting with Herbie Hancock, Empyrean Isles, Blue Note 4175. This is an original mono pressing listed in M- condition for the record and cover. Seller rates it a ten on a scale of one to ten, for whatever that is worth. I had this in my queue and a reader sent me a link and it has 70 watchers, so it is, at the very least, a widely viewed listing that closes within a couple of hours of when I post this. The bidding is already more than $900 and at that price it will set a new high for this record, according to Popsike, but we are fully expecting that this copy will break into the $1,000 bin. Read more

New Newk, New Guest Columnist

I suppose many of you have already seen that a new Sonny Rollins album came out last week, Rollins in Holland. Unfortunately, Sonny is no longer playing the sax. The music and interviews are from radio and concert appearances from May 1967, a time when Sonny was taking a hiatus from studio recordings in the States, so this is an interesting addition to the catalogue from a time period where there isn’t much Newk on record. I have to admit, I haven’t ordered the record yet, nor have I heard the music, but I will order it as soon as I finish writing this post. I was planning to wait until getting the record to write about it, and I will probably still do that, but in the meantime our loyal reader from Amsterdam, Maarten Kools, sent me an email last week with some insights on the album and I wanted to share them here. Maarten also sent me a separate email a few weeks ago about some of the great jazz artists who are still alive, so I henceforth shall be turning this post over to Maarten as an improvised guest column of sorts. Read more

Back To Blue Note, Prestige and Fond Memories

Just logged onto eBay for the first time in a couple of weeks and my searches led me very quickly to a wide range of Blue Notes and Prestiges currently up for auction, almost all of which seem destined to sell for pretty high prices, indicative that the demand is continuing to be as strong as ever for rare and vintage jazz LPs, particularly for records on these iconic labels. Here are a few that I’ve put into my watch list, starting with Jackie McLean, New Soil, Blue Note 4013. This is an original deep-groove West 63rd Street pressing. The record and cover both look to be in M- condition and that cover looks particularly nice, with an important caveat (see the Lee Morgan record below). The bidding is currently at $350 and the auction closes about two hours from the time I am typing this. There are 10 bidders and 24 watchers and I wouldn’t be surprised at all to see this record enter or approach the $1,000 bin. But what about that cover?

Read more

Autographed Jazz LPs, and Not Autographed Jazz LPs

We’re watching some rare jazz vinyl on the current auction from The Jazz Record Center, starting with Duke Ellington & John Coltrane, Impulse A-30. This is an original promo mono copy with the white label. The record and the cover both look to be in mint or near mint condition. The start price is $200 and so far there are no bidders with two days left in the auction. Also, Charlie Rouse, Yeah!, Epic 16012. This is an original pressing with the yellow label and also looks to be in mint or near mint condition. The start price for this one is $300 and so far there is one bid. One more: Horace Parlan, Movin’ and Groovin’, Blue Note 4028. This is an original West 63rd Street pressing. The record looks to be M- and the cover maybe a notch below. There are six bids and the current price is in the $275 range. Read more

Ornette, Intrigue, Esquire and More

Today we will get back to the normal business of watching and commenting on jazz vinyl for sale and we will also pose some reader questions and comments. Let’s start with Ornette Coleman, The Shape of Jazz To Come, Atlantic 1317. This is a deep groove pressing, unplayed, still with its original loose sleeve. The start price is around $200 and the auction closes today with no bidders. This record caught my eye because in my other room just down the hall I have a copy of this record still with its original seal unopened. Oh, yes, and the record happened to be owned by Ornette himself. Oh, yes, and it is part of a collection that I recently purchased and am looking to sell in toto. Intrigued? I will be providing more details soon, because, as always, there was an adventure and a story that goes with it. In the meantime, if anyone is interested you know where to find me, alatjazzcollectordotcom. Read more

Who’s Alive?

Roy Haynes

Living in New York City and being a somewhat infamous collector of jazz records, people often ask me if I still see a lot of live jazz. My standard reply is “no because anybody I would really want to see is dead.” I realize this is a flippant response and not 100% true because I do occasionally see live jazz, but it still sometimes gets a chuckle and in my business you never cut funny. In any case, I was thinking about that this morning and my mind started racing and trying to remember who actually is alive from the era that we write about here at Jazz Collector. Read more

Back To Blue Note

Where were we? Oh, yes, eBay. Tina Brooks, True Blue, Blue Note 4041. This was an original West 63rd Street pressing from the Jazz Record Center, part of a nice auction that closed last week. Based on the description I would count this as M- for both the record and the cover. The final price was $2,275. Before eBay was around to show us what the market really looks like, I used to think that True Blue was the ultimate Blue Note collectible, and for a while that did seem to be the case. But it has since been surpassed in desirability — and price — but at least a couple of other records, to wit: Hank Mobley, Blue Note 1568. This was an original pressing with the New York 23 label on side two, which makes it uber-original in the eyes of many collectors. Perhaps of equal excitement, this was a promo copy. The record was listed in M- condition and the cover was listed as EX+. The final price was $7,970, which may be a record for any jazz record, depending upon how you view these things. Quite incredible, don’t you agree.

Read more

1 2 3 4